Der Wind und der Löwe

There was something unnerving about watching "The Wind and the Lion". I'm not just speaking of the exceeding suspension of disbelief that had to be cast in its direction, but current events in regard to the film. I must assume that the film, though focussed around the year 1904, must have been written allegorically, because (much like present world events) Sean Connery plays a shiek, speaking frequently of a jihad, and Brian Keith plays Teddy Rosevelt as an embellishment of a power hungry politician. Candice Bergen's character sits in the middle as the occasional "something of value" that the two sort of toy over. It's really an interesting movie, even if a bit full of itself. The weird thing is that when it's not playing out like an adventure or romance (which really seemed contrived), it seems rather humorous in an exaggerated manner, so my guess is that buried underneath all of the thrills is a biting satire of ... well, something. It's an above average film, but still a damn unique one.

Director John Milius' "The Wind and the Lion" is a show case for the directors love and interest of American history, Teddy Roosevelt, fire arms, stirred into an equal love and reverence for the films of David Lean ("Lawrence of Arabia), Sam Peckinpah ("The Wild Bunch"), Sergio Leone, and Akira Kurosawa ( "Seven Samuarai). An action romantic epic of the type that are rarely attempted by modern Hollywood, "The Wind and the Lion" excels on all cinematic levels. Great photography and editing, a memorable Jerry Goldsmith score, charismatic performances from Brian Keith ( Teddy Roosevelt) and Sean Connery. It should be noted, that in the age before digital special effects, this movie contains some of the most spectacular stunt man and horse scenes ever put on film, and that's saying a lot given the hundred years or so of that genre. Milius is noted for his obsessive veneration ( justifiably) of Orson Welles' "Citizen Kane". Like Welles, "The Wind and the Lion" is Milius peaking early in his career with an over looked masterpiece.

... Except that the Eden Pedecaris character was in reality a man who didn't have any children with him and that the battle at the end with the United States Marine Corp defeating a German force never happened . So in truth it's not actually a true story plot wise

It's very arrogant of Hollywood in general and John Milius in particular to re-write history in this manner because the film is rather accurate in some other ways namely the portrayal of Theodore Roosevelt . Want to know about how the teddy bear came into being ? Watch this film . Roosevelt was a great lover of nature , he was both a hunter and an ecologist and decided that if America wanted to be a major world power then the nation would have to carry a big stick while speaking in a soft voice

Roosevelt more than any president in history made America the superpower it is today and it's a very topical film to watch in 2004 . America's resentment of Germany and France ! Arabs slaughtering infidels on the battlefield but taking a moral high ground about women and children being held as hostage ! American military leaders and diplomats not really caring if they start a bloody war ! The more things change the more they stay the same

It is interesting to see that Milius has painted the Arabs with very human faces . Mulay might be a brigand but he's a most likable anti hero and a cinema audience has the rare opportunity of seeing what Sean Connery is capable of when he's given a good role . I wonder though how this film would have the Arabs if it'd have been made a few years later after the Iranian revolution ? I've got a feeling it would never have been made at all in todays current climate

As it stands THE WIND AND THE LION is very poor history in most parts , fairly good history in some parts and stands as a sort of timepiece when Hollywood was far less xenophobic than it is today

Average adventure movie that took a serious story and "Holywoodised" it.The watering down effect done particularly towards the average script snatched away this movie's place as a would be solid classic. Why water down such a great storyline?Probably because it deals with "sensitive" colonial subject matters and the producers do not want to create political heat,just quick profits thank you.The directing,cinematography and soundtrack and acting was good.The screenplay was average.The charm of Connery made up for his wrong Arabic accent and all the scenes with President T. Roosevelt were masterpiece takes.The costumes/sets here was very good.Too bad we did not get more of a serious historical drama since this is what the story demands.Only for big fans of the lead actors or fans of exotic Romance/Adventure Holywood movies.....

Lovely Candace Bergen as the widow Perdicaris are kidnapped and held for ransom by the Sheik Raisuli played by one dashing Sean Connery. The incident comes during 1904 as Theodore Roosevelt runs for election to the presidency in his own right. Needing a good example to show off the muscular foreign policy of the United States, Brian Keith as Roosevelt issues a stunning declaration to the Sultan of Morocco, "Perdicaris alive or Raisuli dead."

But in this adaptation of that incident the famous declaration is the only true thing about this story. The Perdicaris in question was in reality one Ion Perdicaris who was a Greek immigrant and dilettante playboy. In fact Perdicaris gave up his American citizenship years ago and was back as a Greek national. Never mind that though, his predicament was serviceable enough at the time.

The damsel in distress makes better screen material though so it's a widow woman and her two kids that are in harm's way here. Of course as presented here the incident is also used by some of our European powers to get their foothold into Morocco. The intrigues get far beyond one brigand's demand for ransom.

The Wind and the Lion is hardly history. But it is an enjoyable film and Sean Connery is always fun to watch. Brian Keith also fits my conception of Theodore Roosevelt and the scenes in the Roosevelt White House do ring true to all the stories told. John Huston plays the ever patient Secretary of State John Hay who Roosevelt had inherited from his predecessor William McKinley.

But kids don't use this film to skip reading a history assignment on the Theodore Roosevelt era.