A Girl Walks Home Alone at Night

Set in Bad City, Iran, a young man named Arash (Arash Marandi) struggles with working menial jobs and setbacks coming from his drug addicted father Hossein (Marshall Manesh) whose addictions have put the both of them in debt to drug dealer Saeed (Dominic Rains). Eventually Arash has a chance encounter with a girl (Shella Vand) and strikes up a romance with her, unaware she is a vampire who predates on the bad men within the city.

A Gril Walks Home Alone at Night is the feature debut of writer/director Ana Lily Amirpour. The film is an expansion on Amirpour's 2011 short film of the same name partially funded through Kickstarter with the film's goal of $55,000 exceeded with $56,903 raised from 290 backers. The movie became a hit with critics with many praising the style, direction, and performances of the film with many appreciating the thematic nods to vampire lore, spaghetti westerns, and horror. A Girl Walks Home Alone at Night is a movie that requires patience of its audience, but those who are willing to give it will find a unique and stylish character-based genre blender whose vision overcomes its budget.

Amirpour's approach to the material is unique in that she takes a vampire, known only as The Girl, and frames her as a lone stranger who comes into town and while she does feed on those unfortunate enough to cross her path, she is not without morality as she only unleashes her appetites upon those she sees as deserving of them. The movie's usage of the fictional Iranian city of Bad City helps to give this film a unique identity especially since it's a very different portrayal of Iran than we're typically used to and it's made all the more impressive that it was filmed in Taft, California (primarily due to some of the content not meeting Iran's "standards"). Arash Marandi is really good playing Arash as he has this laid back charm with a slight rebellious streak you may remember from a younger Marlon Brandon or James Dean, Shella Vand is also quite good as The Girl and makes a solid anti-hero/romantic lead with Vand and Marandi having some great chemistry together. While I personally like this movie, I understand it won't be to everyone's tastes as this is a movie that does go in for long unbroken shots and a number of more deliberately paced scenes, but assuming you're willing to give the movie some leeway on that front it makes for a rewarding experience.

A Girl Walks Home Alone at Night is visually and thematically impressive and made even more so by its frugal budget. With some solid leads, a unique take on vampires, and some strong visual language from Ana Lily Amirpour, I found a lot to like about this film.

This was a very stylish movie that also managed to be pretty visceral, which is a special combination that doesn't come along often. It's a horror movie shot in black and white with great visuals and restrained performances, but it doesn't feel artsy or tedious. It finds time to let loose and have some wild sequences as well as the contemplative ones. I liked the characters, especially the central female. She actually does walk around alone at night, but she's not in any danger, which makes it pretty cool. It would say it's worth a watch, and probably even deserves a rewatch at some point. Recommended.

"A Girl Walks Home Alone at Night" is an interesting movie. More a curiosity at moments than a movie with a body and a plot, it ends being saved by its atmosphere and the cinematography, even if some of its moments fall into the silly.

A vampire is roaming an Iranian town. She goes around killing 'bad' men, talking with people and just being very, very shy. She becomes friends with a young guy. Will she end up killing him?

Who are we kidding. The movie doesn't really care about vampires or anything. On the other hand, it has a very nice atmosphere and some of its aspects, like the music or the bleak black and white, give it an atmosphere close to a Western. The camera-work is good, and the direction acceptable enough. There are a couple of scenes really good. The acting, however, is a little bit stilted and, in a couple of occasions, just too silly. The vampire's movements are hilarious (not sure if on purpose).

"A Girl Walks Home Alone at Night" ends being a movie that will be enjoyed more by people who like their movies about atmosphere and 'messages'. Just forget about plot and pace.

Set in an oil industry ghost town-like city in Iran, this movie, directed by newcomer Ana Lily Amirpour - an American of Iranian descent - is highly reminiscent of Jim Jarmusch's early style. Interestingly, in an interview between her and legendary producer/director Roger Corman on the DVD extras, she claims she's not much of a fan of Jarmusch. But as virtually everyone who studies film has pointed at the stylistic similarity, she's taking it as a compliment.

