Spurlos - Ein Sturm wird kommen

"Are we bad parents? Did I do something wrong?" Catherine (Kidman) and Matthew (Fiennes) are a normal, boring couple living in Australia. When Catherine wakes up one morning to find her two children are missing her world is rocked. They feel the police are not doing enough and take it upon themselves to look for them. When past history is revealed no one can be trusted. This is a very difficult movie to watch. The acting by Kidman is Oscar worthy and everyone else does hold their own against her. On the other hand the subject is gut wrenching and the movie is a little slow moving. It does keep you watching and interested though, both to see the end and for Kidman's performance. This is a good movie but nothing you can watch over and over and also one you really have to be in the mood for. Worth seeing for her acting if for no other reason. Overall, slow moving and hard to watch, but not a bad movie with one of the best performances by Kidman I have ever seen. I give this a B-.

I love Nicole. One of the best of her time. She normally chose good movies to be part of. Not this one, though. Can't understand what made her accept being part of this...thing. It started out well, but soon loses pace and logic. I couldn't see it thoroughly. Nothing happens. Ridiculous scenes...even sex scenes. Strange and ridiculous. The actors, couldn't deliver cause there's nothing to. A lot of scenes should be cut off, cause they don't make any sense at all. And the end, gosh, deplorable. Deplorable ending. I can't understand what's the point of this movie? For what purpose was it made? And what about the title? Strangerland?! My God! Awful!This movie could have been good.The ambiance, the actors...what a waste of talent and of my time!

A film that for its entirety is crying out for a satisfying ending to make all that has come to pass worthwhile, Strangerland fails at its final hurdle and becomes a tale with huge potential that remains left in the dusty plains of the outback wherein the stories mysteries lie.

Strangerland is most certainly a unique disappearance mystery, a strange hybrid of domestic drama moulded into the intrigue of just what happened to the two Parker children, last seen wandering off into the great unknowns of outback Australia, but despite consistently threatening to become a great addition to the recently mostly barren Australian cinema classic handbook, Kim Farrant's film just can't gel into something totally recommendable or overly memorable.

First time director Farrant does show glimpses of a filmmaking talent, her images of the land and direction of some of her actors is of a high order and Strangerland's tone is often nerve rackingly eerie and there's an air of dread that permeates through most of film. From Maddison Brown's performance as promiscuous teen Lili, the town of Nathgari itself and the looming shadow of the barren landscape that surrounds our characters mixed with Keefus Ciancia's atmospheric score, all combine to give Strangerland a unique identity worthy of lead Nicole Kidman's committed turn.

In the doldrums for some time now it's great to see Kidman showcase her considerable talents once more with a layered turn as the conflicted mother of the lost children Catherine Parker. Kidman's performance is both brave and unflattering and she's a highlight of Strangerland's ensemble. Ably supported by the evergreen Hugo Weaving as the local detective, Kidman elevates the film despite the overplayed presence of a distracting Joseph Fiennes who once again reminds us as to why his been largely forgotten about since his appearance in Shakespeare in Love. Young Australian performer Meyne Wyatt is also worthy of a mention in his role as young Aboriginal local Burtie.

Strangerland has moments; it also sucks you into its mysterious centre only to drop the bundle in the films last act. If Strangerland had in fact had a better catch on its hook it could've quite easily become one of, if not the Australian film of the year but as it stands it's going to be remembered only for a timely reminder that Nicole Kidman can in fact act and lead a film. A disappointing result for a film that just might have been.

2 ½ high quality skate parks out of 5

This film tells the story of a family that moves to a small town to escape from a dark past. Unfortunately their children goes missing, and in the search, it seems everyone has something to hide.

"Strangerland" depicts a mother who is in much distraught over the disappearance of her children. Nicole Kidman is very convincing as a very distressed mother, I empathise with her and feel so sorry for her pain and loss. The father, on the other hand, has a different approach to the circumstances, creating a stark contrast. The hunt for the missing children is long and less than fruitful, engaging me and making me hope for something good would happen soon. I think it's a heavy film with a heartbreaking and depressing story.

The best things about this movie are the cinematography, the acting (despite the lame script) and the beautiful and haunting outback locales. The story is so strung out...so stretched. The whole thing could have been told in 30 minutes. As it is the story is padded out with long and luxurious takes of the outback, the stereotypical outback town (of which there are very few these days) and the side story of Kidman's character losing it big time.

I am thoroughly sick and tired of Australian films these days (yep-I'm Australian). They tell off-beat boring stories or focus far too much on the outback that the rest of the world must think we all live in the desert with koalas and kangaroos for pets, speak with an appalling twang and drink copious amounts of beer whilst swatting away huge flies.

Here's the reality... Most Australians live in large cities or suburbs not unlike LA (I know LA so I can compare our cities quite well). Few of our films deal with our cosmopolitan and multi-racial population. Aussie films either show whitebread Aussie families or Aboriginal families in distress. No mention or filming of the other ethnic groups here.

Now whilst trying to tell tales about your culture is a laudable thing, to make a film truly internationally interesting it needs to sell to a wider audience otherwise our film industry will always be relegated to the quirky sidelines while Hollywood conquers all.