Teri Meri Kahaani

Kunal Kohli's 'Teri Meri Kahani' is A Decent Flick, that offers some great moments in the goings-on. This Episodic Romantic Flick isn't path-breaking from any angle, but it surely is a smooth one-time watch. Also, Lead-Star Shahid Kapoor pitches in a Marvelous Performance!

'Teri Meri Kahani' highlights the idea of soul-mates. The story transcends three eras and reinforces the belief of made for each love. Its the story of two souls meant to be together in every life but are separated by circumstances only to be reunited by their undying love for each and destiny.

'Teri Meri Kahani' unfolds in 3 chapters & each chapter has merits. Although none of them are flawless. Kunal Kohli's Story has some great moments & it presents love from 3 different time-lines adequately. However, the Screenplay could've been tighter, especially in the second-hour. Kunal Kohli's Direction is passable. Cinematography & Editing are fair. Art Design is superb, the retro look has been re-created very aptly. Music by Sajid-Wajid is foot-tapping.

Performance-Wise: Shahid is up for top honors. He's marvelous in all the three roles & oozes versatility. Its his best performance in years. A very commendable performance! Priyanka Chopra, also cast in three roles, does well. The On-Screen Chemistry between Shahid & Priyanka, is good throughout. Prachi Desai & Neha Sharma deliver efficiently.

On the whole, 'Teri Meri Kahani' is a decent watch.

After viewing Teri Meri Kahani I've come to 2 conclusions - Kunal Kohli is one overrated director and his ONLY film worth praising, Hum Tum, was a giant fluke.

His Mujhse Dosti Karogi was a cheesy romance that can even make Karan Johar and Suraj Bharjatiya cringe. His Fanaa was a novel idea gone haywire in the second half. His Thoda Pyar Thoda Magic was well, a joke. After 4 years, Kohli brings us another romance and he once again, doesn't fail to disappoint.

The whole concept of T.M.K. is interesting and nobody can deny that. In fact, had the writing been in place - it would have been genius. However, T.M.K. is sadly nothing more than 3 predictable love stories in one 2 and a half hour flick.

In 1960, a growing India with a growing film industry has a musician named Govind who has a dream to make it big in Bombay. There he meets film-star Ruksaar and then starts their .

In 2012, Krissh has just had a break up with his girlfriend on his birthday. That same night, he meets Radha, a up to date girl. Then starts their .

Now back to 1910, British ruled India. Javed is a charming womanizer who meets a girl who just doesn't get wooed by his antics. A sardarni by the name of Aradhna. Javed falls in love and there starts their .

Now all 3 stories start out with a bang but fiddle down very easily. Also, the misunderstandings in the movie are so dumb. Especially for the story in 1960 and 2012. To me, the best story is in 1910 but even that story isn't extraordinary.

The climax is rushed and there is no doubt. It's as if the writers don't know where to go now and just give up on the script.

The writing is sore. Kunal Kohli's shayari is very good, however. That is about it!! Shahid Kapoor and Priyanka Chopra save the film from being complete trash. Shahid is excellent in all avtaars. Of Course it's most fun to watch him as Javed. Priyanka looks amazing and acts well too. It isn't the best act from the 2, but good indeed.

Now to director Kunal Kohli. I don't hate or love the guy. I do feel that one major thing that has hurt most of his films (except Hum Tum) is the predictability level. His films don't have the X Factor. Even here, where there is a great idea in place - the boring writing messes things up. His direction is good but he fails in choosing the right screenplay.

Overall, a very bland and tasteless romance with very few moments that amaze the viewer. Dasappointing.

The movie was good in parts. The ending was very linear without any ups n downs which makes the climax not as good as the rest.

The 1960 era Mumbai was beautifully recreated with VFX. 1910 era was also fun. 2012 era was OK. Top notch cinematography by Sunil Patel. Some nice dialogs and shayaris by Kunal Kohli. Shahid was awesome as Javeed and Govind. Priyanka was good as Aradhana and Rukhsar. The movie didn't do justice to both their talents. Cool music by Sajid-Wajid. Nice costumes. Overall it was a hard work effort, presentation wise by Kunal Kohli, but unlike Hum Tum and Fanaa, it doesn't connect.

In the end, the movie confuses you whether it gives any message regarding love or its just 3 love stories! Its a feel good one time watch rom-com.

The first thing that sprung to mind when I heard about the premise was that this could be like Hou Hsiao Hsien's Three Times, with three love stories presented in short story style, set in three different eras, and starring the same actor and actress as would be lovebirds. It's the quintessential love story in each of the short films presented, with little narrative links between the tales. And quite unlike a typical Bollywood film, I was surprised when everything came to close in just under 2 hours, succinct and to the point, exploiting the boy-meets-girl- loses-girl formula with success, three times over.

