Immaculate

If it wasn't for Sydney, no one would have seen this movie. I honestly don't understand what the higher reviews were watching...

This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.

On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.

I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...

Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.

6.7/10 (Recommend)

I went into this one completely unaware of what the film was about. My brother-in-law briefly filled me in, but with having no visual expectations I was as virgin to this film has Mary, Mother of Jesus.

The main reason for checking it out is because Sydney Sweeney has been posting TikTok videos from people who have gone and seen the film and have come out "traumatized". There's certain aspects where I can understand why some are coming out of being "mind blown", but I also feel a lot of them aren't into horror films and are seeing just cause she's in it.

Truthfully, I enjoyed the film a lot more than I expected. About 80/85% of the film was good, but the last 15/20% is where it falters and loses all its build-up. Those last twenty minutes were laughable at best and disappointing. The story works, but is definitely fiction in context. Once everything unravels I began to really feel the ninety minutes that this film is.

What makes this movie work at times is the whole nun aspect. Horror nuns are creepy and unsettling for me. The jump scares work half the time. If I was feeling better than I am then the scares wouldn't have got me as much as they did, but recognizing that I can say they aren't anything special especially if you watch horror films often.

This is my first film with Sydney Sweeney and she wasn't bad. She brings good innocence to her character and a boldness, while not unexpected, is wrecked by the execution of the end. I am now curious on some of her previous roles to gauge what kind of actress she has. There's range going from romcom to horror, but doesn't mean you're good.

Overall, a more enjoyable film than I expected, but not out of this world horrific. It shows more graphic scenes than I expected, but I'm not complaining. The ending ruins the rest of the films build-up especially with the lack of graphic visuals. If it's a movie of interest to you then wait for a cheap night or its release to a streaming service.

That's all for now. Thank you for taking the time to read my review. Until next time.... Enjoy the show!

I liked the mix of Italian and English. It worked really well, imagining how the main character would not be able to understand the majority of what they are saying.

However, the priest asks something on the lines of 'if it is not God's will, why does he not stop us?'.

The answer to that is that He gave us free will, which any priest worth his salt would most certainly know.

Apart from that, it was a good take on an already over explored theme, with some nice bits of gore and violence thrown in.

I'd definitely recommend giving it a watch if the massive hole in the priest's explanation of what they are doing is ignored. It starts out as you would expect from the genre, but has it's surprises as it progresses.

Amazingly well filmed and acted, 2024 ahead of The First Omen for me in terms of occultism and religious horror. Blessed, I thank God for entering that word choice, with a marvellous score. Answers and question marks make for a captivating rendezvous. And importantly, as the crucial essence of the genre, this from start to finish. Borrowings from European cinema yes, nunploitation no. Well, a little, but primarily 70s horror. And the contrast between light and dark is a deliberate stylistic device - after all, this is Cecilia's destiny. Just like the harsh impact of violent peaks in the bittersweet basic tone. And at the end of the escalating ordeal, the viewer possibly gains an essential realisation: the suffering of Mary. Thank you, emancipation can be so unobtrusive after all.

Immaculate

In Immaculate, we're given a nunsploitation story. Sister Cecilia relocates to an Italian convent following the closure of the one where she was raised in America. Soon after her arrival, she becomes pregnant and this is tagged an immaculate conception seeing as she's still a virgin.

The film explores the concept of women's bodily autonomy and challenges the perception of women solely as vessels for reproduction.

This psychological religious horror is mostly good but the religious aspects could have gotten more emphasis. The social commentary on faith could have been explored better. However, it delivers a satisfying amount of scares and builds to a pulsating final act. The restraint we'd gotten in the previous acts is tossed in the final act, and here is where the movie shines best. The pacing is good even though it does take time to get to the juicy parts but with the limited runtime, it avoids being tedious. The creepy atmosphere also effectively carries the film through its initial stages.

Sydney Sweeney delivers as sister Cecilia. Remarkably, she auditioned for the role at just 17 years old before the project was shelved. Years later, as a producer, she secured financing for the film, demonstrating her dedication to the project. This dedication is palpable in the performance she gives.

In conclusion, Immaculate is a solid psychological religious horror and although it falters in some areas, particularly in its underexplored themes, the film's gripping final act and Sweeney's impassioned portrayal make it a worthy watch for horror enthusiasts.

7/10.