White House Down

I'll never fully understand why people flock to films like "Iron Man I-III" and then completely ignore a fun action film like "White House Down". After reading so many bad reviews, I started watching Emmerich's latest noise-opera only because I wanted to get tired enough to go to bed. I had planned to watch the first 5 minutes and to then fast forward through the rest of the film and have a quick look at the expensive special effects. Never did I expect to actually enjoy myself - and yet I did. In fact, I enjoyed myself so much that I couldn't stop watching for the entire 2 hours, and I didn't even get up to go to the bathroom. Right from the start I realized that this movie doesn't take itself too seriously and that this is Emmerich having fun (destroying the White House - if you count freezing it - for the fourth time). But despite all the silliness and the tongue-in-cheek moments, this is a suspenseful ride which never lets up and kept me hooked the entire time. There are quite a few unexpected twists and turns along the way, and the wonderful supporting cast (James Woods, Richard Jenkins and Jason Clarke, to name a few) keep even the most clichéd characters fun and interesting. So my verdict: Great, silly, cheesy action film! Suspend your disbelief and you will have one hell of a good time. I rate it 7 out of 10.

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Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Interestingly, in a space of just three months, 2013 saw the release of two films with the same premise: 'White House Down', and 'Olympus has Fallen'. Which one did you enjoy more?

I enjoyed both, for different reasons. 'Olympus has Fallen' was a more serious film, but it also had a much higher body count making it slightly more unrealistic. While dealing with a serious matter, 'White House Down' is unfortunately laden with annoying, unfunny humor which completely ruined any potential suspense.

My biggest issue with 'White House Down' was casting Jamie Foxx as President Sawyer. Foxx is so bad and unconvincing as the President, it quite frankly is the worst portrayal of a President I have ever seen. The script is also to blame, as the character doesn't act or reason the way a President would, with dialogue not suited for a high profile individual such as a President. He sounded immature and incompetent, at best.

There's plenty of action and firepower. The film is a bit cheesy at times, and a bit sentimental at times. Fortunately, it manages to remain interesting and always has some kind of hook to keep the viewer glued to the screen. The action sequences are very well done, fast-paced and thrilling. So, despite some issues, 'White House Down' is still an exciting movie.

Not since President Harrison Ford battled terrorists aboard "Air Force One" has a U.S. movie president faced the peril that challenges President Jamie Foxx in "White House Down." An unidentified group detonates a bomb in the U.S. Capitol Building, then takes hostages in the White House and shoots up the historic mansion, destroying priceless artifacts and paintings to the chagrin of a tour guide. Audiences know what they want from a Roland Emmerich movie, and "White House Down" delivers the goods; rapid cutting, action, explosions, gun battles, cheering onlookers, wise-ass heroes and bad-ass villains.

Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.

The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.

Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.

White House Down offers very little that's new or interesting. It's a convoluted mess that's caught in no man's land. It takes itself far too seriously yet offers ridiculous action (ridiculous as in dumb, not as in wild or fun) and even more ridiculous characters. It wants to be taken seriously but functions in bizarre surroundings with a foolish plot. A calamity of underdeveloped ideas, half the film is flat out brain damaged and the other half is pure schlock. Do yourself a favor and avoid this dumb and actually boring farce.

This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.

14 September 2013. White House Down starts with a lofty humanistic developing story that has substantive drama, but unlike its contemporary cousin Olympus Has Fallen (2013) becomes more a derivative of John McTiernan's action thriller Die Hard (1988). The result is an uneasy attempt at light humor along with a more darker plot that literally destroys a national American symbol. The plot elements in this deliberately twisting action thriller sometimes fails logic and later descends into a more chaotic and at times manipulative story.

Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.

While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.