Der Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsell... Alles lesenDer Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsellerlisten stürmt und Monk in Rage bringt.Der Autor Thelonious "Monk" Ellison ist verärgert, weil sein neuestes Werk bei den Verlegern keinen Anklang findet, während der Band "We's Lives in Da Ghetto" von Sintara Golden die Bestsellerlisten stürmt und Monk in Rage bringt.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 64 Gewinne & 174 Nominierungen insgesamt
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I think it was the domestic drama part of the film that didn't completely work for me. The movie spends a lot of time on all the ways that Jeffrey Wright feels overwhelmed by his life's responsibilities, and it sags in some of these parts, and makes the movie feel a little bit like a slog. And I don't know that I ever completely believed the character played by Sterling K. Brown, who never seemed convincing as a gay man. But I did like what the film had to say about the burden placed on black people to constantly be representing black people everywhere that white people never have to deal with. And I also liked the choose your own adventure ending that takes the film into meta territory in its final scenes.
So, solid double for me, but not a home run.
Grade: A-
I am aware of the irony woven in this review, but I guess that is the beauty of human nature, our flaws are what keep the world spinning.
Jeffrey Wright was spot-on in his depiction of a frustrated academic getting in trouble with his liberal white colleagues and students for being blunt when talking about race. Outside of his job, he's generally grumpy with everything and everyone. But in watching what he has to deal with, we really can't blame him: modern America expects everyone to be ambitious and better themselves, but when Monk does this, he feels like a fish out of water and only gains fans when he pretends to be a "poor boy from the hood".
This movie addresses a lot of issues, covering homophobia, infidelity and grief, as well as racism, but it does so with a light touch. By focusing on characters and entertainment, it enlightens viewers without ever feeling like a lecture.
Witty dialogue, intriguing story and clever scenarios elevate everything. The cast all give fantastic performances, especially Jeffrey Wright. But for me personally, by far the best attribute is the comedy. I full-volume laughed throughout. And the humor feels entirely original.
My only dislike is a few subplots, like the love life of his brother or the maid, that don't seem to be related to the main plot. They feel out of place and detract from the main story. Otherwise, I found American Fiction to be highly entertaining.
(1 viewing, opening Thursday 1/4/2024)
Wusstest du schon
- WissenswertesIn a 2023 interview with Esquire, Cord Jefferson explained his approach to a key scene in the film and how the actors elevated it in unexpected ways: "We've all seen that scene of the writer pounding the keyboard frantically, then taking a big sip of coffee and getting back to it. That's how you depict somebody intensely writing. But I thought, 'We can't have that. It's tropey and silly, and it doesn't get the audience's minds going.' So why not have these characters manifest in front of him? When I wrote that scene, I wrote the language to be very silly. It had to be ridiculous so that everybody could see how stupid this book is and what a sham it is. Then we got Keith David and Okieriete Onaodowan, who are both such tremendous actors. All of the sudden, it wasn't silly anymore. They made it seem like the book might be good. I love what the scene became in their hands: suddenly you're questioning whether or not the book is good, which is evidence that something as ridiculous as this book could become a hit."
- PatzerAt the movie's beginning, Monk walks out of a building while being on the phone and holding a coffee cup with a vertical print of Dunkin Donuts, and with a lid on it. Seconds later, when he gets into a car, the logo on the cup is horizontally printed and it has no lid, while he is still holding the phone to his head with the other hand.
- Zitate
Sintara Golden: Potential is what people see when they think what's in front of them isn't good enough.
- VerbindungenFeatured in 2024 EE BAFTA Film Awards (2024)
- SoundtracksWithout You
Written by Aubrey Johnson
Performed by Ace Spectrum
Published by Ace Spec Music
Courtesy of Mojo Music and Media
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Ficción estadounidense
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 21.098.470 $
- Eröffnungswochenende in den USA und in Kanada
- 224.469 $
- 17. Dez. 2023
- Weltweiter Bruttoertrag
- 22.483.370 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1