Lord of Tears
- 2013
- 1 Std. 44 Min.
IMDb-BEWERTUNG
4,8/10
1612
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhen a school teacher is plagued by recurring nightmares of a mysterious entity, he travels to his childhood home because he suspects a link to a dark incident in his past.When a school teacher is plagued by recurring nightmares of a mysterious entity, he travels to his childhood home because he suspects a link to a dark incident in his past.When a school teacher is plagued by recurring nightmares of a mysterious entity, he travels to his childhood home because he suspects a link to a dark incident in his past.
Empfohlene Bewertungen
Atmosphere, yes. Great locations, yes. Interesting enough premise, yes. And I didn't notice that the lead male couldn't act until "Eve" showed up. She can act, but at the community theater level. Lordy, when she said "I'm from the South" in that "I'm not from the South and I don't think I've ever been there" accent it was over. Oh, did you know she trained as a dancer? Well, golly, there's a scene where she spins.
It's just all fluff and stiff moments with decent locales, some nice nature shots, and a MYSTERY!
It's just all fluff and stiff moments with decent locales, some nice nature shots, and a MYSTERY!
I never "review" movies, but when horror breaks what I consider to be the #1 cardinal rule of the genre, it makes me almost angry for some reason. That rule, which is an entirely personal one, is that if you're going to take yourself dead seriously with your horror movie, you damn well better have good acting. Your story has to embrace camp in order for bad acting to have any hope of working. The lead actors ability is to me only a few small steps above infomercial quality. There is no feeling to his performance here whatsoever, especially when it calls for dire emotion which it does much too often. The story's execution, although interesting on paper, really doesn't do him or the lead actress any favours. I couldn't in good conscience rate it as low as possible because there are three things, a star for each, that to me must be commended: 1) The location and cinematography that takes place outdoors is fantastic. Beautiful stuff. 2) The lead actress is absolutely gorgeous here, and her performance singlehandedly carried me through to the end, which I could barely believe I made it to. She is embarrassingly cheesy in the third act, which I won't spoil here, but that is entirely the fault of the filmmakers. She did what she could with what she was given. 3) The movie is dedicated to Christopher Lee. This one is self explanatory.
3/10
3/10
Director Lawrie Brewster's LORD OF TEARS is the story of James Findlay (Eaun Douglas), who has inherited his family estate in the Scottish highlands. Said estate was the source of many childhood nightmares for young James. His late mother even attempts to dissuade him, via a letter left for him, from moving into the place.
Unperturbed, James moves right in... and the new nightmare begins.
First off, let's talk about the house itself, which is one creepy place! The exterior looks like an ancient asylum crossed with a mausoleum. The interior is a labyrinthine collection of tight hallways, countless rooms, and winding staircases. In a word, it's perfect!
Strange occurrences start almost immediately.
Enter Eve (Alexandra "Lexy" Hulme), an American woman who is eager to help James uncover the truth about his past. Ms. Hulme's Eve is a beguiling, playful woman whose every move seems seductive. Her dance and swimming pool entrance scenes are unforgettable! There's something different about Eve. Something mysterious and somehow foreboding. She undergoes a transformation that almost defies description. Ms. Hulme delivers the terror in spades!
Brewster captures a growing sense of dread, perfectly. His film is fittingly surreal without tumbling into absurdity. It's also scary as hell! The house, the grounds, and the surrounding landscape are characters in themselves. This is for those who enjoy the macabre, the gloomy, and the doom-filled.
And we haven't even mentioned the enigmatic Owl Man...
Unperturbed, James moves right in... and the new nightmare begins.
First off, let's talk about the house itself, which is one creepy place! The exterior looks like an ancient asylum crossed with a mausoleum. The interior is a labyrinthine collection of tight hallways, countless rooms, and winding staircases. In a word, it's perfect!
Strange occurrences start almost immediately.
Enter Eve (Alexandra "Lexy" Hulme), an American woman who is eager to help James uncover the truth about his past. Ms. Hulme's Eve is a beguiling, playful woman whose every move seems seductive. Her dance and swimming pool entrance scenes are unforgettable! There's something different about Eve. Something mysterious and somehow foreboding. She undergoes a transformation that almost defies description. Ms. Hulme delivers the terror in spades!
Brewster captures a growing sense of dread, perfectly. His film is fittingly surreal without tumbling into absurdity. It's also scary as hell! The house, the grounds, and the surrounding landscape are characters in themselves. This is for those who enjoy the macabre, the gloomy, and the doom-filled.
