Füge eine Handlung in deiner Sprache hinzuBased on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bag... Alles lesenBased on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bagwan.Based on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bagwan.
- Auszeichnungen
- 5 Nominierungen insgesamt
- Manya's Mother
- (as Soni Razdaan)
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'Shootout at Wadala' is based on the first-ever registered encounter by Mumbai police, where Gangster Manya Surve was shot dead, in Mumbai on 11 January 1982.
'Shootout at Wadala' is extremely violent & disturbing. The violence depicted on-screen appears real & horrifying. Of course, the Action-Sequences are rustic & effective, but there is just too much of gore. The Faint-Hearted better stay away!
Gupta's Screenplay is note-worthy & is engaging. The first-hour is power-packed, while the second-hour culminates with a nail-biting finale. Gupta's Direction is stylish. He's in form after a long, long time. Cinematography is rustic. Editing could've been sharper. Music by Multiple Music Directors is fair.
Performance-Wise: John Abraham as Manya Surve, gives an all-out performance. He's believable all through. Anil Kapoor is simply superb as the tough cop. He stands out! Kangna Ranaut is wonderful, while Tusshar has his moments. Manoj Bajpai is flawless in a relatively small role. Bajpai never disappoints! Sonu Sood is another topper. He enacts an important role with terrific ease. Ronit Roy is excellent. Mahesh Manjrekar is perfect. Sidharth Kapoor holds tremendous potential as an actor. Jackie Shroff shines in a cameo. Raju Kher is brilliant. Priyanka Chopra, Sunny Leone & Sophie sparkle in item numbers.
On the whole, 'Shootout at Wadala' re-tells a true story, efficiently.
Now though the narration of SAW begins with a promise of being different, showcasing some calm well directed scenes featuring John Abraham as a sincere student. The film simply moves on to a completely familiar path with nothing new to share with its audience as soon as the transformation of a common man into an underworld don is there. The technically sound director in Sanjay Gupta keeps surfacing repeatedly with promising scenes ensuring that something terrific is coming up soon. Yet that doesn't happen at all till the predictable climax of this 150 minutes long film and all those interesting build-ups truly fall flat without anything substantially novel happening on the screen.
Partly based on the book "Dongri To Dubai" by Hussain Zaidi, its once again all about the rise of gangster groups and their clashes with the police in Bombay during the 70s and 80s. But haven't we seen this all in many earlier films made by Ram Gopal Verma, Milan Luthria, Apoorva Lakhia and many others? And haven't we already made too many projects on this subject in the past decade or more?
Certainly the makers don't think so as they constantly go on making films on similar subjects only which sometimes makes me feel that, Isn't this glorifying the crime on screen in a certain way? And Isn't this encouraging the 'picking up a gun culture' in a subtle manner in the questionable social structure around us in the present times?
Because while watching it as a common man, frankly its very easy to get pumped up seeing the hero picking up a gun and shooting the other, in a well shot slow motion sequence along with some high voltage background score running at the back. And this point gets proved perfectly when Mahesh Manjrekar clearly says in one of his dialogue in the film that, "Yaar Yeh Amitabh Bachhan Ne To Sabki Baja Ke Rakh Di Hai".
Now he actually says so because that was the time (in the mid 70s) when Amitabh's angry young man image was being formed with energetic films such as ZANJEER, DEEWAR, SHOLAY, TRISHUL, ADALAT & more. And ironically in the film, an Ambulance is also used by the policemen to arrest the powerful gangster, just like Amitabh uses it in TRISHUL.
Anyway that subject has always been a debatable one since ages, so coming back to SHOOTOUT AT WADALA, it does give you some lively sequences to feel the magic of cinema. Such as the first murder committed with John's assistance, his brother being killed in the jail, Manoj Bajpayi & Sonu Sood's fantastic entry, Anil Kapoor & his team arresting the big goon in his own local area and Anil's conversation with Jackie Shroff towards the end. However all these good scenes fail to lift up the movie from an average platform due to its continuous monotonous tone which even tends to go boring after the interval.
