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Shootout at Wadala

  • 2013
  • Not Rated
  • 2 Std. 35 Min.
IMDb-BEWERTUNG
6,1/10
7994
IHRE BEWERTUNG
Tusshar Kapoor, John Abraham, Pankaj Kalra, Karan Patel, and Hussain Sheikh in Shootout at Wadala (2013)
The first-ever registered encounter by the Mumbai Police, which took place on November 1, 1982. Based on a true story.
trailer wiedergeben2:00
1 Video
28 Fotos
GangsterWahres VerbrechenAktionBiographieDramaKriminalität

Füge eine Handlung in deiner Sprache hinzuBased on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bag... Alles lesenBased on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bagwan.Based on the true story of the first-ever registered encounter by the Mumbai Police, which took place on January 11, 1982. Where gangster Manya Surve was shot by dead by Inspector Isaque Bagwan.

  • Regie
    • Sanjay Gupta
  • Drehbuch
    • Sanjay M Bhatia
    • Abhijeet Shirish Deshpande
    • Sanjay Gupta
  • Hauptbesetzung
    • Anil Kapoor
    • John Abraham
    • Manoj Bajpayee
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    7994
    IHRE BEWERTUNG
    • Regie
      • Sanjay Gupta
    • Drehbuch
      • Sanjay M Bhatia
      • Abhijeet Shirish Deshpande
      • Sanjay Gupta
    • Hauptbesetzung
      • Anil Kapoor
      • John Abraham
      • Manoj Bajpayee
    • 38Benutzerrezensionen
    • 24Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Nominierungen insgesamt

    Videos1

    Theatrical Version
    Trailer 2:00
    Theatrical Version

    Fotos28

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    Topbesetzung40

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    Anil Kapoor
    Anil Kapoor
    • Afaaque Baagraan
    John Abraham
    John Abraham
    • Manya Surve
    Manoj Bajpayee
    Manoj Bajpayee
    • Zubair Imtiaz Haskar
    Tusshar Kapoor
    Tusshar Kapoor
    • Sheikh Munir
    Kangana Ranaut
    Kangana Ranaut
    • Vidya
    Sonu Sood
    Sonu Sood
    • Dilawar Imtiaz Haskar
    Ronit Roy
    Ronit Roy
    • Rajan Ambat
    Mahesh Manjrekar
    Mahesh Manjrekar
    • Inspector Bhende
    Raju Mavani
    Raju Mavani
    • Yakub Lala
    Arif Zakaria
    Arif Zakaria
    • Sadik
    Pankaj Kalra
    Pankaj Kalra
    • Sayed Batia
    Karan Patel
    Karan Patel
    • Jamal
    Hussain Sheikh
    • Abdul Phelwan
    Vineet Sharma
    Vineet Sharma
    • Bhargav Surve
    Raju Kher
    Raju Kher
    • Inspector Ambolkar
    Soni Razdan
    Soni Razdan
    • Manya's Mother
    • (as Soni Razdaan)
    Sandesh Jadhav
    Sandesh Jadhav
    • Inspector Satish Sathe
    Chetan Hansraj
    Chetan Hansraj
    • Potya
    • Regie
      • Sanjay Gupta
    • Drehbuch
      • Sanjay M Bhatia
      • Abhijeet Shirish Deshpande
      • Sanjay Gupta
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen38

    6,17.9K
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    Empfohlene Bewertungen

    8rahuljonathan-nair

    great action

    The screen writing is watertight. Although it takes time to settle down, the solid writing in the second hour keeps you on the edge. In fact, the turn of events in the second half takes the film to its zenith. A large chunk of SHOOTOUT AT WADALA is devoted to high-voltage action sequences. Unlike some recent films, the action here is raw and real, reminiscent of the films of the 1980s. On the whole, SHOOTOUT AT WADALA is a fire-brand, paisa vasool entertainer. Brutal and electrifying, it is one of those theatre-going experiences that has a plot, is packaged well and has content drama, action, dialogue, songs, performances that works big time with the avid moviegoer. Sanjay Gupta delivers a solid punch!
    7namashi_1

    An Engaging Action Film!

    Inspired from journalist S Hussain Zaidi's non-fiction book Dongri to Dubai, 'Shootout at Wadala', Directed by Sanjay Gupta, is An Engaging Action Film, that re-tells Late Gangster Manya Surve's bloodied story. Gupta handles the film well, while the Screenplay & Performances are note-worthy.

    'Shootout at Wadala' is based on the first-ever registered encounter by Mumbai police, where Gangster Manya Surve was shot dead, in Mumbai on 11 January 1982.

    'Shootout at Wadala' is extremely violent & disturbing. The violence depicted on-screen appears real & horrifying. Of course, the Action-Sequences are rustic & effective, but there is just too much of gore. The Faint-Hearted better stay away!

    Gupta's Screenplay is note-worthy & is engaging. The first-hour is power-packed, while the second-hour culminates with a nail-biting finale. Gupta's Direction is stylish. He's in form after a long, long time. Cinematography is rustic. Editing could've been sharper. Music by Multiple Music Directors is fair.

    Performance-Wise: John Abraham as Manya Surve, gives an all-out performance. He's believable all through. Anil Kapoor is simply superb as the tough cop. He stands out! Kangna Ranaut is wonderful, while Tusshar has his moments. Manoj Bajpai is flawless in a relatively small role. Bajpai never disappoints! Sonu Sood is another topper. He enacts an important role with terrific ease. Ronit Roy is excellent. Mahesh Manjrekar is perfect. Sidharth Kapoor holds tremendous potential as an actor. Jackie Shroff shines in a cameo. Raju Kher is brilliant. Priyanka Chopra, Sunny Leone & Sophie sparkle in item numbers.

    On the whole, 'Shootout at Wadala' re-tells a true story, efficiently.
    6bobbysing

    Becomes bearable just because of John Abraham and Anil Kapoor.

    After watching this latest film from Sanjay Gupta, who already has more than 4 inspired gangster movies to his name as a director, I was honestly thinking that what could be the reason behind attempting such a clichéd, all seen before kind of film by him, at such a scale. Because even when there have been a number of films already made on the same subject in the past, the team feels no harm in trying it once again, taking WE the viewers as granted following the good old typical routine act of our Hindi film industry as usual.

    Now though the narration of SAW begins with a promise of being different, showcasing some calm well directed scenes featuring John Abraham as a sincere student. The film simply moves on to a completely familiar path with nothing new to share with its audience as soon as the transformation of a common man into an underworld don is there. The technically sound director in Sanjay Gupta keeps surfacing repeatedly with promising scenes ensuring that something terrific is coming up soon. Yet that doesn't happen at all till the predictable climax of this 150 minutes long film and all those interesting build-ups truly fall flat without anything substantially novel happening on the screen.

    Partly based on the book "Dongri To Dubai" by Hussain Zaidi, its once again all about the rise of gangster groups and their clashes with the police in Bombay during the 70s and 80s. But haven't we seen this all in many earlier films made by Ram Gopal Verma, Milan Luthria, Apoorva Lakhia and many others? And haven't we already made too many projects on this subject in the past decade or more?

    Certainly the makers don't think so as they constantly go on making films on similar subjects only which sometimes makes me feel that, Isn't this glorifying the crime on screen in a certain way? And Isn't this encouraging the 'picking up a gun culture' in a subtle manner in the questionable social structure around us in the present times?

    Because while watching it as a common man, frankly its very easy to get pumped up seeing the hero picking up a gun and shooting the other, in a well shot slow motion sequence along with some high voltage background score running at the back. And this point gets proved perfectly when Mahesh Manjrekar clearly says in one of his dialogue in the film that, "Yaar Yeh Amitabh Bachhan Ne To Sabki Baja Ke Rakh Di Hai".

    Now he actually says so because that was the time (in the mid 70s) when Amitabh's angry young man image was being formed with energetic films such as ZANJEER, DEEWAR, SHOLAY, TRISHUL, ADALAT & more. And ironically in the film, an Ambulance is also used by the policemen to arrest the powerful gangster, just like Amitabh uses it in TRISHUL.

    Anyway that subject has always been a debatable one since ages, so coming back to SHOOTOUT AT WADALA, it does give you some lively sequences to feel the magic of cinema. Such as the first murder committed with John's assistance, his brother being killed in the jail, Manoj Bajpayi & Sonu Sood's fantastic entry, Anil Kapoor & his team arresting the big goon in his own local area and Anil's conversation with Jackie Shroff towards the end. However all these good scenes fail to lift up the movie from an average platform due to its continuous monotonous tone which even tends to go boring after the interval.

    Further as its seems, the makers truly knew that they were not having anything fresh in their script so maybe that's the reason of including not 1 or 2 but 3 item songs in it featuring, Sunny Leone, Priyanka Chopra and Sophie. And it really feels awkward writing Priyanka's names along with the other two. Moreover, I also felt that Sunny Leone was fast becoming the new age 'Huma Khan' of the film industry with all her item songs deliberately added to show her physical assets only. However this isn't all what is thrown in to woo the audience, as SAW also has many abusive dialogues spoken by the entire cast and then a steamy bedroom scene too of John & Kangna who is there just to fulfill the female requirements of a gangster film.

    In the musical department, SAW has a forgettable soundtrack but a great background score which supports all its action sequences brilliantly. The flashback point doesn't really gel well but the film has been edited skillfully which always have been a merit of a Sanjay Gupta film in the past.

    So then for what SHOOTOUT AT WADALA can be seen once? It can be seen if you are interested in watching the fairly realistic account of those decades in Bombay when the underworld was cropping up. And it can be seen if you really are a big fan of all those actions sequences being shown with a slow motion editing & pumping background score on the screen.

    Plus it can be seen only because of John Abraham and Anil Kapoor together since they both have given their best to the film unarguably. Particularly its one of the career best performances of John whereas Anil once again makes you look at him with both surprise and praises together. Supporting them Manoj Bajpayi is in a class of his own,Sonu Sood surely takes a step further in his career and Tushar Kapoor tries hard to deliver the light moments in an otherwise tense script. The rest of the cast acts perfectly fine but its only the 'all seen before' and clichéd content of the movie which turns it into a mere average one in the end. Hence you can easily make a choice if that interests you.
    7ketgup83

    SAW is entertaining , exhilarating and stylish. Watch it if you want to know about Mumbai underworld during 80's period

    In the early 80's , Mumbai was the hub for underworld gangsters. Each gangsters were vying for blood of other gang members to rule Mumbai underworld. Manya Surve was one of the dreaded gangster who ruled the Mumbai underworld but ultimately was shot down by what is recorded as first encounter killing by Mumbai Police.

    Based on true story of infamous gangster , Manya Surve (played by John Abraham), Shootout At Wadala is a sequel to Shootout At Lokhandwala and brings you the actual event which took place on 1st November , 1982 where Mumbai Police took the first step to do first encounter killing of Manye Surve in Wadala, Mumbai which shook the entire country.

    From the director of Kaante and Musafir, Sanjay Gupta brings you the stylish hardcore-action film which is interesting to watch but is saddened by loose screenplay and left you wanting for more. The movie begins with bang depicting the events which changes Manye's life from a bright college student to atrocious urban dacoit. It is the 2nd half which goes haywire and you feel the impact is missing. Direction is good but screenplay is average. Action scenes are superb and stylish and will be a treat for action-movie fan. Cinematography is eye-catching. Special mention for gorgeous set creation representing the 80's era of Mumbai. Dialogues are punching. John Abraham gives his best and comes up with riveting performance. This might be a turning point in his career. Anil Kapoor is as usual dependable. He gives full support to the starcast along with Manoj Bajpai and Sonu Sood. Kangana Raunat looks good but is wasted in a small role.

    Shootout out Wadala is entertaining , exhilarating and stylish. Watch it if you want to know about Mumbai underworld during 80's period. Good 3/5
    7LuciferJustin

    A spellbinding action thriller.

    Shootout at Wadala is entertaining and exhilarating, with a mixture of blood, guns and crime. It's packed with nonstop action, along with some really surprising twists about Mumbai's underworld during the 80's, that make it a spellbinding action thriller. ✝👮✝

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    Handlung

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    • Wissenswertes
      During development the real names of Dawood Ibrahim and other characters were used, but following the trailer the film went through troubles and hence all names except Manya's were changed.
    • Patzer
      When Manya and Munir goes to Zubair's location for work, Zubair is seen smoking cigarettes during Ramadan. However during Ramadan, it is believed that any kind of intake is forbidden.
    • Zitate

      Zubair Imtiaz Haskar: Kaam kya karega?

      Manya Surve: Sharir mein 206 haddiya hain aur samvidhan mein 1670 kanoon. Haddi se lekar kanoon... sab thodta hoon!

    • Crazy Credits
      Before end credits rolls, an epilogue about the sudden outcomes in underworld is shown after the encounter killing of Manya Surve.
    • Verbindungen
      Follows Shootout at Lokhandwala (2007)

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    Details

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    • Erscheinungsdatum
      • 3. Mai 2013 (Indien)
    • Herkunftsland
      • Indien
    • Offizielle Standorte
      • Official Facebook
      • official locations provider
    • Sprache
      • Hindi
    • Auch bekannt als
      • S.A.W.
    • Produktionsfirmen
      • Balaji Motion Pictures
      • White Feather Films
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    Box Office

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    • Budget
      • 260.000.000 ₹ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 369.573 $
    • Eröffnungswochenende in den USA und in Kanada
      • 212.346 $
      • 5. Mai 2013
    • Weltweiter Bruttoertrag
      • 711.366 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 35 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Atmos

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