IMDb-BEWERTUNG
5,8/10
1580
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA collection of short films based on stories by Australian writer Tim Winton.A collection of short films based on stories by Australian writer Tim Winton.A collection of short films based on stories by Australian writer Tim Winton.
- Auszeichnungen
- 6 Gewinne & 9 Nominierungen insgesamt
Colin Friels
- Narrator (segment "Ash Wednesday")
- (Synchronisation)
Tim Winton
- Adult Narrator (segment "Big World")
- (Synchronisation)
Empfohlene Bewertungen
This is a collection of short films in Australia about various aspects of life that presents with some kind of turning point.
I watched this for the big names such as Cate Blanchett and Rose Byrne, Ann's I knew I probably wouldn't enjoy this film anyway. Indeed, the first segment is already not so good, it tells a story of a family spending Christmas together but they go to the wrong house. I can't quite work out what is so special about this story, apart from Cate's performance. The Rose Byrne story is the best out of the whole film, it tells a distinct change in life because of a significant turning point. The rest of the stories are not very good. The sand story is just ridiculous. I couldn't even understand it!
I watched this for the big names such as Cate Blanchett and Rose Byrne, Ann's I knew I probably wouldn't enjoy this film anyway. Indeed, the first segment is already not so good, it tells a story of a family spending Christmas together but they go to the wrong house. I can't quite work out what is so special about this story, apart from Cate's performance. The Rose Byrne story is the best out of the whole film, it tells a distinct change in life because of a significant turning point. The rest of the stories are not very good. The sand story is just ridiculous. I couldn't even understand it!
Overlong, overwrought and overly depressing The Turning is another example of an Australian film or in this particular case 18 mini-films existing for seemingly the sole reason to showcase just how sad and miserably us Aussie's can be and how life here is obviously just far too tough. With much talent and much promise behind this project it is therefore sad to admit that this 3 hour wannabe opus developed by Balibo director Robert Connolly is just such a miserable and tough watch.
Based upon a collection of author Tim Winton's short stories The Turning's ties that bind are all participants are alive and going through the motions, motions that rarely if ever detour from a soul hurting ambiance of depression that tinges the entire film with such a sour taste it's hard to see why it exists other than to try and be realistic and haunting but what we end up with is a film that could act as some form of torture for those asked to sit down with it for 3 hours. This raggedly assembled collages of pain go from trailer trash domestic abuse cases, man called "Bonar", cops caught up in corruption and creepy ginger kids who like to play with loaded rifles. These mini-episodes of grief and depravity are all so short and uninvolving that you forget that not only in front of the camera is talent but behind it also.
Featuring a varied collection of some of Australia's favourite and best actors including Cate Blanchett, Hugo Weaving, Rose Byrne and Richard Roxburgh the film promises to be a fine showcase to strut the acting ability of our nation but in the end product it would be suffice to say that only Rose Byrne and Hugo Weaving make any sort of go at material that must of been hard to work with. behind the camera also we have many fine Australian based directors in Justin Kurzel, Warwick Thornton and Tony Ayres along with actors David Wenham and Mia Wasikowska trying their hands at developing some nice little tales of hard lives. Many of the pieces are fine looking and feature a well constructed score but its hard to recommend them on this alone.
The Turning is a missed opportunity that offered to gather together some of the finest film centric people Australia has to offer but thanks to a disjointed feel to the material, a reliance of being emotional rather than entertaining and a bunch of truly unneeded episodes the film is just a complete train wreck that at 3 hours is a particular journey you don't need to or should want to take. All on screen and behind screen have done better and will do better in the future making The Turning a film you can avoid without a second doubt.
1 and a half depressing life snapshots out of 5
Based upon a collection of author Tim Winton's short stories The Turning's ties that bind are all participants are alive and going through the motions, motions that rarely if ever detour from a soul hurting ambiance of depression that tinges the entire film with such a sour taste it's hard to see why it exists other than to try and be realistic and haunting but what we end up with is a film that could act as some form of torture for those asked to sit down with it for 3 hours. This raggedly assembled collages of pain go from trailer trash domestic abuse cases, man called "Bonar", cops caught up in corruption and creepy ginger kids who like to play with loaded rifles. These mini-episodes of grief and depravity are all so short and uninvolving that you forget that not only in front of the camera is talent but behind it also.
