Ein ehemaliger DEA-Agent verlegt seine Familie in eine ruhige Stadt, wo er sich bald mit einem lokalen Meth-Drogenboss vermischt.Ein ehemaliger DEA-Agent verlegt seine Familie in eine ruhige Stadt, wo er sich bald mit einem lokalen Meth-Drogenboss vermischt.Ein ehemaliger DEA-Agent verlegt seine Familie in eine ruhige Stadt, wo er sich bald mit einem lokalen Meth-Drogenboss vermischt.
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Empfohlene Bewertungen
I was very pleased with this movie. Its got the action you want, a believable story to keep the momentum going and a handful of good actors to support it.
First of all, I LOL at all the people criticizing the plot, dialog, character development etc, again let me LOL. People watch Jason's movies for the a** kicking action and fight scenes. I will admit, some of his movies I think about giving up at the half way mark, but this was one of his better films for sure.
Transporter, Homefront, Hummingbird would be my favorite Statham movies not including the Guy Ritchie classics of course.
8/10 will definitely watch again.
First of all, I LOL at all the people criticizing the plot, dialog, character development etc, again let me LOL. People watch Jason's movies for the a** kicking action and fight scenes. I will admit, some of his movies I think about giving up at the half way mark, but this was one of his better films for sure.
Transporter, Homefront, Hummingbird would be my favorite Statham movies not including the Guy Ritchie classics of course.
8/10 will definitely watch again.
There is nothing wrong with this film. I thought JS's acting was pretty good. Compares favourably to other action stars' attempts over the years. I really enjoyed seeing Kate Bosworth, Winona Ryder and James Franco playing against type. Franco can be a bit hit and miss, he shines in the right roles, but others he struggles with (Annapolis for example). Definitely a hit here, his bad guy had more nuance than was strictly written into the part. Deserves a bit more than the 6.5 it's got as I write this.
80U
Great action movie from beginning to the end. Great story of the good guy protecting his family from criminals.
Single ex-agent with a child, settling down in a new closed place where a self-claimed boss has set his own rules - there are (and definitely will be) lots of similar stories, about past, present and future. As it is difficult to add a new angle or approach, it is usually acting and solution of issues that counts, are they logical, or just ridiculous and unrealistic. Homefront has evidently more pluses than minuses - pleasant performances by "the good guys" - Jason Statham as a caring but tough father Phil Broker and Izabela Vidovic as sensitive but tough Maddy, realistic atmosphere, catchy fights, meaningful use of violence... True, "the bad guys" are too plain, the ending has predictable structure and elements, and there are scenes not necessary for the general course of events, but absence of dudikoffs-seagals and torpid chases and fights is already a valuable feature. It is nice to see that Statham as an action hero has followed in the footsteps of e.g. Mel Gibson and Bruce Willis.
All in all, a good and proper-time (1,5 hours) thriller. Not a conceptual one, but no flop either.
All in all, a good and proper-time (1,5 hours) thriller. Not a conceptual one, but no flop either.
Sylvester Stallone writes the screenplay for the Jason Statham and James Franco led Homefront, and we love it! Yes, you read the right.
For all intents and purposes, Homefront should be a train wreck of an abomination in film-making. But if you squash your preconceived biases that will doom Homefront to failure, you open yourself to watch a supremely entertaining, funny and highly thrilling film.
Phil Broker recently widowed and struggling to raise his 9-year old daughter Maddy the only way a father knows. Broker also happens to be a well trained DEA agent who chooses to leave the dangerous action and retire to a small town in Louisiana to care for his daughter. With small town life comes small town trouble, and Broker is quickly thrust into the drama despite his fervent effort to remain impartial and uninvolved. Unfortunately, his past history and the criminal occurrences of his new residence makes matters more complicated and he must soon use his skills to protect his daughter the only way he knows how.
Homefront has an energy and vibrancy about it, a spark, that revitalizes the potentially stagnant action film type. It does not deviate from the formula too much to make it feel forced and contrived, but it has a well formed and original enough plot thanks to the source material from Chuck Logan's original and synonymously titled novel. Sylvester Stallone, the film's screenwriter and executive producer, who never makes a token egotistical cameo, translates Logan's narrative into an un-caricaturized action-crime-drama, a pride worthy feat. The difference between Homefront and its inferior counterparts is Homefront focuses on the story and the characters and the creative direction of Gary Fleder never veers into nonsensical excess.
