Cecilia, eine gläubige Frau, wird in der malerischen italienischen Landschaft herzlich willkommen geheißen, wo ihr eine neue Aufgabe in einem berühmten Kloster angeboten wird.Cecilia, eine gläubige Frau, wird in der malerischen italienischen Landschaft herzlich willkommen geheißen, wo ihr eine neue Aufgabe in einem berühmten Kloster angeboten wird.Cecilia, eine gläubige Frau, wird in der malerischen italienischen Landschaft herzlich willkommen geheißen, wo ihr eine neue Aufgabe in einem berühmten Kloster angeboten wird.
- Auszeichnungen
- 6 Nominierungen insgesamt
Betty Pedrazzi
- Sister Francesca
- (as Betti Pedrazzi)
Niccolò Senni
- Customs Official
- (as Niccolo' Senni)
Empfohlene Bewertungen
If it wasn't for Sydney, no one would have seen this movie. I honestly don't understand what the higher reviews were watching...
This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.
On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.
I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...
Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.
This movie lacked both depth and any sort of character development. The movie would've been better if captions were provided, yet we had to rely on translations from another character.
On numerous occasions, what appeared to be a major development of the movie was either not explained or followed up. Just left there and the director moved on.
I was very disappointed by the movie and felt that they could have done a much better job of developing a storyline. Instead they phoned this one in...
Don't go see it in theatre, wait until it's out to steam if you want to see it. It's certainly not worth the price of admission.
Sydney Sweeney sheds her good-girl persona in Immaculate, a horror film that throws a devout young nun, Cecilia, headfirst into the nightmarish underbelly of a secluded Italian convent. While the premise is deliciously creepy, the execution lands somewhere between a campy throwback and a missed opportunity for deeper thematic exploration.
There's no denying the film's fun factor. The first act lures you in with idyllic Italian countryside visuals and a warm welcome for Cecilia. But the cracks soon begin to show, and the movie gleefully dives into increasingly bizarre and bloody territory. Think The Wicker Man meets Suspiria with a dash of Sweeney's signature intensity. The special effects, while not top-of-the-line, lean into a practical, grotesque quality that complements the film's grindhouse vibe.
Sweeney is the undeniable star here. She beautifully portrays Cecilia's transformation from wide-eyed innocent to a woman fighting for survival, both physically and emotionally. There's a vulnerability in her performance that makes you root for her, even as she descends into badassery. The supporting cast, however, feels a bit one-note. Their portrayals of the enigmatic nuns are more stereotypical than chilling.
The historical and cultural context of Catholicism is undeniably present, with religious iconography and rituals fueling the film's atmosphere. However, Immaculate doesn't quite commit to a deeper social commentary on faith or female subjugation. It throws out intriguing themes but doesn't fully explore them, leaving me wanting more.
The score is a haunting blend of choral music and discordant strings, perfectly capturing the unsettling duality of the convent. The editing is sharp, keeping the pace brisk and the scares coming. There's a sense of stylish chaos to the film, particularly in the later acts, that's undeniably entertaining.
Immaculate isn't immaculate. The script could have benefited from tighter plotting and a clearer thematic focus. But for fans of campy horror with a strong leading performance, it delivers a wild ride. So, if you're looking for something to shock you and maybe make you laugh a little (nervously), then step into the convent with Cecilia. Just don't expect a profound spiritual experience.
There's no denying the film's fun factor. The first act lures you in with idyllic Italian countryside visuals and a warm welcome for Cecilia. But the cracks soon begin to show, and the movie gleefully dives into increasingly bizarre and bloody territory. Think The Wicker Man meets Suspiria with a dash of Sweeney's signature intensity. The special effects, while not top-of-the-line, lean into a practical, grotesque quality that complements the film's grindhouse vibe.
Sweeney is the undeniable star here. She beautifully portrays Cecilia's transformation from wide-eyed innocent to a woman fighting for survival, both physically and emotionally. There's a vulnerability in her performance that makes you root for her, even as she descends into badassery. The supporting cast, however, feels a bit one-note. Their portrayals of the enigmatic nuns are more stereotypical than chilling.
The historical and cultural context of Catholicism is undeniably present, with religious iconography and rituals fueling the film's atmosphere. However, Immaculate doesn't quite commit to a deeper social commentary on faith or female subjugation. It throws out intriguing themes but doesn't fully explore them, leaving me wanting more.
The score is a haunting blend of choral music and discordant strings, perfectly capturing the unsettling duality of the convent. The editing is sharp, keeping the pace brisk and the scares coming. There's a sense of stylish chaos to the film, particularly in the later acts, that's undeniably entertaining.
Immaculate isn't immaculate. The script could have benefited from tighter plotting and a clearer thematic focus. But for fans of campy horror with a strong leading performance, it delivers a wild ride. So, if you're looking for something to shock you and maybe make you laugh a little (nervously), then step into the convent with Cecilia. Just don't expect a profound spiritual experience.