Further as its seems, the makers truly knew that they were not having anything fresh in their script so maybe that's the reason of including not 1 or 2 but 3 item songs in it featuring, Sunny Leone, Priyanka Chopra and Sophie. And it really feels awkward writing Priyanka's names along with the other two. Moreover, I also felt that Sunny Leone was fast becoming the new age 'Huma Khan' of the film industry with all her item songs deliberately added to show her physical assets only. However this isn't all what is thrown in to woo the audience, as SAW also has many abusive dialogues spoken by the entire cast and then a steamy bedroom scene too of John & Kangna who is there just to fulfill the female requirements of a gangster film.
In the musical department, SAW has a forgettable soundtrack but a great background score which supports all its action sequences brilliantly. The flashback point doesn't really gel well but the film has been edited skillfully which always have been a merit of a Sanjay Gupta film in the past.
So then for what SHOOTOUT AT WADALA can be seen once? It can be seen if you are interested in watching the fairly realistic account of those decades in Bombay when the underworld was cropping up. And it can be seen if you really are a big fan of all those actions sequences being shown with a slow motion editing & pumping background score on the screen.
Plus it can be seen only because of John Abraham and Anil Kapoor together since they both have given their best to the film unarguably. Particularly its one of the career best performances of John whereas Anil once again makes you look at him with both surprise and praises together. Supporting them Manoj Bajpayi is in a class of his own,Sonu Sood surely takes a step further in his career and Tushar Kapoor tries hard to deliver the light moments in an otherwise tense script. The rest of the cast acts perfectly fine but its only the 'all seen before' and clichéd content of the movie which turns it into a mere average one in the end. Hence you can easily make a choice if that interests you.
Based on true story of infamous gangster , Manya Surve (played by John Abraham), Shootout At Wadala is a sequel to Shootout At Lokhandwala and brings you the actual event which took place on 1st November , 1982 where Mumbai Police took the first step to do first encounter killing of Manye Surve in Wadala, Mumbai which shook the entire country.
From the director of Kaante and Musafir, Sanjay Gupta brings you the stylish hardcore-action film which is interesting to watch but is saddened by loose screenplay and left you wanting for more. The movie begins with bang depicting the events which changes Manye's life from a bright college student to atrocious urban dacoit. It is the 2nd half which goes haywire and you feel the impact is missing. Direction is good but screenplay is average. Action scenes are superb and stylish and will be a treat for action-movie fan. Cinematography is eye-catching. Special mention for gorgeous set creation representing the 80's era of Mumbai. Dialogues are punching. John Abraham gives his best and comes up with riveting performance. This might be a turning point in his career. Anil Kapoor is as usual dependable. He gives full support to the starcast along with Manoj Bajpai and Sonu Sood. Kangana Raunat looks good but is wasted in a small role.
Shootout out Wadala is entertaining , exhilarating and stylish. Watch it if you want to know about Mumbai underworld during 80's period. Good 3/5
Wusstest du schon
- WissenswertesDuring development the real names of Dawood Ibrahim and other characters were used, but following the trailer the film went through troubles and hence all names except Manya's were changed.
- PatzerWhen Manya and Munir goes to Zubair's location for work, Zubair is seen smoking cigarettes during Ramadan. However during Ramadan, it is believed that any kind of intake is forbidden.
- Zitate
Zubair Imtiaz Haskar: Kaam kya karega?
Manya Surve: Sharir mein 206 haddiya hain aur samvidhan mein 1670 kanoon. Haddi se lekar kanoon... sab thodta hoon!
- Crazy CreditsBefore end credits rolls, an epilogue about the sudden outcomes in underworld is shown after the encounter killing of Manya Surve.
- VerbindungenFollows Shootout at Lokhandwala (2007)
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Details
Box Office
- Budget
- 260.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 369.573 $
- Eröffnungswochenende in den USA und in Kanada
- 212.346 $
- 5. Mai 2013
- Weltweiter Bruttoertrag
- 711.366 $
- Laufzeit2 Stunden 35 Minuten
- Farbe
- Sound-Mix