And we haven't even mentioned the enigmatic Owl Man...
Wow. Just. Holy cow, what a cringefest. I mean, I am pretty tolerant of cheese you guys, but this stinks. It stinks. What a tremendously awful film. Almost everything about it just assaulted my senses. To be fair, the scenery was beautiful and the setting deserved a better movie. But they don't get credit for Scotland being cool.
The writing was awful, the plot boring, the acting - dear god. Who are these people? Why are they in a movie? Who let this happen? These characters are zero-dimensional, and these actors should stop. Just stop now and pursue other career choices.
You know when you are watching a movie and it's so bad you are embarrassed when other people walk in the room? Like you have to have an excuse for why it's so awful? This is that. They are lucky Scotland is eerie, or this 2 would have been a 1.
The writing was awful, the plot boring, the acting - dear god. Who are these people? Why are they in a movie? Who let this happen? These characters are zero-dimensional, and these actors should stop. Just stop now and pursue other career choices.
You know when you are watching a movie and it's so bad you are embarrassed when other people walk in the room? Like you have to have an excuse for why it's so awful? This is that. They are lucky Scotland is eerie, or this 2 would have been a 1.
I'm all about Horror (and I mean Horror, with capital "H"), Thrillers, Film-Noir, Suspense and some (very few) Indie films (or "Artsy") When I took a look at the trailer it seemed to have a healthy mix of those things I always enjoyed watching (as an example, my favorite movies in the above mentioned genres are "The Exorcist" I and III, Jacob's Ladder, Alien and Angel Heart, just to mention a few).
Alas, (almost) none of these elements are to be found in "Lord of Tears", though the effort seems genuine.
What really transpires through out the entire movie is confusion and insecurity; at best. And I assure you, you will feel it as well.
There is a lot of needless repetition in imagery (that - it self - is under-achieved, though one can imagine what the intention was for it), a lot of rushed shots and out of sync/time with the general emotion it was trying to convey (either too soon for said shots or too late... or too much of it, to be honest). I had this constant feeling the director/writer (maybe both) had several ideas and were trying them all out and were unable to choose the most effective ones and ended up using them all. Well, that was not a good idea.
A movie is also about pace/timing. And pace/timing is nowhere to be seen nor felt.
Also, there are ideas there that are used ad nauseam: too many "flash shots", too much of the female character later "pole dancing" (seriously, that particular part of the movie made me facepalm, smirk and yawn all at once). Too much pseudo-romance. Too much of many things I can't tell or I'll end up ruining the perfect opportunity for you to also facepalm, smirk and yawn as I did (if you indeed want to watch this movie).
The intention is good, that is all about the good things I have to say about it, and I honestly wish the best of luck to the people involved in making this movie, and may they take the experience and learn with it.
Alas, (almost) none of these elements are to be found in "Lord of Tears", though the effort seems genuine.
What really transpires through out the entire movie is confusion and insecurity; at best. And I assure you, you will feel it as well.
There is a lot of needless repetition in imagery (that - it self - is under-achieved, though one can imagine what the intention was for it), a lot of rushed shots and out of sync/time with the general emotion it was trying to convey (either too soon for said shots or too late... or too much of it, to be honest). I had this constant feeling the director/writer (maybe both) had several ideas and were trying them all out and were unable to choose the most effective ones and ended up using them all. Well, that was not a good idea.
A movie is also about pace/timing. And pace/timing is nowhere to be seen nor felt.
Also, there are ideas there that are used ad nauseam: too many "flash shots", too much of the female character later "pole dancing" (seriously, that particular part of the movie made me facepalm, smirk and yawn all at once). Too much pseudo-romance. Too much of many things I can't tell or I'll end up ruining the perfect opportunity for you to also facepalm, smirk and yawn as I did (if you indeed want to watch this movie).
The intention is good, that is all about the good things I have to say about it, and I honestly wish the best of luck to the people involved in making this movie, and may they take the experience and learn with it.
Wusstest du schon
- WissenswertesYou can rent the house where this film was made for a holiday through Sykes Cottages. It is called Ardgour House and it looks exactly as it did in the film.
- SoundtracksSleep, My Darling
Written by Sarah Daly & Youssef Khalil
Performed by Sarah Daly & Youssef Khalil
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Owlman
- Drehorte
- Produktionsfirmen
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- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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