Kopfgeld-Killer konkurrieren um die Anzahl der getöteten, Ruhm und einen fetten Haufen Geld. Sie beenden die Plage der Unternehmensgier und leisten Vergeltung gegen die Überlebenden der Apok... Alles lesenKopfgeld-Killer konkurrieren um die Anzahl der getöteten, Ruhm und einen fetten Haufen Geld. Sie beenden die Plage der Unternehmensgier und leisten Vergeltung gegen die Überlebenden der Apokalypse. Dies ist das Alter des BOUNTY KILLER.Kopfgeld-Killer konkurrieren um die Anzahl der getöteten, Ruhm und einen fetten Haufen Geld. Sie beenden die Plage der Unternehmensgier und leisten Vergeltung gegen die Überlebenden der Apokalypse. Dies ist das Alter des BOUNTY KILLER.
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Its post-apocalyptic, Its based on a graphic novel, the main character is called "Drifter," Barak Hardley declares PBR Tastes like boobies. Overall I have to side with San Francisco Chronicle reviewer G. Allen Johnson's assessment that everyone in the film looks to be having a good time.
If you can get over (or enjoy) the general campiness, excessive gore, and the fact that Gary Busey never says "Butthorn," it should be a good time for you too.
The acting was not too bad, at least most of it was believable and the unknown actors were great. Barak Hardley was really funny and brings a left-brains' side to the story.
The mix of personalities is really well made and inter-mingling is great. I am really surprised by this film, it has a lot of potential. Of course the old geezers from the Mel Gibson generation (should be in old houses by now!) will complain that it has a Mad Max feeling in the movie, OF COURSE, it is post-apocalyptic! What do you expect? Hollywood hoes with their bling-bling-raper-boyfriends? Nope, it is the right feel for the right situation.
To me the best part of this film is the story: bounty killers hunting the white collars bastards that (still as we speak) ruled this world. It is such a liberation of the mind to see evil people getting eliminated by the dozens, too bad there was not enough of them to my taste but still it was bliss!
Christian Pitre looks so hot in the Mary Death costume it's nice for the eyes :-) Matthew Marsden is quite good too in this flick, he is the cool guy that keeps things straight...well almost.
This is a movie to see if you like action, comedy and violence this is for you, it will totally entertain you. If you are on the soft side, avoid this movie, it is not for you at all, stick to the smurfs!
Bounty Killer is a calculated attempt at achieving cult status—every element designed to appeal to fans of exploitation and B-movie madness—which is one of the reasons why I found it so irritating: I believe that cult-dom should come naturally to a film. What makes matters even worse than its thoroughly contrived nature is that, despite all of the film-makers' best efforts, it frequently misses the mark: the comic-book style story is weak, the characters are inane, the humour uneven, the action poorly executed (the lame Road Warrior-inspired chase scene drives home just how brilliant George Miller's film is even after 30+ years), and the satire uninspired (corporate types are the villains—how droll).
About the only thing that the film gets right is the graphic violence, which is frequent and very gory (and achieved mostly using practical effects), with splattery bullet hits, heads cleaved in half, guts spilt, and limbs hacked off.
The film is fun to watch with its boobs, blood, beer and bounty plot. Some scenes are hilarious, especially when 'Bounty Killer' makes fun of itself. It doesn't want to be 'Blade Runner (1982)' or 'The Tournament (2009)', it simply wants to party with lots and I mean the 'Judgement Day (1991)' bunker kinda ammunition.
Maria Death is played by a gift of God to man & Kristanna Lolen is a sin to watch.
Marsden's 'Drifter' reminded me of Michael Biehn with that sanchez he sported in 'The Abyss (1989)' - for some odd reason. The 'Gun Caddy' is a riot. And one last thing: the action sequences are pretty decent and close to intense, quite similar to 'Ms. Death's' close up of the cleavage, however the tongue-in-cheek never loses sight of it.
And it's R rated.
Everything was done to max effect, despite the apparent budget. Matthew Marsden did real good as the brooding "Drifter" & Christian Pitre as "Mary Death" stole the show with her spicy combination of ruthlessness & sexy. Supporting actor Barak Hardley did a good job as the comic relief gun caddy "Jack". Supporting roles by Gary Busey, Eve, and Beverly D'Angelo also were not a wasted.
All I can say from my personal experience, is that I came in looking for a time filler movie and found a very entertaining cult raunch movie in the same vein as Quentin Tarantino & Robert Rodriguez films. The only thing that separate this movie from the other ones is marketing & a bigger budget. If it'd had those things, it probably would've took Hollywood by storm. *(Hollywood Execs--hint, hint)* Wondering if you'd like it: If you like the movie poster, then chances are you're REALLY gonna like this film. It's exactly what you thought It was lol
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- WissenswertesThe movie is based on a graphic novel published by Kickstarter Comics in 2013.
- PatzerAs Catherine is talking to Drifter in the office building, there is a fight going on behind them. In one shot, Mary is seen walking passed an open door. In the next shot, the blood-spattered glass door is fully closed.
- Zitate
Jack LeMans: I'm stealing a stagecoach from a bunch of savages with a wanted criminal, moonlighting as a bounty killer, who has the hots for a murderous, deranged Gypsy.
Drifter: Dreams do come true, kid.
Jack LeMans: I never stopped believing. YA!
- Crazy CreditsOuttakes are shown during the end credits.
- VerbindungenReferenced in The Concessionaires Must Die! (2017)
- SoundtracksThe Kill
Performed by Sara Bareilles
Written by Sujata Day and Will Collyer
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- Laufzeit1 Stunde 32 Minuten
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- Seitenverhältnis
- 2.35 : 1