Eine falsche Zustellung bei Mumbais für seine Effizienz bekannten Lunchbox-Liefersystem führt eine junge Hausfrau und einen älteren Mann kurz vor dem Ruhestand zusammen. Die beiden erschaffe... Alles lesenEine falsche Zustellung bei Mumbais für seine Effizienz bekannten Lunchbox-Liefersystem führt eine junge Hausfrau und einen älteren Mann kurz vor dem Ruhestand zusammen. Die beiden erschaffen sich durch Nachrichten in der Lunchbox eine gemeinsame Fantasiewelt.Eine falsche Zustellung bei Mumbais für seine Effizienz bekannten Lunchbox-Liefersystem führt eine junge Hausfrau und einen älteren Mann kurz vor dem Ruhestand zusammen. Die beiden erschaffen sich durch Nachrichten in der Lunchbox eine gemeinsame Fantasiewelt.
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- Nominiert für 1 BAFTA Award
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The overcrowded local trains, Harvard certified Mumbai Dabbawalas, Amidst busy working hours, an irritating yet likable junior And the best friend "Aunty" to a direction less housewife
All this should be enough to drag you to the cinema house & enjoy the spicy curry in the LUNCHBOX.
Dabba is the sort of film Hollywood could never make. Part of it is, of course, because there is no comparable lunch system in the States. Part of it, too, is that the film does NOT have a perfect happy ending and it doesn't follow a typical formula. There is a lot of sadness and longing and the film leaves you with this, as it's not afraid to leave the audience slightly dissatisfied. Now I am NOT complaining—but Hollywood films seem to have an implicit understanding that everything must be resolved perfectly before a movie can end. Not so with Dabba. This might upset some viewers, but it shouldn't—it's still a very good movie. Plus, a 'Hollywoodized' ending would have been far less realistic. And, as far as realism goes, this Indian film is not typical of a Bollywood flick either. While it was directed and written by an Indian, Ritesh Batra, and stars Indian actors (Irrfan Khan and Nimrat Kaur), it is also a French/German co-production. As such, it lacks the usual song and dance numbers you find in most Indian films and is only a little over an hour and a half (most Indian films are considerably longer—often twice as long or longer). Instead following convention, the film is all about realism. It makes for a nice change of pace even if the ending will be vaguely unsatisfying to many viewers. Worth seeing as long as you don't demand formula. And, worth seeing as long as you don't mind reading subtitles. A film that is truly unique and the acting is really lovely.
"Simple events of life happy or sad,/ Some sad strings from the train of forgetfulness,/ Not fraught with heavy descriptions,/ Not crowded with events,/ No advice, no philosophy/ Only the feeling that the story is not yet over/ Although there is no more to read..."
'The Lunchbox' is a perfect example of a unique 'short story'. A little love story with some little events and pain... but at the end there is a new beginning.
The story is about a lonely old widower and a young neglected house wife. They connected through a lunch box and some letters, and share some emotional thought and experience of there daily life with each other. They are totally stranger to each other, but love has found out it's own way to enter.
There is a basic question about "Love"... 'Is it possible to fall in love between two strangers'? "The Lunchbox" defines it brilliantly... 'Love has no definition and it never follows any rules. So there is a possibility to fall in love with somebody whom we never meet. People loves to fall in 'Love' again and again, it may be someone we know or don't know or whom we already loved with'.
Irfan Khan, Nimrat Kaur and Nawazuddin Siddiqui are acted very well through out the movie. Direction of Ritesh Batra is just too much perfect. After interval, the movie is a little bit slow, may be it's a situational demand. Overall it's an wonderful experience.
Lastly, the best part of the movie is 'The Ending'. "Only the feeling that the story is not yet over, although there is no more to read". There is something unspoken in this movie. It depends viewers to viewers, where they actually like to go with "Sajan & Ila".
Strongly recommend to all cine goers... please watch it...
The start of the story - A frustrated housewife prepares an excellent lunch for her husband with great care. But unfortunately (or fortunately!), it reaches to an equally lonely person on the verge of retirement - Saajan Fernandes (Irrfan Khan) whose wife died long back. This simple cross connection by Mumbai Dubbawalas in the age of digital era starts a beautiful and interesting romantic relationship however ending of which has been kept open-ended for our own imagination. At the same time we can see an excellent equation and emotional turmoil building up between Saajan /Irrfann, the serious and lonely parting boss and Shaikh/Nawazuddin, his future replacement, who is funny and enthusiastic and quiet opposite to his boss.In some cases Nawazuddin has overshadowed Irfann too! The direction was superb, specially the depiction of the supply chain of the Mumbai Dabbawalas through the city is just extraordinary.Hats-off Ritesh Batra for his unbelievable first time direction.
Disclaimer: This movie is 4.5/5 from me, 0.5 is deducted only for its little slow pace , otherwise it in an extraordinary story about very ordinary lives. To me, this movie deserves all the critical appreciations it has received both in India and Outside. Avoid only if you really hate slow paced realistic depiction about everyday common lives of Tom,Dick and Harry and expect only superheroes doing superhuman activities; otherwise this is a "MUST WATCH"!
Debutant Director, Ritesh Batra, who is also done the script writing, has crafted an exquisite gem of a movie. Batra impresses because he does not set out to impress. He conveys eloquently the state of the mind of each character because he is economical with emotions and does not exaggerate. Batra makes a memorable movie with multiple layers because he is honest with himself and his craft. Ritesh Batra is simply magnificent.
The performances by the 3 leading actors, Irrfan Khan, Nawazuddin Siddiqui and Nimrat Kaur are disarmingly natural, poignant and memorable. Pitted against the two stalwarts (comparatively speaking), Khan and Siddiqui, newcomer Nimrat Kaur more than holds her own. I am at a loss of words to describe her performance. Her character is nuanced, neglected, grieving and most complex yet Kaur's is the most memorable performance in the movie. Her role would be talked about for a long time to come.
While ironically, the whole serendipity bit of the film kicks off with a delivery mistake made by Bombay's Dabbawalas, world famous for their Six Sigma (99.999666% ) accuracy, Batra's movie reassures that even if the odds of finding true love in life is Six Sigma stacked against you, it is worth waiting for and taking your chances.
"The Lunchbox" is the most sumptuous and appetizing fare Bollywood has offered in ages. Just go for it
Wusstest du schon
- WissenswertesAged 46 at the time of the movie's release, Irrfan Khan (Saajan) was only seven years older than Nawazuddin Siddiqui, whose character (Shaikh) is the eager young office junior Saajan is training to replace him.
- PatzerAfter his marriage, Shaikh tells Saajan that on their first train ride together he got into the first class compartment without a ticket. However, during their first ride the train seat seen is that of the second class.
- Zitate
Saajan Fernandes: I think we forget things if there is nobody to tell them.
- VerbindungenFeatured in 59th Idea Filmfare Awards (2014)
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Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.235.151 $
- Eröffnungswochenende in den USA und in Kanada
- 44.542 $
- 2. März 2014
- Weltweiter Bruttoertrag
- 11.621.785 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1