The Fall: Tod in Belfast

Detailed ratings: Non US users rating: 9.6. US users ratings: 3.6, so far.

The above is a very important piece of information, to make up your mind as to the actual quality of this series.

I've only watched the first episode so I'll make it short. I thought this dark BBC thriller was not only original, but extremely well filmed, suspenseful, realistic (real northern Irish actors and Gillian Anderson a word perfect English lady, in what clearly is Belfast itself), very well acted all round. It is not a whodunit, we're made to follow from the start both a MET detective and a serial killer's lives, as one tries to figure out, find and catch the other, and the other one fights his addiction to rape and kill on a daily basis. The tone is dark, the story is very chilling, but that's only because the protagonists are so very...ordinary. They could be us, any one of us.

It's nice to see a story set in Belfast that is NOT about the troubles, (even though there are - few - references and slang words only local to the north)

I really hope this carries on in the same vein throughout the next 4 episodes. While both series have nothing in common, it reminded me of that enthralling underrated gem Ultraviolet, another left-field BBC masterpiece that still has a dedicated following to this day.

10/10 for episode 1, can't think of anything yet to even give it a 9 to be honest.

Update episode 2, 10/10. Unexpected twists! Update episode 3: 10/10; Infinite shades of grey. Update episode 4: 10/10; I'm bolting my front door and double-checking all the windows. Update episode 5: 8/10. A slightly weaker link to the next season, which I can't wait for, now.

I must add a warning for sensitive people: There are a few graphic, realistic, upsetting scenes.

One more episode to go, odd time to write a review but I just cant wait to express how good this show is.

I love detective stories, and have grown to accept a certain number of stereotypes if the plotting is good, it seems to go with the territory.

Not here though. The writing is fantastic, the tough old duffer cops show emotion, the strong female lead is a strong woman with dimensions slowly emerging as the series evolves. Without unrealistically ignoring the sorts of prejudice extant in our society the writing avoids her being a typical 'ballbuster' and allows her to develop meaningful relationships and respect among her colleagues.

The anti hero is fantastically normal and so much more menacing for this, especially outside of the killing 'events'.

The plotting is pacey and involving, the series has become more gripping with each episode. Fingers crossed for the denouement. I have very high hopes.

"The Fall" is a very well filmed and developed story. The acting of all the cast is accurate and right where it needs to be. No more, no less.

For all of you that are used to the fast paced American type of the genre and everything that it includes, the directing will seem a bit/quite slow.

But actually it is not because it is very realistic. Real serial, real police people, real police building, with no unnecessary details, no unnecessary high tech gadgets or theatrics. It is purely European (british-irish) style.

So, do watch it for what it is and not for what you are used to and what it is not.

This is an addition for the second season of the show. The review remains the same except the pace of the episodes. In comparison with the first season they have become faster and tighter. The second season is more personal for both the leading characters. The ending was somewhat ambivalent and can definitely bring a third season if so decided from all parties.

Gillian Anderson's performance was even better than the first season. Jamie Dornan's as well. Everything was just as good and a little bit better. In conclusion "The Fall" is TV at its best!

I was looking for something to pull me in and unplug me from reality and this series definitely does that. Both of the main actors were brilliant, and while from Gillian Anderson I expected, Jamie Dornan came as a surprise. I don't know how he bounced back from playing this because you could tell he went deep into the mental state of the character, especially in the last season. The first 2 seasons are pretty similar in pace and style, in darkness and detail. The 3rd one changes all of this and although I did not perceive it as being slower as many have mentioned I did find it darker, more harrowing. Most of it is spent looking at the depth and origins of the killers actions, and in a way these feel more real than the murders themselves. Whilst his actions feel far removed from daily life the experiences that shaped him as they are revealed show how the human in him got broken and then when the finale comes it hits so much harder. It's been a roller-coaster, a captivating experience and I loved it, even if it left me shaken for a couple of hours afterwards.

This series had me gripped from start to finish, and I couldn't be happier that a second series has been green-lit. As a senior police officer leads the hunt for a serial killer in Belfast, we see the similarities in these two amoral protagonists. The story unfolds with an economy of scene structure which never omits important details; every scene drives the narrative, but it never feels unreal or stretches credulity. Beautifully paced, tension abounds with spine-tingling murder scenes. The characters are very well written, and played with pitch-perfect performances from the leads, Gillian Anderson and Jamie Dornan. Another reviewer on this strand didn't like the ending, but for me it was spot on. The story took the time to include complexities and unresolved events which are reflective of real life. Are we to castigate every TV show production team who leave a show on a cliffhanger ending to give them somewhere to go with the next series? If the next one carries the universally excellent production values of the first, then I for one can't wait.