The Secret of Crickley Hall
- Miniserie
- 2012
- 59 Min.
Füge eine Handlung in deiner Sprache hinzuA year after their son goes missing, a family moves to Crickley Hall. When supernatural events begin to take place, Eve feels the house is somehow connected to her lost son.A year after their son goes missing, a family moves to Crickley Hall. When supernatural events begin to take place, Eve feels the house is somehow connected to her lost son.A year after their son goes missing, a family moves to Crickley Hall. When supernatural events begin to take place, Eve feels the house is somehow connected to her lost son.
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I like a good ghost story and this BBC dramatisation of a James Herbert novel (which I've not read) made for entertaining if far-fetched viewing. Spread over three hour-long episodes, I imagine gave the serial time to stay closer to the novel and to be fair I didn't notice a lot of unnecessary padding.
Set in two different time-frames, one set in the present day with a young family trying to get over the apparent loss of their beloved young son, the other telling the more interesting story of a sadistic brother and child-abusing sister who run an oxymoronic "safe home" for young evacuee children during the Second World War, whose methods are challenged by a game young teacher who comes into their employ. The two stories converge when the modern family unaccountably pick the spookiest house in the country to recuperate from their loss, with the mother and her two other young children apparently seeing and hearing the presence of the young children murdered 70 years ago and the former believing that the ghosts might be able to contact her missing son.
As I've indicated, it's probably best to pop a few massive coincidence pills in before watching and while some confusion inevitably enters the narrative, it coheres well enough to engage me through three Sundays in a row. The actors put the hokum across pretty well as a group with special mention going to Olivia Cooke as Nancy Linnet, the defiant young teacher who braves the dastardly brother and sister at risk of her own career and indeed life. Douglas Henshall also makes for a creepy "Whacko" villain, who fetishistically notes down every beating he gives out and demands one more victim in return for the one that got away.
The special effects were okay, more about suggestion which is usually the best way in programmes like this with no cliché unturned (subjective camera shots, pouring rain, dark sets, voluminous background music at key moments) and of course there's an impossible rescue of the daughter by her father, but if you're watching this as a study in realism then think again.
I've watched more realistic and scarier ghost stories than this but this twin-spook story engaged me reasonably even if at no stage was I tempted to hide behind my sofa or even peek through my fingers at any point during it.
Set in two different time-frames, one set in the present day with a young family trying to get over the apparent loss of their beloved young son, the other telling the more interesting story of a sadistic brother and child-abusing sister who run an oxymoronic "safe home" for young evacuee children during the Second World War, whose methods are challenged by a game young teacher who comes into their employ. The two stories converge when the modern family unaccountably pick the spookiest house in the country to recuperate from their loss, with the mother and her two other young children apparently seeing and hearing the presence of the young children murdered 70 years ago and the former believing that the ghosts might be able to contact her missing son.
As I've indicated, it's probably best to pop a few massive coincidence pills in before watching and while some confusion inevitably enters the narrative, it coheres well enough to engage me through three Sundays in a row. The actors put the hokum across pretty well as a group with special mention going to Olivia Cooke as Nancy Linnet, the defiant young teacher who braves the dastardly brother and sister at risk of her own career and indeed life. Douglas Henshall also makes for a creepy "Whacko" villain, who fetishistically notes down every beating he gives out and demands one more victim in return for the one that got away.
The special effects were okay, more about suggestion which is usually the best way in programmes like this with no cliché unturned (subjective camera shots, pouring rain, dark sets, voluminous background music at key moments) and of course there's an impossible rescue of the daughter by her father, but if you're watching this as a study in realism then think again.
I've watched more realistic and scarier ghost stories than this but this twin-spook story engaged me reasonably even if at no stage was I tempted to hide behind my sofa or even peek through my fingers at any point during it.
The core of any good story is the story, and this little treasure packs a WALLOP. The Secret of Crickley Hall is, firstly, a drama for people who like to read. There are certainly ghosts, but the story is what will invest you in these characters, not its special effects, so be prepared to carve out a block of time to see the series complete and uninterrupted. Like any good book, I couldn't put it down.
There isn't just one story here, and so the multiple plot lines converge with devastating — and at times, shocking — effect as the story takes unexpected twists and turns you couldn't possibly have seen coming.
Based on James Herbert's best selling novel, The Secret of Crickley Hall is so well written, cast & produced, I've given it 8 stars _and_ a review (rare for me). Bravo.
There isn't just one story here, and so the multiple plot lines converge with devastating — and at times, shocking — effect as the story takes unexpected twists and turns you couldn't possibly have seen coming.
