IMDb-BEWERTUNG
5,8/10
1580
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA collection of short films based on stories by Australian writer Tim Winton.A collection of short films based on stories by Australian writer Tim Winton.A collection of short films based on stories by Australian writer Tim Winton.
- Auszeichnungen
- 6 Gewinne & 9 Nominierungen insgesamt
Colin Friels
- Narrator (segment "Ash Wednesday")
- (Synchronisation)
Tim Winton
- Adult Narrator (segment "Big World")
- (Synchronisation)
Empfohlene Bewertungen
I loved the Turning. It showed me the way to write my life story. I had been in turmoil as to how to write it all down. When I discovered Tim Winton's, The Turning, I knew what I had to do. I am currently doing Honours at university with my thesis being my life story. Yes I agree that some of the stories are sad with no real solution but unfortunately that is how life is sometimes and for some people. I wish we all could be happy but that is a fairy story for children. We just have to get on with it as best we can. Tim shows up that saying "it is what it is". When I was completing my Arts degree with creative writing we had to read, "The Art of the Tale" edited by Anthony Halpern. This is a good set of short stories not necessarily happy ones either but again showing what life is.
Most movies with multiple stories are shallow even if well acted. The script, acting, and stories are all emotional - sharing life at a precipice of sorts, a turning point, where emotions and feelings change. As those of us who have lived a bit, those turning points are often revealing and emotional, and change our outlook.
Some reviews of this moving denied the reality of life's challenges - this is not a film of Disney characters or where a Marvel character saves the world - just super acting by many superb actors in emotional scenes.
Whether it be seeing a divorced dad with a son he doesn't know or reliving painful memories or living painful lives, I applaud the directing of diverse stories with a similar tenor : life's challenges being shown and felt.
Some reviews of this moving denied the reality of life's challenges - this is not a film of Disney characters or where a Marvel character saves the world - just super acting by many superb actors in emotional scenes.
Whether it be seeing a divorced dad with a son he doesn't know or reliving painful memories or living painful lives, I applaud the directing of diverse stories with a similar tenor : life's challenges being shown and felt.
This is an Australian art-house film or rather films. It is the idea of Robert Connelly who brought us the excellent 'Balibo' in 2009. He has brought together seventeen directors and writers to make a version of the book 'The Turning' by Tim Winton. This is essentially a collection of short stories that all have the theme of 'turning' or changing and to say it is a mixed bag is a massive understatement.
Each segment or 'chapter' has been made as a separate film and that can be a bit confusing as you lose the flow of the overall piece; but that is highly intentional. The acting is all well above average with some notable performances. There are some themes that seem to be recurring, such as disfigurement, poetry, narration, regret and more over loss. The subjects vary as much as anything else, including first love, hidden childhood memories, trailer parks, Jesus and Volks Wagens. We also have some modern interpretative dance - just to prove how art-house the whole ensemble is.
Now as I said this is ambitious and in most respects that ambition is realised. However, this is 173 minutes long and, as such, required some commitment to stay the course. It should be the sum of all its parts but that too is a 'big ask' as is the colloquial these days. The parts are so different that I felt some were completely out of kilter with the rest and others almost stand alone stories. And I think that is the intention here, after all they are all short stories and so would want to be both different and stand alone. But that is also the weak point as you will inevitably like some an awful lot more than others.
I am a fan of alternative and art-house cinema but this did require bearing with as I said it is nearly three hours long, but it is still a commendable effort but I would not be able to sit through it twice.
Each segment or 'chapter' has been made as a separate film and that can be a bit confusing as you lose the flow of the overall piece; but that is highly intentional. The acting is all well above average with some notable performances. There are some themes that seem to be recurring, such as disfigurement, poetry, narration, regret and more over loss. The subjects vary as much as anything else, including first love, hidden childhood memories, trailer parks, Jesus and Volks Wagens. We also have some modern interpretative dance - just to prove how art-house the whole ensemble is.
Now as I said this is ambitious and in most respects that ambition is realised. However, this is 173 minutes long and, as such, required some commitment to stay the course. It should be the sum of all its parts but that too is a 'big ask' as is the colloquial these days. The parts are so different that I felt some were completely out of kilter with the rest and others almost stand alone stories. And I think that is the intention here, after all they are all short stories and so would want to be both different and stand alone. But that is also the weak point as you will inevitably like some an awful lot more than others.
I am a fan of alternative and art-house cinema but this did require bearing with as I said it is nearly three hours long, but it is still a commendable effort but I would not be able to sit through it twice.
This film has the look and feel of Tree of Life. Moments of beautiful imagery, mixed with numerous ponderous scenes for an overlong three hours, makes wonder why it wasn't edited better. Seventeen separate movies ranging from ten to fifteen minutes make up the one hundred and eighty minutes. The beach is a recurring theme throughout, with frequent narration with contemplative music in the background. The storyline is simply the harshness of everyday life, told with a realistic and mundane tone. There are no happy endings at anytime; just a gritty seriousness with very little humor thrown in, with the exception of Kate Blanchett and a swimming pool at Christmas. Otherwise, this is a long and depressing ride. The acting is superb, but the length is a definite drawback in what could have been a contender.
Wusstest du schon
- WissenswertesThe animated segment is based on the poem, 'Ash Wednesday', by T.S. Eliot.
- Alternative VersionenA 90-minute version for TV broadcast (on ABC1 in Australia) contains only 8 of the 17 stories, re-edited into a new running order: "Reunion", "Aquifer", "On Her Knees", "The Turning", "Long, Clear View", "Commission", "Cockleshell", and "Sand". The remaining 9 stories not included were made available online at ABC iView for two weeks from the time of broadcast (23 February, 2013).
- SoundtracksJazz Suite No. 2 (Waltz No.2)
(segment 'Long Clear View')
Written by Dmitri Shostakovich
Performed by Rundfunk-Sinfonieorchester Berlin (as Berlin Radio Symphony), conducted by Steven Sloane
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.110.918 $
- Laufzeit
- 3 Std.(180 min)
- Farbe
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