In 2024's "Immaculate" we are introduced to the young nun named Cecilia who is portrayed by Sydney Sweeney. She is the main selling point for this movie with her remarkable rise in Hollywood right now. It's also interesting how this movie was made because Sweeney auditioned for this movie in 2014 but the project never materialized. Now that she is a big name in Hollywood, she reached out to the writer and went on to produce this movie with her in the leading role. I love that she is so dedicated to making a horror movie and a project she was certainly passionate about. And you could tell because her acting is really great and even though it was hard seeing her as a nun at first, she did the great job bringing her character to life. Although I find it a little weird that even in a movie about a nun, we somehow get to see her naked multiple times because she can't seem to leave her clothes on. Not a complaint but more of an observation.
The movie went in a different direction than I initially expected it to go which was a nice surprise. On the other hand it is really predictable and you immediately know where the threat lurks. There are some cheap jump scares in this but also some rather suspenseful moments that kept the tension high. The movie also looks pretty decent and overall entertains. But just like this review mainly focuses on Sydney Sweeney herself, the movie does too. Like I said she is the main selling point and the most memorable thing in an otherwise rather generic film that would be forgotten about easily. [5,7/10]
The movie went in a different direction than I initially expected it to go which was a nice surprise. On the other hand it is really predictable and you immediately know where the threat lurks. There are some cheap jump scares in this but also some rather suspenseful moments that kept the tension high. The movie also looks pretty decent and overall entertains. But just like this review mainly focuses on Sydney Sweeney herself, the movie does too. Like I said she is the main selling point and the most memorable thing in an otherwise rather generic film that would be forgotten about easily. [5,7/10]
I had the chance to catch "Immaculate" before its release, hoping for a fresh horror experience set in a stunning Italian convent. Unfortunately, the movie felt like a letdown. The story follows Cecilia, who's supposed to uncover some dark secrets in her new, holy home, but it all ends up feeling too familiar.
The film tries to be edgy and dark but doesn't quite hit the mark, almost playing it safe like a PG-13 movie so any comparisons to "Saint Maud" almost feel like an insult. It teases us with brutality but pulls its punches, leaving us with a sense of "been there, seen that" rather than genuine chills or thrills.
Despite its beautiful setting and a premise that could have taken us on a deep, disturbing dive into faith and fear, "Immaculate" doesn't deliver. It ends up feeling like a collection of horror clichés without the bite, missing a chance to really stand out. For those looking for a horror movie that packs a punch, this might not be it.
The film tries to be edgy and dark but doesn't quite hit the mark, almost playing it safe like a PG-13 movie so any comparisons to "Saint Maud" almost feel like an insult. It teases us with brutality but pulls its punches, leaving us with a sense of "been there, seen that" rather than genuine chills or thrills.
Despite its beautiful setting and a premise that could have taken us on a deep, disturbing dive into faith and fear, "Immaculate" doesn't deliver. It ends up feeling like a collection of horror clichés without the bite, missing a chance to really stand out. For those looking for a horror movie that packs a punch, this might not be it.
I liked the mix of Italian and English. It worked really well, imagining how the main character would not be able to understand the majority of what they are saying.
However, the priest asks something on the lines of 'if it is not God's will, why does he not stop us?'.
The answer to that is that He gave us free will, which any priest worth his salt would most certainly know.
Apart from that, it was a good take on an already over explored theme, with some nice bits of gore and violence thrown in.
I'd definitely recommend giving it a watch if the massive hole in the priest's explanation of what they are doing is ignored. It starts out as you would expect from the genre, but has it's surprises as it progresses.
However, the priest asks something on the lines of 'if it is not God's will, why does he not stop us?'.
The answer to that is that He gave us free will, which any priest worth his salt would most certainly know.
Apart from that, it was a good take on an already over explored theme, with some nice bits of gore and violence thrown in.
I'd definitely recommend giving it a watch if the massive hole in the priest's explanation of what they are doing is ignored. It starts out as you would expect from the genre, but has it's surprises as it progresses.
Wusstest du schon
- WissenswertesSydney Sweeney auditioned for this film in 2014 when she was 17 but the project never materialized. Years later, she took on the role of a producer and reached out to the writer, acquired and revised the script, hired a director, found financiers, and sold the film to Neon.
- PatzerThe term "Immaculate" has nothing to do a virginal pregnancy, often considered in eg the birth of Jesus to the virgin, Mary. Immaculate has to do with "being born without sin" as in the reference to the Immaculate Mary, the Mother of Jesus, being herself born without sin.
- Zitate
Sister Cecilia: Wait, so you don't even believe in God?
Sister Gwen: Of course I do. Life is so cruel. Only a man can be responsible.
- SoundtracksRequiem Nostra Sigmora Addolorata
Written by Will Bates
Performed by Maiah Manser
Published by Music by FOYS Publishing
Courtesy of Fall On Your Sword
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Inmaculada
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.671.307 $
- Eröffnungswochenende in den USA und in Kanada
- 5.338.921 $
- 24. März 2024
- Weltweiter Bruttoertrag
- 35.340.015 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 2.00 : 1
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