Like Jarmusch's work, the movie is shot in atmospheric black and white - and it works beautifully. The dialogue is all Persian (Farsi) - even though the movie was shot in America, standing in for Iran - and is subsequently sub-titled. However, this does not work against the film (whose strength is its visuals) at all, as the dialogue is at all times minimal and slow, thus making the reading easy and unobstructive to the fascinating camera work.

So, it's a horror movie. It's principal character is a Persian woman vampire - who stalks the town, robed in a black chador, which is quite an unsettling shadow to behold standing 10 feet away from a potential victim late at night. The events exist within a kind of imagined Iranian underworld of pimps, hookers, drug dealers and street urchins. Our vampire watches this dark town, at times slowly riding a skateboard down the street! When she interacts with people, she is unblinking, mostly un-verbal, and seems to be at all times appraising their circumstances and their worth.

Aside from the beautiful blocking shots and photography, a high point of the film is its use of sound effects, music (which sometimes references Morricone-like spaghetti westerns) and an impressive soundtrack of mostly modern pop music.

Any criticism of this movie (though it's more praised than not) seems to center around it being "style over substance" and "too slowly paced". Well, it is moody, that's for sure - and maybe too slow for many of today's horror fans, that's true - but there's no arguing that its greatest strength is its style.

SPOILER: I was a bit disappointed to learn after seeing A Girl Walks Home Alone at Night that it was not an actual Iranian film. Turns out it is entirely American funded and made in California, it's just that it has an Iranian director, crew and cast, while it is set entirely in the Farsi language. When I say I was disappointed it was only that I truly wanted to believe that a film with such frank scenes of sexuality was being made in Iran. There has been something of a surge in Iranian films in recent years, most prominently in the case of the excellent drama A Separation (2011) and I thought it could be possible that this was another in this cycle. Alas, but no. Still, that doesn't deter from the fact that this is a pretty singular bit of work. I suppose the very fact that it is an Iranian film made entirely with American money is in itself pretty interesting.

Like another of 2014's best horror films Honeymoon, this one is also directed by a woman. Ana Lily Amirpour is of Iranian descent but born in the UK and brought up in America. I guess because of her heritage coupled with the tensions between America and Iran, many meanings seem to have been interpreted in this film. I think the truth is that this is a film with some minor political undercurrents but which takes its influences far more from cinema itself. Set in a bleak dusty place called Bad City, a settlement full of drug addicts, vice and despair, it follows a small group of characters one of which is a female vampire who roams the streets at night preying on the worst in her society.

It wouldn't be unfair to say that this is an exercise primarily on style over substance. This doesn't bother me personally, as I enjoy films that embrace cinematic style. It's typified by great black and white cinematography with lovely widescreen framing. It is also a mash-up of film genres with a hero and car which evokes 50's teenage rebel films, Ennio Morricone inspired music that references spaghetti westerns, moments that recall the odd tone of David Lynch movies, the visual look of Francis Ford Coppola's Rumble Fish (1983) and the revisionist approach to the vampire film typified by Let the Right One In (2008). When you combine all of these disparate elements together in an American film shot entirely in Iranian, the result is a very odd film indeed. I guess you could call this a feminist vampire film, in that she only attacks predatory and immoral males, while she is quite far removed visually from the slinky female bloodsuckers from many a European vampire flick (although there certainly isn't anything wrong with them!). It also plays on the idea that the Hijab veil looks similar to the garb of those traditional vampires. It is also distinctive for having bizarre details such as a prominent cat, a skateboarding vampire and a soundtrack that mixes Persian music with new wave influenced western pop. The latter being a particular favourite of our vampire lady.

My feeling on the film overall is a little mixed. I really appreciated the visual style and the original aspects inherent in an Iranian vampire film, while the mix of genres did create something new. On the other hand, it begins very well and does meander in the second half somewhat. It would probably have worked better as a ninety minute movie given the slightness of the material itself. Still, it has to be praised for going somewhere new and it shows there is always a different way to approach old ideas.