Amerikanische Fiktion

It could be that I am incorrectly reading this movie, however initially you would think the movie is the mockery of the racial rhetoric in media. It is basically thrown right in your face. However I think the movie is making a mockery of the viewers. It is basically saying: "You as a viewer now know perfectly what is happening in media, you are now aware of the 'correct' perspective, you are now a 'genius'". The same way monk was called a 'genius' by his mother. It taunts us with the answer to this specific social issue, seemingly playing into the idea that people want to have a form of higher understanding over others. Monk thinks he has the higher understanding, and holds on to it till the bitter end. In the meantime he alienates the people around him to so dearly protect his own pride. He seems insecure about his background and thus creates a facade for himself, a rhetoric, that he sees the world how it really is and he, and all black people, are the victims. Its all just foolish human behavior, there is no higher understanding, there is no real perspective, there is only your perspective, and the perspective of others. It is important to keep listening to what people are saying with compassion and understanding.

I am aware of the irony woven in this review, but I guess that is the beauty of human nature, our flaws are what keep the world spinning.

This is a very thoughtful and entertaining movie. My wife seldom comments much but even a day later she commented on how good it is.

Jeffrey Wright is professor and novelist Thelonious Ellison. His family and close friends call him 'Monk' in honor of the famous jazz musician and composer Thelonious Monk, who died in 1982 at the age of 64.

This Monk takes his writing novels very seriously but is not achieving much success. Meanwhile he encounters another author, a well-educated and well-spoken black woman. However when she reads a portion of her latest popular book, it is all broken English and black slang. He is taken aback, what is going on here?

At some point he decides to spoof the industry, he writes a novel of black characters who use reprehensible language and ghetto slang. He writes it as a joke with a made-up pen name. To his surprise and shock the publishing company loves it, they offer a big sum to publish it, and another company is jockeying for the movie rights.

Reflecting on the story I am a bit loss on how to explain the last half hour of it, but it is overall a very well-made and entertaining movie. Jeffrey Wright is superb in the role.

My wife and I watched it at home, streaming on Prime.

A movie about a black author tired of the simple and unidimensional exposure of the African-American culture and white people regarding it as holy work. As a protest, he fed them with a fiction of his own about the poverty and the hardships that come with being black. The book is so void of anything to him and his PhD in literature that he sends it to publishers as a joke, but little did he know that it was the demise of his morale. As some might find the end disappointing, it is very highlighting the whole speech of the movie. Because by the end, the audience is treated as the movie's white people; when it could have stopped on a question mark, it proposes an alternative ending that would please the masses.

American Fiction is a rightfully angry satire that gets a lot of laughs out of showing how the industry isn't as progressive as it thinks it is. What makes it even better is that it's also a surprisingly investing family drama that is exactly the kind of film it's complaining there aren't enough of.

The only thing that doesn't entirely land is the ending. It's still on point with everything the film has been saying for the past 2 hours and it is gloriously meta but it feels like it comes at the cost of an actually satisfying resolution to the character based drama it's been focusing on. Regardless, it's an interesting swing.

Jeffrey Wright is amazing in an all too rare leading role. It's the constant shock at how gullible everyone is, the glee in writing his parody book (which is visualised in a fun way) and the quieter moments of reflection. It offers further proof of his comedic talents and shows he can command the screen, though that was never in doubt.

With tons of charisma and a restrained sadness, Sterling K. Brown is really good, even if this performance doesn't feel Academy Award worthy. However, that's more of a general complaint with watching films after the nominations are announced since it adds a distracting and unfair disadvantage to any performance nominated.

Cord Jefferson makes an impressive debut with both his screenplay and direction. The writing has so much wit and the direction has the visual staging to back it up for some very clever gags. Laura Karpman's score accomplishes the difficult task of being a constant presence without becoming overbearing thanks to its calm and easygoing nature.

"American Fiction" has a great premise, one of the best in any movie this year. And I overall liked it and think it was well made, so I'm rounding my score up to reflect that. But it somehow didn't completely land for me, in a way that I find hard to explain.

I think it was the domestic drama part of the film that didn't completely work for me. The movie spends a lot of time on all the ways that Jeffrey Wright feels overwhelmed by his life's responsibilities, and it sags in some of these parts, and makes the movie feel a little bit like a slog. And I don't know that I ever completely believed the character played by Sterling K. Brown, who never seemed convincing as a gay man. But I did like what the film had to say about the burden placed on black people to constantly be representing black people everywhere that white people never have to deal with. And I also liked the choose your own adventure ending that takes the film into meta territory in its final scenes.

So, solid double for me, but not a home run.

Grade: A-