Featuring a varied collection of some of Australia's favourite and best actors including Cate Blanchett, Hugo Weaving, Rose Byrne and Richard Roxburgh the film promises to be a fine showcase to strut the acting ability of our nation but in the end product it would be suffice to say that only Rose Byrne and Hugo Weaving make any sort of go at material that must of been hard to work with. behind the camera also we have many fine Australian based directors in Justin Kurzel, Warwick Thornton and Tony Ayres along with actors David Wenham and Mia Wasikowska trying their hands at developing some nice little tales of hard lives. Many of the pieces are fine looking and feature a well constructed score but its hard to recommend them on this alone.
The Turning is a missed opportunity that offered to gather together some of the finest film centric people Australia has to offer but thanks to a disjointed feel to the material, a reliance of being emotional rather than entertaining and a bunch of truly unneeded episodes the film is just a complete train wreck that at 3 hours is a particular journey you don't need to or should want to take. All on screen and behind screen have done better and will do better in the future making The Turning a film you can avoid without a second doubt.
1 and a half depressing life snapshots out of 5
I loved the Turning. It showed me the way to write my life story. I had been in turmoil as to how to write it all down. When I discovered Tim Winton's, The Turning, I knew what I had to do. I am currently doing Honours at university with my thesis being my life story. Yes I agree that some of the stories are sad with no real solution but unfortunately that is how life is sometimes and for some people. I wish we all could be happy but that is a fairy story for children. We just have to get on with it as best we can. Tim shows up that saying "it is what it is". When I was completing my Arts degree with creative writing we had to read, "The Art of the Tale" edited by Anthony Halpern. This is a good set of short stories not necessarily happy ones either but again showing what life is.
Most movies with multiple stories are shallow even if well acted. The script, acting, and stories are all emotional - sharing life at a precipice of sorts, a turning point, where emotions and feelings change. As those of us who have lived a bit, those turning points are often revealing and emotional, and change our outlook.
Some reviews of this moving denied the reality of life's challenges - this is not a film of Disney characters or where a Marvel character saves the world - just super acting by many superb actors in emotional scenes.
Whether it be seeing a divorced dad with a son he doesn't know or reliving painful memories or living painful lives, I applaud the directing of diverse stories with a similar tenor : life's challenges being shown and felt.
Some reviews of this moving denied the reality of life's challenges - this is not a film of Disney characters or where a Marvel character saves the world - just super acting by many superb actors in emotional scenes.
Whether it be seeing a divorced dad with a son he doesn't know or reliving painful memories or living painful lives, I applaud the directing of diverse stories with a similar tenor : life's challenges being shown and felt.
Wtf.... Seriously what a let down, this is my first review and am so disappointed that I have to give one like this.
I decided to watch this on Australia Day with a few friends, thinking how many good Aussie actors and actresses in this movie must be good.
The cover is misleading, making you think that maybe the stories are somehow consist with a bonfire at the beach, making you think it's gonna be good story or stories that joins together.
The only consitantcy is 18 stories that confuse you, there was so much potential for growth in each story, but you are left wanting your favourite part to continue, just to be let down by introducing a new short story before you can wrap your head around the last one.
I recently watched Breath and that was awesome, I am now going to go and read the book because It remind me of my younger years I highly recommend Breath, but this was a waste of talent and has no story.
The only good one for me was the turning & reunion.
Don't bother,read the book instead
Don't bother,read the book instead
Wusstest du schon
- WissenswertesThe animated segment is based on the poem, 'Ash Wednesday', by T.S. Eliot.
- Alternative VersionenA 90-minute version for TV broadcast (on ABC1 in Australia) contains only 8 of the 17 stories, re-edited into a new running order: "Reunion", "Aquifer", "On Her Knees", "The Turning", "Long, Clear View", "Commission", "Cockleshell", and "Sand". The remaining 9 stories not included were made available online at ABC iView for two weeks from the time of broadcast (23 February, 2013).
- SoundtracksJazz Suite No. 2 (Waltz No.2)
(segment 'Long Clear View')
Written by Dmitri Shostakovich
Performed by Rundfunk-Sinfonieorchester Berlin (as Berlin Radio Symphony), conducted by Steven Sloane
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Box Office
- Weltweiter Bruttoertrag
- 1.110.918 $
- Laufzeit3 Stunden
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