Written and directed by Kunal Kohli who helmed films like Fanaa and Hum Tum, the stories presented were uncomplicated in style and presentation, and is absolutely charming, being an automatic and excellent choice as a date movie. Each story is based on serendipity between the couples, with each chance and debut encounter being nothing short of memorable, developing into something a lot more, before a roadblock gets in the way which curiously almost always being the fault of the guy. And with each cliffhanger comes the hope that everything gets resolved with a fulfilling positive ending, not just because the writing and characterization make us root for the lovers to be together, but that Shahid Kapoor and Priyanka Chopra share this remarkable chemistry opposite each other, that doesn't betray the point tat this is only their second pairing after 2009's Kaminey.

And Teri Meri Kamaani starts off with arguably its best segment set in the 1960s, where impressive CG gets combined with old school styled movie sets to bring out not only a believable blast from the past setting, but to add a unique flavour to the way films in those days get made in studios as well. Rightly apt for this tale is Chopra playing Rukhsar, a movie star who meets Kapoor's Govind onboard a train, sharing a trip to Bombay and then sowing the seeds of what could possibly be a start to an unlikely romantic relationship between someone famous, and an in-between jobs musician. Complicating matters is Govind's neighbour Maahi (Prachi Desai) who got utilized to try and shake off a persistent tabloid journalist, with a cruel twist set into the narrative.

Then we move into London 2012 at Stratford Upon Avon, with Kapoor's Krish having broken up with his girlfriend Meera (Neha Sharma) on his birthday, and began on the wrong footing with the stranger he bumped into, Chopra's Radha, but after a day and night of partying, and a semester of modern day instant messaging flirting and maintaining a long distance relationship of sorts, trouble comes when Meera decides to embarrass Krish online by posting less than flattering private photos of Krish, and for his tit-for-tat action really throwing a spanner into the budding relationship formed with Radha.

1910 Lahore forms the final part of the trio of stories, with Shahid Kapoor playing the Casanova Javed, who uses his charms on unsuspecting women around his village and gains a notorious reputation. Here he chances upon Chopra's Aradhana while escaping from soldiers in colonial India, and amongst the lot, this story dwells a little bit on the political climate of the time, and a more conservative courtship between the lovers. Gone are the fancy song and dance, or modern day conveniences, and in comes poetry which the characters recite in playful repartee, which I'm quite certain the nuances in remarks exchanged were sorely lost in translation.

Tackling multiple roles in a film isn't something new for Priyanka Chopra, having played 12 different characters in What's Your Rashee, and adopting 7 different personas in 7 Khoon Maaf. Once again she showcases her versatility and justifies why she's at the top of the game, and being one of the best Indian actresses amongst her generation, combining glamour and striking poise when they're called for. Aradhana allowed her to showcase a lot of restraint in a more conservative time period, while a more bubbly nature shone through as Radha. Shahid Kapoor does what he does best, and comes to life as Javed, the only character here who had to undergo tremendous transformation, although the other less flashy role of Govind probably served as the more interesting of the three he had to tackle. And together, the Kapoor-Chopra pairing proves to be once again something that probably movie goers will not get enough of.

Kunal Kohli has a winner in his hands, opting for something straight-forward and direct, and having a wonderful cast bringing life to his stories. Perhaps I would have enjoyed it a bit more if the stories are linked more than just thematically, although this may be sticking to the same old formula already done to death by cinemas from around the world. Still, Bollywood has its usual song and dance sequences which work extremely well here, and has technology to thank for in recreating sets of 1960s Bombay that's impressive, with its slight rawness and less than pristine rendering adding to some charm of that era. Highly recommended!

I decided to watch Kunal Kohli's Teri Meri Kahani before the other releases even though I didn't really like his previous 2 releases because I thought that it would be a light hearted romantic comedy and it was actually that. It starts off in 1960 when Govind who's going to Mumbai to try out his luck as a musician bumps into Urvashi, an already established heroin in the film industry. The 2012 one comes in next; there's another bump and that is followed by the 1910 story; another bump of course. At the end of each the lovers are temporarily distanced from each other and towards the end of the movie the 3 stories run parallel to each other as everyone meets everyone and love ensues. Simple. But then again there's nothing much we can do about the endings. They have to meet. What we can do is make the journey interesting, which is where the movie does just about okay. I found the 1960 story the best. It had almost everything in place but the other two weren't up to the mark. If one had good dialogues it didn't have good music; if one had good music it had a boring storyline. And most definitely both had bad screenplays. Shahid Kapur looks handsome and gives an earnest performance in all 3 characters and its because of him that I want the movie to succeed.Priyanka Chopra looks really hot but again hams when she has to play the romantic parts. I hate her for that. Kunal Kohli you could have tried a little harder. If you are a guy 1.5/5 If you are a girl I am thinking it would be 2.5/5 2/5 if (forgive me if I sound cheesy )you think you are in looob :P A good timepass, Meri taraf se 2/5 !!