IMDb-BEWERTUNG
6,5/10
8055
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPenn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.Penn State football coach Joe Paterno becomes embroiled in a sexual abuse scandal.
- Für 2 Primetime Emmys nominiert
- 1 Gewinn & 7 Nominierungen insgesamt
Ken Maharaj
- MRI Tech
- (as Kenneth Maharaj)
Mitchell L. Mack
- Devon Smith
- (as Mitchell Mack)
Empfohlene Bewertungen
Barry Levinson's Paterno wants the viewer to know that this legendary college football coach, Penn State University and its football team supporters cared more about its football program than the fate of some of the young people sexualy abused by an assistant football coach, Jerry Sandusky.
The film opaquely hints as to how much Paterno might had known as to the abuse taking place and like other people just turned a blind eye.
After a wonderful expansive opening where Paterno as head coach takes the team to a record breaking streak. This HBO film settles down as a Shakespearean tragedy, almost like a stage play.
Al Pacino's Paterno is a man out of his time. Confused, weak and sick. He is an octogenarian who knows all about college football but has no way to handle the mess he finds himself in.
The film contrasts Paterno's fate with that of local newspaper reporter Sara Ganim (Riley Keough) who doggedly pursued the story of the child abuse and who earned the trust of the families.
However the flip flopping between the two story strands feels like a distraction. Levinson's approach comes across as mild, even anodyne lacking the moral outrage of a movie like Spotlight.
The film opaquely hints as to how much Paterno might had known as to the abuse taking place and like other people just turned a blind eye.
After a wonderful expansive opening where Paterno as head coach takes the team to a record breaking streak. This HBO film settles down as a Shakespearean tragedy, almost like a stage play.
Al Pacino's Paterno is a man out of his time. Confused, weak and sick. He is an octogenarian who knows all about college football but has no way to handle the mess he finds himself in.
The film contrasts Paterno's fate with that of local newspaper reporter Sara Ganim (Riley Keough) who doggedly pursued the story of the child abuse and who earned the trust of the families.
However the flip flopping between the two story strands feels like a distraction. Levinson's approach comes across as mild, even anodyne lacking the moral outrage of a movie like Spotlight.
Very disappointed in this sketchy HBO presentation. which glosses over many key characters and injects bits and pieces of real events and presumed behaviors to a viewing audience which can be easily confused by the scattershot script and direction. It seemed like a series of story boards out of order. The film needed much more character development, as well as more coherent storytelling.
I thought the movie was going to be your typical made for TV movie and that's exactly what we got. Not good, not bad just somewhere in the middle. That being said this movie wasn't meant to be uplifting, it was meant to be dark and brooding because of the subject matter. This movie absolutely should have been about Paterno because he is the story here. The most powerful person in the state who could have stopped this long ago but was too worried about his sport, his university and his legacy to lift a finger. Paterno was made out to be a idiot in this movie because when the scandal broke that's exactly how he acted, the portrayal is spot on. He played the old man card in the most transparent way possible, blaming his memory and feeble mindedness when asked questions after it broke that he knew what was going on. I kept expecting to hear him say no habla ingles towards the end.
Far as I'm concerned he was portrayed accurately I could care less about his legacy and even the most loyal and diehard Nittany Lion fan should feel the same.
Far as I'm concerned he was portrayed accurately I could care less about his legacy and even the most loyal and diehard Nittany Lion fan should feel the same.
While its not another HBO masterpiece, I found it interesting enough to watch the whole thing and enjoyed it. I liked many things about it but I also didn't like some things, and I'll talk about that. At the beginning, it starts with the indictment so I was worried we wouldn't give enough background going back to 1998, but thankfully the film has many flashbacks and the reporters are also used as an explanation device of the past. The film did not shy away from the tough aspects of this tough subject. I did enjoy the Paterno scenes where he is confronted on the charges and how he deals with it, though it can be a little slow. I found the framing device to be interesting and Al Pacino's performance was great, I didn't see Al Pacino, I saw his character. The cinematography was also top notch, what can be expected from and HBO movie. But there were things I didn't like, and I will discuss it.
I personally didn't like how they opened it, they opened it in a spot where a lot of things already happened, but to be fair the film does go back and explains things. The pacing is also hit and miss, sometimes things are paced fine, and sometimes I felt it jumped around too quickly. I also wish is a bit longer or a show because there were a couple story points I feel could have been explored more and would have been beneficial to the story to delve into. I also didn't connect with any of the other characters except for Paterno, no character really stood out and wowed ne. All in all it was an interesting enough film that I finished and mostly enjoyed.
I personally didn't like how they opened it, they opened it in a spot where a lot of things already happened, but to be fair the film does go back and explains things. The pacing is also hit and miss, sometimes things are paced fine, and sometimes I felt it jumped around too quickly. I also wish is a bit longer or a show because there were a couple story points I feel could have been explored more and would have been beneficial to the story to delve into. I also didn't connect with any of the other characters except for Paterno, no character really stood out and wowed ne. All in all it was an interesting enough film that I finished and mostly enjoyed.
I watched this movie at home on DVD from my public library, my wife skipped it.
I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.
This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.
Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.
It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.
A good movie of a sad chapter in college football programs.
I have been a football fan all my life and, while I never was a Penn State fan (go Purdue!) I knew of Joe Paterno and how respected he and the Penn State football program were. I also clearly remember when the events of 2011 broke wide open.
This movie stars Al Pacino as Joe Paterno and, while he does fine I was constantly reminded of the actor by his raspy voice. Paterno had a calm smooth voice, even near the end.
Still the movie is a good dramatization of the events of 2011 that led to Paterno's firing, just a couple of months before his death, when the details of former coach Sandusky's activities with young boys became fully known.
It was argued, and it seems plausible, that as head of the football program Paterno should have known more and should have done more earlier in the Sandusky case, so he was fired in November 2011. Paterno is portrayed as a rather simple man who focused so much on the football and preparation for next games that he was either unaware of Sandusky's activities or just wanted them to go away without his strong involvement.
A good movie of a sad chapter in college football programs.
Wusstest du schon
- WissenswertesSara Ganim and members of The Patriot-News Staff won a number of national awards including the 2012 Pulitzer Prize for local reporting, making her the third youngest winner of a Pulitzer. The award cited "courageously revealing and adeptly covering the explosive Sandusky sex scandal involving former football coach Jerry Sandusky."
- Zitate
[last lines]
Sara Ganim: Uh, I'm sorry. You said... 1976?
- Crazy CreditsThe title appears after 10 minutes.
- VerbindungenFeatured in The 70th Primetime Emmy Awards (2018)
- SoundtracksMadama Butterfly, Act II: Un Bel Di Vedremo
Written by Giacomo Puccini
Performed by Maria Callas
Courtesy of Warner Classics U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Happy Valley
- Drehorte
- Riverdale, Bronx, New York City, New York, USA(State College, PA)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 16:9 HD
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen