Milius

Great writer, below average director.

Larger than life as a person.

What's interesting about this documentary about the writer John Milius is that he was befriended with Steven Spielberg, George Lucas, Martin Scorsese and Francis Ford Coppola back in the early seventies. All his friends did become famous and legendary directors, while John Milius did not succeed.

John Milius was lauded for his writing talents and his excellent screenplays by an incrowd of directors. But the man was larger than life and in day to day dealings with Hollywood many excecutives didnt fancy dealing with someone who had several wild antics, like gun slinging and threatening to shoot his gun, while he was in business meetings.

In the end this is a portrait of a great writer, but a failed director, whose movie career petered out quite quickly. He is still forever famous for writing "Apocalyse Now" though. If you havent seen that movie yet, you are in for a real treat!

It's a fairly standard talking head movie with lots of clips and interviews. Does a great job of letting you see him and his work. Well done.

Milius (2013)

**** (out of 4)

Wonderful, all-star tribute to writer-director John Milius who is best remembered for the screenplay to countless classics including DIRTY HARRY, JEREMIAH JOHNSON, THE WIND AND THE LION, APOCALYPSE NOW, CONAN THE BARBARIAN and RED DAWN. This documentary traces his early days at USC and how he started working at AIP before moving onto some of the biggest pictures of the 70s and 80s. This documentary covers the wild stories behind the man and how eventually all of his politics became too much and he was pretty much thrown out of Hollywood. Directors Joey Figueroa and Zak Knutson do a marvelous job at telling this story and much like the subject, they don't shy away from telling the truth about Milius. They don't shy away from some of his outrageous antics and they also aren't afraid to ask a pretty basic question about why such a talent just isn't being used as much. The film contains a terrific line up of people being interviewed including the likes of Scorsese, Spielberg, Coppola, Schrader, Stone, Lucas, Dreyfuss, Sam Elliott, Eastwood, Harrison Ford, Ed O'Neil, Stallone, Schwarzenegger and countless others. It's obvious that all of these people hold the subject in high esteem and after watching this documentary I'm sure you will do. The documentary tells a great story and the way it's constructed is another major plus. The interviews are all terrific but we also get plenty of wonderful clips from the movies themselves. There's no doubt that after watching this thing you're going to want to go out and see the movies.

"Milius" admirably susses out the life and essence of director, writer and movie maven John Milius, and does so without resorting to hagiography or caricature. Milius the man and the notion put the hook in me, to use his own expression, with his script for "Apocalypse Now" from 1979. He is a master of the outsize soliloquy that is relevant, indelible, written in urgent flaming large font, and always delivered with a sub rosa wink and nod. Milius in life is as bombastic, vexing and complex as his characters, and labels, slogans, and cliché cannot describe him. The filmmakers here do an exceptional job of getting past hype and drama to really figure out what makes Milius tick (or tock, as the case often is). One wishes Coppola in this film were more forthcoming with what must surely be deep insights into Milius he possesses, but aside from this dry spot, "Milius" is a nicely-woven film and warrants a watch.

This documentary is about a Hollywood legend who deliberately cultured an anarchistic and ultra-macho persona—one that irritated the life out of many of the politically correct in Hollywood. However, for some time, the film industry had to put up with John Milius' strangeness because the man was extremely successful. With films like "Dirty Harry", "Magnum Force", "The Wind and the Lion" and "Apocalypse Now" to his writing credits, he was greatly in demand and was friends with the biggest names in Hollywood—like George Lucas and Steven Spielberg. However, in recent years, Milius' output on the screen has dropped considerably and the prestige of his projects has dropped. And, in the last few years, his output has dropped to nothing. What happened? What led to this fall?

The film begins with a very brief discussion of Milius' childhood but spends most of the early part of the film talking about his time in film school—where he attended classes with the two men mentioned above as well as a few other future filmmakers. It then proceeds to discuss his projects chronologically—and pays special attention to his most successful and critically acclaimed pictures. Additionally, I noticed that Milius' IMDb credits actually are missing much of his work, as he was apparently the go-to man when producers needed re-writes or wanted to punch up scenes—such as when he contributed some dialog for the films "Jaws" and "The Hunt for Red October". His track record during this time was pretty amazing. But as I mentioned above, there was a fall—but I really don't want to say more, as it would spoil the film.

The best thing going for this film is how much many ultra-famous people love and respect Milius. Because of this, TONS of exceptionally big names contribute to the film—such as Clint Eastwood, Sam Elliott, Oliver Stone (who didn't seem to like him but respected his abilities), Francis Ford Coppola, Richard Dreyfus, Harrison Ford, Steven Spielberg, George Lucas, Martin Scorsese, Arnold Schwarzenegger and many, many more. Even a bad documentary would be great and well worth seeing with these folks appearing in it!! And, fortunately, this is NOT a bad film at all. It is a loving portrait of a strange and deliberately out of sync man. Think about it—in the bastion of liberal thinking, Hollywood, Milius was serving as an officer for the NRA and would carry guns about him to meetings with studio execs!! I admire someone who deliberately tweaks the noses of those around them, as provocateurs make like a lot more interesting!

Additionally, the film is well-constructed, filled with wonderful clips and archival footage, is fascinating and you cannot help but gain an appreciation for this very odd man. Well worth seeing—especially for anyone who wants to be somebody in the film business.