Based on James Herbert's best selling novel, The Secret of Crickley Hall is so well written, cast & produced, I've given it 8 stars _and_ a review (rare for me). Bravo.
Just found this on Amazon Prime. I'd never heard of it before.
For those sensitive to child abuse (and who isn't) there's a big chance for triggering, here.
But for the rest of the story, and the many mysteries that slowly unravel and unfold, it's just marvelous. Wonderfully cast, filmed, and acted. The pace isn't rapid but it's not tediously slow, either. It is definitely one to be binge-watched in a big 3 hour session, but it's only slightly longer than a full-length film so that shouldn't be too difficult.
Did I mention the wonderful cast?
It's not a high-brow think piece, but it is what it is, and for that it's definitely fun. I really enjoyed it. If you sit back and just decide to enjoy an old-style ghost story with romance and danger and sad, sorrowful events (and just a little bit of redemption and joy), you should have a good time.
For those sensitive to child abuse (and who isn't) there's a big chance for triggering, here.
But for the rest of the story, and the many mysteries that slowly unravel and unfold, it's just marvelous. Wonderfully cast, filmed, and acted. The pace isn't rapid but it's not tediously slow, either. It is definitely one to be binge-watched in a big 3 hour session, but it's only slightly longer than a full-length film so that shouldn't be too difficult.
Did I mention the wonderful cast?
It's not a high-brow think piece, but it is what it is, and for that it's definitely fun. I really enjoyed it. If you sit back and just decide to enjoy an old-style ghost story with romance and danger and sad, sorrowful events (and just a little bit of redemption and joy), you should have a good time.
I watched the entire thing in one night. This is really right up my alley with the horror and drama vibes. It was like an earlier version of Haunting of Hill House - just as gripping and enjoyable to watch. I would say it's more disturbing than scary but I appreciate the effort of not resorting to cheap scares. I see the effort that was put in the storyline. The acting was also on par and honestly, this was a good find.
Usually Mystery Drama/Thrillers like this that are aired on the BBC are slow, boring, drawn out affairs, but this is actually a pretty good mini-series. I mean there's nothing spectacular about it, but it does keep you watching with interest.
Also with it being a BBC TV program there's obviously not going to be anything too graphic about it, like blood or very heavy scares so you need to keep that in mind if you decide to watch it as it MAY be a bit disappointing if you were expecting any of that.
Be prepared for it being a wee bit slow for the first couple of episodes as well, but it's not a boring kind of slow. It's a slower pace, but it builds everything up pretty nicely for the third and final episode where everything comes to a head.
You also have to pay attention to it as well because it jumps back and forth a lot from present time to 1943. I mean it's obvious when it happens but with it being constantly back and forth all the time you do still need to watch closely to follow both the story lines.
The series is well played out by the cast, but the character of Eve Caleigh (played by Suranne Jones) did grate on my nerves a bit. I understand she's a mother who wasn't giving up hope of finding her son, even a year on from his disappearance, but some of her actions just rubbed me the wrong way. Douglas Henshall did a fine job playing the part of Augustus Cribben, the uncaring and heartless owner (along with his sister, Magda) of the orphanage, and a person who you never feel any sympathy for.
Overall, this is a pretty enjoyable series to watch and one I'd recommend giving a go, especially if you enjoy a bit more of a subtle approach to your Supernatural movies.
Also with it being a BBC TV program there's obviously not going to be anything too graphic about it, like blood or very heavy scares so you need to keep that in mind if you decide to watch it as it MAY be a bit disappointing if you were expecting any of that.
Be prepared for it being a wee bit slow for the first couple of episodes as well, but it's not a boring kind of slow. It's a slower pace, but it builds everything up pretty nicely for the third and final episode where everything comes to a head.
You also have to pay attention to it as well because it jumps back and forth a lot from present time to 1943. I mean it's obvious when it happens but with it being constantly back and forth all the time you do still need to watch closely to follow both the story lines.
The series is well played out by the cast, but the character of Eve Caleigh (played by Suranne Jones) did grate on my nerves a bit. I understand she's a mother who wasn't giving up hope of finding her son, even a year on from his disappearance, but some of her actions just rubbed me the wrong way. Douglas Henshall did a fine job playing the part of Augustus Cribben, the uncaring and heartless owner (along with his sister, Magda) of the orphanage, and a person who you never feel any sympathy for.
Overall, this is a pretty enjoyable series to watch and one I'd recommend giving a go, especially if you enjoy a bit more of a subtle approach to your Supernatural movies.
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- WissenswertesBowden Hall in the Derbyshire town of Chapel-en-le-Frith is the location for the eponymous house.
- VerbindungenReferenced in The Survivor: The Legacy of James Herbert (2017)
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