The White Queen

I've seen a few period series, and almost all of them stand out for the same reasons and fall into the same traps. I remember, in particular, the famous and successful series "The Tudors" and another, less well-known, "The Borgias", but there are others. And after seeing these series, I feel that they are similar to each other, although they address different times, contexts, figures and geographies. Some even say, and I understand why, that this miniseries (one season, ten episodes) is a prequel to "The Tudors". It's not, the cast or crew are different, but it could be.

The historical period covered, of about thirty years, begins with the accession to the throne of the House of York by the hand of Edward IV, after the deposition of the unstable King Henry VI and the first phase of the Wars of the Roses. Much of the series will focus on the figure of this willful and charismatic monarch and his military chief, Richard Neville, Earl of Warwick. However, the main dish of the series is the women and their ability to influence: the king makes a debatable marriage with Isabel Rivers, harming Warwick's interests and creating a rivalry between the Neville and Rivers clans. The "kingmaker" will then go to France, kneeling before another powerful woman: Margaret of Anjou, wife of the deposed king, who used her connections to French royalty to raise money, supporters and troops for the House of Lancaster.

At a time when nobles had the power and money to arm troops for themselves, the support of the high nobility dictated the tide of events. The series shows this through the Stanleys (two brothers who, by strategy, place themselves on both sides of the conflict) and the Nevilles, who give Henry VI the means for a brief restoration that ends in his death, in the Tower of London, and in the death of Richard Neville at the Battle of Barnet. This neutralized this family power, with their daughters marrying York princes, who divided the family heritage and put it in the Crown assets. However, and staying true to the material of novelist Philippa Gregory, the series gives relevance to these ladies, particularly Anne Neville, who marries the Lancastrian heir and, after being widowed, the future Richard III. Personally, I have a lot of doubts here: everything indicates that Anne, far from being the strong and influential woman shown, was just a pawn in a game where she had little to say. The series ends with the defeat and death of Richard III at the hands of Henry Tudor's troops.

I apologize if I exaggerated the analysis of the historical facts, but being a historian, I thought it was pertinent to talk a little about it. On the other hand, I feel that I am not saying anything that cannot be learned from the Internet or from a good English history book. The series is good and interesting, although I have noticed some mistakes that are not understandable: women with their heads uncovered, nobles fighting on foot and without helmets, breeds of dogs that did not exist at the time, etc. It is in these details that we observe the ability of a series to be faithful to historical truth. Even so, the series fared somewhat better at this point than "Tudors".

The cast is good, although sometimes the performances are anachronistic (the characters sound and behave like people of our time) and dialogues are cheesy. Rebecca Ferguson deserves applause for a job well done and convincing, as do Max Irons, Aneurin Barnard, David Oakes, Tom Mckay, Rupert Graves and James Frain. The actors gave themselves to the characters and tried to be authentic, although they may not have always received the best material. On the negative side, Amanda Hale exaggerates and makes her character a fanatic on the verge of madness and Faye Marsay does what she can with her character, but takes on increasingly contemporary attitudes and gestures. I liked Janet McTeer's work, but I preferred a French-speaking actress in the role, because the character featured was French by origin.

Technically, the series is quite elegant and makes the best use of the Belgian settings where it was filmed, between Ghent, Bruges and Ypres. Equally well-made, the costumes seem appropriate for the time, except for the glaring absence of hats and head coverings or veils, an essential part of fashion at the time, as the painting so expressively reveals to us. The photography and filming work was very well done, the effects work well, the opening credits design is very well done, and the soundtrack is reasonably good.

We have been enjoying this drama immensely and when I stumbled across this IMDb site and read the first review by Mouth Box, I felt it was very unfair.

I don't recall reading anywhere that this show is a fact-based historical TV show. I keep reading that is a drama.

I don't think anyone watches this and thinks this is all completely, 100% true. Geez, it's a TV show and a very good one at that.

I don't know what anyone gets out of posting such a nasty review, but some folks are just unhappy in life I suppose.

I rated this show 8/10, thanks.

Interesting story line for those of you who have the slightest clue of history. Other reviewers talk about "supernatural" plot lines. I had to chuckle. This series is based on a scandalous time in history. It is pretty factual with some added creative license. Historical events of this family and time involve accusations of witchcraft. This is not a Hollywood conjured up plot line with supernatural concoctions to make a series more interesting as other reviewers suggest. After this first episode, I would say it rates mountains above most garbage you see on US television. Elizabeth Grey reigned as queen for 19 years. I recommend a Google search for some of you to get a taste of the juicy storyline this series will bring.

If you are of the disposition to enjoy extravagant production values, a handsome cast and plots compromised of devious political maneuvering, then it will be easy to appreciate BBC One's epic saga The White Queen for the rollicking good drama that it is. If, however, you are a narc for period accuracy, it's probably best to stick to the history channel.

Adapted from the best selling novel series The Cousins' War by Philippa Gregory, the show is set during the War Of The Roses, a conflict between the House of York and The House of Lancaster for the throne of England.

The subtext of the series revolves around the plight of medieval women, a fate fraught with perils equal to anything that their male counterparts faced on the battlefield. It's an oppressive, violent and often soul destroying existence from which not even the nobles from which the series draws it's focus are spared. In this way the The White Queen surprisingly possesses quite an insular focus despite the scope of the events that play out around the main characters. Interpersonal dynamics and the quest for personal power are the main factors that propel the narrative.

The pilot episode has actually been the weakest thus far, mainly serving the purpose of character introductions and setting the foundation of the central romance between Elizabeth Woodville and King Edward IV. This is not say that it is without merit, as the episode acts as an intriguing appetizer of promised delights to come. Initial patience is soon rewarded as the subsequent installments have upped the anti ten fold. Admittedly creative license has been taken in regards to a number of events, but there is no denying that The White Queen is thrilling melodrama nevertheless.

http://infilmandtvland.wordpress.com/

One night early there was a preview showing of this new series from the Brits. It looks promising if a bit unorthodox in its approach to history and slips in the settings and costumes. The series is based on Philippa Gregory's novel, 'The Cousins' War' and roughly the story line promises to follow these lines: Set against the backdrop of the Wars of the Roses, the series is the story of the women caught up in the long-drawn-out conflict for the throne of England. It starts in 1464--the nation has been at war for nine years fighting over who is the rightful King of England, as two sides of the same family, the House of York and the House of Lancaster, are in violent conflict over the throne. The story focuses on three women in their quest for power, as they manipulate behind the scenes of history--Elizabeth Woodville, Margaret Beaufort and Anne Neville.

In the first episode we don't see much more than King Edward's bedding and wedding of Elizabeth, a lot of bickering, some fighting, and some castle intrigue. Rebecca Ferguson plays Queen Elizabeth, Amanda Hale plays Lady Margaret Beaufort, Faye Marsay is Anne Neville, and the remarkable actors are Janet McTeer as Jacquetta Woodville (Elizabeth's magical mum) and Max Irons (handsome son of Jeremy Irons) as King Edward. James Frain is an unusually grumpy and sour Lord Warwick and Caroline Goodall is splendid as the evil Duchess Cicely. It is difficult to tell from an isolated episode, but the series has enough interest in the poorly understood realm of the War of the Roses for American audience that it will probably have staying power. Stay tuned...

Grady Harp