Ryota Nonomiya ist ein erfolgreicher, von Geld getriebener Geschäftsmann. Als er erfährt, dass sein biologischer Sohn bei der Geburt mit einem anderen Kind vertauscht wurde, muss er sich zwi... Alles lesenRyota Nonomiya ist ein erfolgreicher, von Geld getriebener Geschäftsmann. Als er erfährt, dass sein biologischer Sohn bei der Geburt mit einem anderen Kind vertauscht wurde, muss er sich zwischen seinem wahren Sohn und dem Jungen entscheiden, den er als seinen eigenen aufgezogen ... Alles lesenRyota Nonomiya ist ein erfolgreicher, von Geld getriebener Geschäftsmann. Als er erfährt, dass sein biologischer Sohn bei der Geburt mit einem anderen Kind vertauscht wurde, muss er sich zwischen seinem wahren Sohn und dem Jungen entscheiden, den er als seinen eigenen aufgezogen hat.
- Auszeichnungen
- 23 Gewinne & 47 Nominierungen insgesamt
- Haruna
- (as Yoshida Yoh)
- Shôko Miyazaki's Husband
- (as Piêru Taki)
- Hospital Lawyer
- (as Hiroshi Ohkôchi)
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The story drives the audience into the lives of two (almost antagonistic) families who had to go through a tough situation together, a situation imposed by a third party in the past. Koreeda tell us the story by examining these two very different families. By portraying these almost antagonistic families the story creates contrast and allow the characters to grow an evolution while they discovered themselves.
I will not say more... watch it if you are looking for touching, delightful and well directed story about family and love.
Ryoko and Midori Nonomiya are a well-to-do couple who had a sweet 6-year old son, Keita. Yukari and Yudai Saiki are a lower middle-class couple with a spirited 6-year old son, Ryusei. One day, they get news that a nurse had switched their sons with each another one at the hospital. With that shocking revelation, both families undergo an emotional ordeal in deciding how to settle their big problem in the best possible way for everyone concerned.
Writer-director Hirokazu Koreeda decides to tell the story from the point of view of Ryoko, a driven man at work who was disappointed that his son Keita was not as competitive nor independent as he wanted. When he gets the chance to be father to Ryusei as well, Ryoko discovers that his concept of fatherhood might not be as ideal as he thought.
Koreeda sets the contrasting dichotomy a bit too sharply. The Nonomiya home is sedate, quiet, and darkly lit. The Saiki home is messy, noisy and brightly lit. Ryoko (Masaharu Fukuyama)is handsome and smartly- dressed, but he is serious and haughty. Yukari (Riri Furanki) is homely and shoddily-dressed, but he is cheerful and kind. Which kind of father do you think the boys will prefer?
The important message of this film will definitely resonate with all fathers who watch this film. Fathers will reflect on their own parenting style and on what kind of father he had been. This film deserves all the praise heaped upon it. It is about time fatherhood is discussed very well in a film.
The actors in this film are great, not only Masaharu Fukuyama as father but also the young actors who play Keita and Ryusei. Koreeda always works well with kids. Keita is so adorable. The film handles the conflict very realistically and well reflects how the way of upbringing have influence on the children. It is quite emotional at the end of the film, so be prepared you may shed some tears.
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- WissenswertesIn the film Masaharu Fukuyama's character can be seen using a Canon camera. In reality he is sponsored by the company.
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Yudai Saiki: I can't do it any more, it's over. They've worn me out. One must have them before being 40. I am too old. You are younger than I. You should find time to be around your son.
Ryota Nonomiya: Well, there's all kinds of families in this world.
Yudai Saiki: Don't you bathe together?
Ryota Nonomiya: In our family, the idea is one must be independent.
Yudai Saiki: Well, if that's the case, of course it's very honourable. But, believe me, it's worth dedicating some time to him. Let's be honest, in these last six months I've spent more time with him than you have.
Ryota Nonomiya: Come on, there are other things besides time!
Yudai Saiki: Don't you think that, for kids, giving them time is everything.
Ryota Nonomiya: There are things at work that only I can do.
Yudai Saiki: But no one can play the role of the father other than you.
- VerbindungenReferenced in At the Movies: Cannes Film Festival 2013 (2013)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- De tal padre, tal hijo
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 334.616 $
- Eröffnungswochenende in den USA und in Kanada
- 16.044 $
- 19. Jan. 2014
- Weltweiter Bruttoertrag
- 37.170.163 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1