Puppet Master X: Axis Rising

Nazis attempt to create a new army by reanimating corpses, when their plan goes awry they go about using Toulon's Puppet's secret to assist them.

Picking up where Axis of Evil left off producer Charles Band's cult creations return. Mr Puppet Master - Band himself directs this instalment and it shows, Axis Rising feels grander than the last, more film-like with better looking locations and production values, plus there's some noteworthy digital and make up effects. The infamous puppets look more like their original designs especially everyone's favourites Blade, Jester and Pinhead. The outrageous new puppets this time around are more welcome and its a kick to see some 'classic' puppets return.

What Stephanie Sanditz's German accent lacks in consistency she makes up for in screen presence and looks as Uschi, with Sanditz clearly having fun with the dialogue. Oto Brezina as Doctor Freuhoffer is perfect as well as some of the older supporting cast. The leads have been recast with Kip Canyon now playing Danny and Jean Louise O'Sullivan as Beth - while not the calibre of their predecessors they're certainly better than some of the hammy performances on display and solid enough given what has been spawned from essentially a 1989 cult film.

Good B movies are certainly not dead, while suffering from the usual budget restraints as many of its predecessors, to Band's credit Axis Rising flows, looks good, is faster paced and is also slicker than part 9.

What has been consistent throughout the franchise is the great music and Part 10, yes X, is no exception, Robert Douglas and the originals scorer Richard Band delivers a fantastic richer main theme and an excellent amount of stings and cues even if the sound design mix is a little misplaced at times.

Shane Bitterling's writing injects this Puppet Master with a theatrical and campier tone, nevertheless this coupled with Bands on hand touch makes Rising sexier, bloodier and more fun this time around. While lacking the creepy factor of the first and second it's still an event to be had - puppets, Nazis, zombies, experiments, boobs and blood what more do you want?

With the puppet in Nazi hands, the couple who survived from before are thrust back into the fight against the Nazi's when the superior officer in charge comes in to clean up the mess in order to carry on his quest for Nazi super-soldiers and forces them to fight new, deadly puppets to stop him.

This was a fun if somewhat flawed entry. One of the better aspects to this one is the fact that there's a lot of fun work to be had here with the continuation of the storyline. Not only by knocking off the previous film's villains in order to keep that storyline going but introducing the new one involving the rogue Nazi commander who wants to create a new race of beings based on the work of the puppets that moves this one along nicely. There's a fun air here in the Nazi hideout where we see the failed experiments play out as the reanimated soldiers turn to goo or melt away which launches into the many speeches or enjoyable rounds of temptation taking place in the lab where it really plays on the sympathies of those around him to really work nicely within this one. The second half here, where it focuses on the plan to stop them and get their stolen friend back leads to some more fun here in the full-on puppet action that gets unleashed here. From the first encounter with the new puppets that are not only cool-looking creations but given some impressive powers, the later confrontation in the community hall as well as the series of action scenes in the German hideout that has a lot of fine action between the puppets and between the people involved which is what makes this so enjoyable overall. There are a few major problems with this one, mostly the fact that the puppets are reduced in screentime to such an extent that they rarely are shown here. This one offers up far more scenes of the Nazi's standing around making threats or experimenting on their discoveries which goes hand-in-hand with the few scenes of the kids coming to terms with what happened the day before which really keeps the puppets to such a small part of the film that they don't make much of an impression until the finale. There's a lot more this could've done to work them into the story earlier and more often, so it's a major missed opportunity to leave this one with such a lack of action. The other big issue here is the rather obvious cheap-looking aesthetic throughout here, from the few locations that are rarely changed up or look like they're all that well-stocked which give away the film's key nature. As that extends to the CGI blood-splatter that looks awful as well, overall this one really showcases such a low-budget nature. Beyond these elements, though, the film isn't that bad.

Rated Unrated/R: Graphic Violence and Language.

Although it wouldn't really matter where you look with this particular doll (or rather puppet). So this is a direct sequel to the ninth entry to the franchise. And the second part of a trilogy. We get the surviving members of the previous movie and they get new enemies and so forth. Who'd have thunk it? I know everybody - you can't kill this franchise.

You could have done with less movies to tell the whole story of course, but whaever. So good puppetry again, not so good acting as with almost all of them, and a lot of puppet violence and death and all that. One more until the much praised "Littlest Reich" is on the horizon ...

Blade, Pinhead, Jester, Tunneler, Six Shooter, & Leech Woman are all here! This film also features some new puppets that might excite you. If you are familiar with Full Moon Features then you will know what to expect with production. The same if you are a Puppet Master fan. Writer/director/producer Charles Band (Ghoulies, Terror Vision, Re-Animator) is back again to bring you another Puppet Master titled 'Axis Rising'. I was kind of disappointed by this sequel. Our WWII era heroes from the previous films, Danny & Beth, are back, though played by new actors, & find a post-WWII Nazi plot to create an army of their own evil puppets to do their bidding. Using a Re-Animator like green serum (Sound Familiar?) extracted from our puppet protagonists. Most of the films in this franchise aren't exactly brilliant, this one felt too goofy when compared to the others. I did like it when the franchise introduced a Nazi storyline & had our killer puppet heroes fighting the Axis Powers, but this entry was a little too silly & also continued the recent trend of Full Moon Features including a little casual racism, seen in this film with in addition of an evil Japanese puppet named Kamikaze. In my opinion I thought it was hilarious! However, I do still enjoy watching these little things slaughtering away when it's not CGI, so even though this entry wasn't the best in the trilogy , it did still entertain. If your a Puppet Master fan I highly recommend this.

The movie kinda works. Sure, the recasting is annoying, but the new actors aren't THAT worse. I can even work with the lore, although if you planned a trilogy, please plan it proper, and don't forget where your characters are, or even what characters you have (pointing at Kaaaahn! to start with).

The problem is 20 minutes wasted on pure softporn between the Mad Scientist and Big Boob Bertha, followed with that another 20 minutes ungrounded medal ceremony. If that 40 minutes would be rewritten, I could even go with the nazis staying in chinatown, with an SS-car, guarding their secret door with obvious henchmen. Lesson to be learnt: if you don't have a script, you don't start shooting. Especialy if you're part of a long running franchise.