White Tiger - Die Grosse Panzerschlacht

a film about war. a surviver. a tank. a fight like Melville's Moby Dick. image of battle in smoke lens. and all ingredients for this type of movie. it is difficult to say if it is a good film or not. crumbs of many histories about last world conflict are stones in a not flat mount. all is at right place. but , in few moments, the tale is only a sketch.sure, a film far from usual cages of ideology or triumphalism is a nice work. tanks seduction is always fresh. but is it enough ? after a splendid story the final taste is almost bitter. because the final of confrontation is more delicate, the script puts in public imagination the solution. and it is not really fair ! conclusion - too many directions, a not inspired mixture between magic and war facts. but , however, it is not a disappointing experience. only a trip in the corners of a myth shadow.

Karen Shavnazarov shows us a different side of "Soviet era war films". Not straightly patriotic, with no heroes, "politruks", shouting hurrahs... The film is about war itself, it's more philosophical film about tragedy of war and God. I would say, it's like David Lynch shot a film about WWII. Mystical and tragic story for me The story is about tank driver, Ivan, who was severely burnt in a fight, but divinely survived. Set in a latest war days, somewhere in a Hungarian borderlines. He's regarded as a lieutenant for a command of a newly built tank T-34-85 to fight a mysterious "White Tiger" tank, destroying Soviet tank battalions with no harm.

I very rarely get so scared watching a movie that I have trouble watching it. The depiction of all the gritty details of tank culture was superb. Every moment, every mundane scene had a heavy tension to it -- you never knew what was going to happen next.

The best thriller movies make good use of silence rather than cheesy background music, and this had those silent scenes. The story was kind of like Moby Dick transposed into the WW2 eastern front -- replace the great white whale with White Tiger and Captain Ahab with the mysterious tank commander. Be warned, the movie has a lot of burn victims depicted very realistically.

It's good film but my expectations were much more. I don't like in this movie artificial pressurization of evil. This story not seems to me realistic, though filmed well and with grand scale. Here is many tanks, charismatic actors, atmosphere of war, but no desired voltage. Clearly that creators have tried to scaring viewer with talk about mystical tank "White Tiger" but in fact tank on a screen looks not so shattering as its fame. Why this tank was such terrifying, such invulnerable? What is his power? Is it ghost or not? I very love films by Karen Shakhnazarov but his new film asks too many questions and can't give any answers, because, in my opinion, creators don't know theirs too, and just had shifted this mission on viewer. "White Tiger" is good story with an excellent idea and look in any case its will be useful and interesting.

First things first - if you expect a "standard" war film like Saving Private Ryan or Enemy at the Gates or Fury, then this is the wrong place to look. White Tiger is a Russian film set in the dying days of WW2. The titular AFV is a lone German tank which appears mysteriously on the battlefield and destroys Russian tanks by the dozen, whilst seeming invincible. No crew is ever seen, with the result that it feels like a mash-up between the great white whale from Moby Dick and the homicidal tanker in Spielberg's Duel.

Hunting the tank is a character halfway between Captain Ahab and Ishmael; a Russian tank-man who makes a miraculous recovery from seemingly fatal burns, only to find that he has total amnesia. He only knows that he can talk to the souls of tanks, and that he must hunt the white tiger.

Sounds odd? That's the point. The film is heavy on metaphor and mysticism, and in the latter third becomes deeply surreal. There's a scene of three German generals signing the document of surrender, then enjoying a strange meal. Then cut to a line of German PoWs; then to Ahab/Ishmael alone in a field with his tank. The white tiger hasn't gone, he says. It's merely hiding, and will be back in a hundred years or so. Then the final scene: is it real? Is it symbolic? Is it happening in someone's head? You decide.

This is a cerebral film. It asks questions, and leaves the viewer to struggle for answers.

In Russian, with subtitles.