Füge eine Handlung in deiner Sprache hinzuThis candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assi... Alles lesenThis candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 8 Gewinne & 14 Nominierungen insgesamt
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One might think this film would be about Ushio Shinohara, and in some ways it is. But the focus is really on Noriko, which turns out to be the more powerful story -- the woman who pursued a dream, got pregnant, and spent the next several decades being a wife, mother and babysitter. One gets the impression that without Noriko, there could be no Ushio -- he would have died penniless, drunk in a gutter years earlier.
While not the strongest of the documentary nominees, it is perhaps the most human and deserves some recognition for that. How it lost to "20 Feet From Stardom" is something of a mystery...
"Cutie and the Boxer" is a documentary about well-known artist Ushio Shinohara and his wife, Noriko. He's 80, she's 60. They live hand-to-mouth in NYC, never sure how they're going to pay their rent from one month to the next. Noriko is incredibly supportive of the self-absorbed Ushio, to the detriment of her own career as an artist. The film is a day-in-the-life story about these two and the dynamic between them. It's a portrait of a marriage that has been wildly successful on the one hand (they're still together and seem to be very much in love) and full of regret on the other (disappointment in themselves for the mess of a son they raised). Noriko teases Ushio constantly about what a jerk he is and how she doesn't know why she puts up with him. Ushio laughs but looks uneasy -- we don't blame him, because Noriko's teasings always seem to built on a foundation of true resentment.
The lives of Ushio and Noriko are about as different from mine as possible, yet the thing that makes "Cutie and the Boxer" so good is its appeal is universal. Anyone who's made a true effort at building a life with a partner should find something to relate to in this film.
Grade: A
Focuses on 2 Japanese artists living in NYC by the names of older married couple of Ushio Shinohara and Noriko Shinohara hence the title Cutie and the Boxer. "Cutie" is the nickname Ushio calls her while he sometimes box paints both live in a rent apartment in NYC while at the same time rents another studio to do their art. This is an examination of an eccentric examination, we find out how they both met in the most unusual of circumstances, and how each of them become the way they are. We also witness who buys their art and who visits them, and not just their son.
As we age, we tend to think of dying and disease. One of the partners in a marriage is usually suffering more than the other. You have to sometimes forget your troubles to tend to the other.
This film is about a married couple who have reached that point in their lives. We see how they see themselves and their partner. Noriko willingly made sacrifices for Ushio, but now she wants to develop her own interests.
The dance between these two artists is fascinating, tender, and sometimes loud, but never boring.
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Ushio Shinohara: Life is wonderful. Life should be positive. When it's blown to pieces, that's when it becomes art. Art is messy and dirty when it pours out of you. The New York Times once said "Shinohara is amazing." Listen... Brother... Why do I... It makes me cry. I believe in my career goddamn it. Why do I have to? I want to cry. I've got nothing. Listen to me! This is so hard... And it's so fantastic... Now I've got nothing. You see... We are the ones suffering the most from art...
- VerbindungenFeatured in Die Oscars (2014)
- Soundtracks108 Desires
Performed by Yasuaki Shimizu
Arrangement by Yasuaki Shimizu
Lyrics by Suzi Kim, Yasuaki Shimizu
Published by TV Man Union, Inc. (JASRAC)
COURTESY OF TV MAN UNION, INC.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 200.036 $
- Eröffnungswochenende in den USA und in Kanada
- 21.098 $
- 18. Aug. 2013
- Weltweiter Bruttoertrag
- 200.036 $
- Laufzeit1 Stunde 22 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1