Karadayi

I feel compelled to reply to some comments made in this forum. Ezel was my first experience of a Turkish TV series and I adored it. I do not agree that the show was boring, nor complicated. Once you got your head around the plot it was simple enough to work out! As for boring, well the slow motion & emotional scenes are what is best about these shows. I had been watching American shows prior and yes I enjoyed some very much,however by comparison most are filled with explicit sex scenes and overly glamorous film stars. There are exceptions naturally, and I have set aside that aspect in those that I have liked.

Yes there is a glamour to the cast of Ezel and Karaday1 but they come across as super intelligent and real. You can relate to them easily. They come across as deep and meaningful people who have worked hard to achieve such successful shows.

I am mid way through Karaday1, loving every second of it, as mentioned in other reviews, I too cannot wait till the next episode. I too find myself binge watching, till wee hours and not ashamed to admit the odd afternoon session.

Karaday1 did take a little longer for me to get into, but it gets better as it goes along. Long - yes, boring - definitely not, complicated - takes concentration which is a credit to the writers.

The music to Ezel is haunting and will stay with me forever. Thank you Turkish TV

I feel a duty to share my feelings about Karadayı. I watched this series dubbed in Persian split in 350 episodes. I feel a close cultural background with this story especially the timeframe of its events in the 1970s. As a whole, the series look quite different in texture from almost every other series or movie I have ever watched in my life. It is very real. I am not a critique, but I am going to share what I could absorb from Karadayı:

1. I admire the great play by Kenan İmirzalıoğlu, Bergüzar Korel, Çetin Tekindor, Yurdaer Okur, and virtually all the cast. I can't point out any particular actor/actress. They are a team of professionals in one place. Kenan, for instance, can express a broad spectrum of feelings on his face. He can mimic, let's say, 15 shades of happiness, 16 shades of sadness, 17 shades of anger, combinations of them, as well as diverse shades of indifference, astonishing, and virtually any feeling in its right context without any exaggeration. In his extreme anger, Kenan can momentarily get a little bit hopeful and happy; and then resume to his previous level of anger. For example, anytime after getting good news about his father, Nazif, who he holds him in high regards, his face blows into cheers and happiness. I have never been able to feel the life as vivid as Kenan feels it!. He should be a gifted actor whose face muscles are richly innervated. Kenan has been excelling in his roles compared to his plays in the previous series. Same thing with Bergüzar. She can love you now and despise you next minute. She can be so flirting in this scene and so serious in the next scene. They both can cry anytime they want. Other main characters are also great players. I should also congratulate the Persian dubbers. They conveyed passion, love, kindness, anger, and every other feeling through their voices. You could easily tell when the character was determined or hesitant just by listening to their voices. Kenan has enjoyed many dubbers in his other series such as Ezel, but Mr. Nader Keymaram has done an extraordinarily superior dubbing job for Kenan in this series.

2. The directorship is simply GREAT! The way the scenes relate to each other and the story timeline is put together entices you to be impatient to watch the following scene or the next episode. I couldn't sleep enough just to watch it continuously, even 15 episodes in a row sometimes. Although the story could still be trimmed easily, the prolonged story is not a big deal, especially when moral lessons fill in the conversations.

The series depict a story that seems very real. I noticed some less real or less logical parts throughout the story, but they are infrequent and pleasantly forgivable. These less real scenes are just symbolic, used to narrate the message of the story, and don't affect the beauty of the whole thing.

There is a high fidelity in expressing the time of day (using dusk, the moon, and the newspaper boy) and time of year (using people's clothing, green plants, winter trees, snow, and people discussing weather).

3. The camera does a professional job. The camera captures the scenes virtually from any angle regardless the location, either a small room, on the street, on a hill, etc. The camera is just salient in three dimensions. It can move fast focusing in or out, descending or ascending based on the stress level of the scene. It can suddenly start to swirl vertically or horizontally if needed. It showed Mahir once he was sitting on his bed in the jail, leaning to wall behind, drown in his thoughts and banging his head slightly, slowly, and repeatedly to the wall. The camera, showing him from his side 90 degrees turned, as if he is banging is head to the ground, to entrain your empathy with his deep sorrow. The camera does a lot of subtle tricks in every episode. I wish I were a cinema critic to pick all its tricks. But the ones I can notice, help me to feel the fragrance of the scenes better. The light helps the camera to emphasize the feelings of the characters much better.

4. The music is from a great Turkish composer, Toygar Işıklı. I didn't know him before, but I am addicted to some soundtracks such as Ateşe Yürümek, Ölüme Gülümse (İdam Sehpası), Elimi Tut, and Benden Kaçış Yok (Turgut). I should appreciate his choices of the old songs including but not limited to Sensiz Saadet Neymiş (by Yaşar Güvenir), Kıskanıyorum (by İnci Çayırlı), Unutama Beni (by Esmeray), Geri Dönülmez Bir Yoldayım (by Neşe Karaböcek), Sensiz Kaldığım Geceler (by Şecaattin Tanyerli)

In summary, Karadayı is the best series I've ever watched. I laughed and cried with the characters. I was just stuck to the chair, hungry to watch next episodes. I wish it never ended. I will watch it again next summer.

Karadayi is definitely the best series i've ever seen. I've never seen anything like that!! It's so smart and exciting and every episode was full of action and excitement since episode 1 till episode 115. I would like to thank the whole cast for this amazing show i'm so grateful i watched it and i wanna thank them for the hard work and everything else. I never regretted watching this show and i would like to tell everyone else to watch it because it's worth it. Also it's almost unbelievable how things changed from episode 1 till episode 115. And i loved the new characters in season 3 and btw season 3 was the best, everything was clear and everyone is working together to give this amazing result, all the seasons are remarkable but season 3 is just something else, i'm so proud of the cast and i'm thankful.

One of the masterpieces of Turkish producers and directors as well as the actor. A series full of excitement and resisting against enemies. The rise of a brave and courageous man of a territory with an aim of revealing criminal's real face hidden behind masks which gradually succeeds doing it and prevails justice for all the people. One of the leading actor's famous words in the series.

"If you don't burn,if I don't burn and if we don't burn who will bring light to the darkness"

In conclusion from all the above discussions we reach to the result that the series is full of:Mystery,Treachery,Betrayal,Moral Lessons,Justice privilege,Lawmen's and government authorities fake identities,Loyalty.

I loved this series. I don't speak Turkish, but I found a way to see it through all three seasons.

First, I loved the actors. All the principal actors were fantastic. The Kara family, Feride and her mother, the friends from the neighborhood, the other love interests, were all very believable. A few of the bad guys were over the top, but I guess the global audience loves seeing the bad boys being bad. Targut was kind of funny when he had his tantrums.

I thought the plot was well developed and had lots of interesting twists. I enjoyed the backstories of all the characters. I fell in love with the Kara family, especially the parents, with their love, strength, courage and poetic embrace of life.

The direction was good. The actors worked together seamlessly. All that emotion was pulled out of everyone. There were many beautiful romantic scenes. The director did not depend on cheap tricks, like showing the same events over and over, or holding onto facial expressions too long. The settings were interesting.

I binge watched season 1 subtitled in English on Netflix. The rich voices of the actors made it easier to read along and know what was going on. After season 1, I looked around YouTube for more English, but

just found a few scenes.

Then I found Resumen HD in Spanish. This became the Feride and Mahir show because they cut most of the other scenes that had other actors, keeping just enough to keep the plot together. There were things that I never did understand, like why Mahir's brother had a sudden change of opinion, but I still enjoyed watching the story to the end.