Jason Statham is quintessential Statham as Phil Broker, bringing his stoic charisma and martial arts ability to be used perfectly in this film as the steadfast protagonist. No protagonist is complete without an equally matched antagonist, of which Homefront has several players, all of which fully formed and complete characters. Kate Bosworth, James Franco and Winona Ryder are all notable in their acting and contributing to the film's overall success.
At first glance, Homefront should be an uninspired derivative action flick solely for box office numbers. But, it is not. It is a surprise of a film and a shame that some potential viewers may choose to overlook this film due to their misinformed prejudices for the actors, crew and subject matter. Anyone willing to take my word for it and give this film a chance will not be disappointed.
Please check out our website for complete reviews of all the recent releases.
For all intents and purposes, Homefront should be a train wreck of an abomination in film-making. But if you squash your preconceived biases that will doom Homefront to failure, you open yourself to watch a supremely entertaining, funny and highly thrilling film.
Phil Broker recently widowed and struggling to raise his 9-year old daughter Maddy the only way a father knows. Broker also happens to be a well trained DEA agent who chooses to leave the dangerous action and retire to a small town in Louisiana to care for his daughter. With small town life comes small town trouble, and Broker is quickly thrust into the drama despite his fervent effort to remain impartial and uninvolved. Unfortunately, his past history and the criminal occurrences of his new residence makes matters more complicated and he must soon use his skills to protect his daughter the only way he knows how.
Homefront has an energy and vibrancy about it, a spark, that revitalizes the potentially stagnant action film type. It does not deviate from the formula too much to make it feel forced and contrived, but it has a well formed and original enough plot thanks to the source material from Chuck Logan's original and synonymously titled novel. Sylvester Stallone, the film's screenwriter and executive producer, who never makes a token egotistical cameo, translates Logan's narrative into an un-caricaturized action-crime-drama, a pride worthy feat. The difference between Homefront and its inferior counterparts is Homefront focuses on the story and the characters and the creative direction of Gary Fleder never veers into nonsensical excess.
Jason Statham is quintessential Statham as Phil Broker, bringing his stoic charisma and martial arts ability to be used perfectly in this film as the steadfast protagonist. No protagonist is complete without an equally matched antagonist, of which Homefront has several players, all of which fully formed and complete characters. Kate Bosworth, James Franco and Winona Ryder are all notable in their acting and contributing to the film's overall success.
At first glance, Homefront should be an uninspired derivative action flick solely for box office numbers. But, it is not. It is a surprise of a film and a shame that some potential viewers may choose to overlook this film due to their misinformed prejudices for the actors, crew and subject matter. Anyone willing to take my word for it and give this film a chance will not be disappointed.
Please check out our website for complete reviews of all the recent releases.
Wusstest du schon
- WissenswertesSylvester Stallone originally developed the screenplay as an installment of his Rambo film series.
- PatzerIt's established that the film takes place in Louisiana. In Louisiana, the surname "Bodine" is pronounced as "Bodeen" not "Bodyne" as everyone in the movie pronounces it.
- Zitate
Phil Broker: Whatever you're thinking, rethink it.
- Alternative VersionenReleased in two versions, the general, worldwide theatrical release and an edited cut in Taiwan. Runtimes are, respectively, "1h 40m (100 min)" (theatrical release) and "1h 30m (90 min) (Taiwan)".
- VerbindungenFeatured in Film '72: Folge vom 3. Dezember 2013 (2013)
- SoundtracksI Got Mine
Written by Dan Auerbach and Patrick J. Carney (as Patrick Carney)
Performed by The Black Keys
Published by McMoore McLesst Publishing (BMI)
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing
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Everything New on Prime Video in August
Everything New on Prime Video in August
Your guide to all the new movies and shows streaming on Prime Video in the US this month.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Línea de fuego
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.158.898 $
- Eröffnungswochenende in den USA und in Kanada
- 6.915.241 $
- 1. Dez. 2013
- Weltweiter Bruttoertrag
- 48.449.416 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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