Muppets : Most Wanted

When The Muppets came out in 2011 people really liked it and therefore a sequel was made. The sequel Muppets Most Wanted was not as successful as it's predecessor. It wasn't as much a financial hit and people didn't dig it as much and it seems like The Muppets are back to the way they were after Muppets From Space. I actually really loved Muppets Most Wanted. At the time I thought it was better than The Muppets and in ways it is. The jokes are smarter. The songs are better and it feels more like a traditional Muppet movie than it's predecessor but this movie is not without it's flaws. The flaws are that Walter has more screen time than Gonzo and even Fozzie. That's just wrong! And the humans need to take a huge backseat to the Muppets. Tina Fey more than Ricky Gervais and Ty Burrell. Overall I think this is a great Muppet movie but it's so depressing how underrated it is. I hope this is not the end of The Muppets on the big screen. I'm an aspiring actor and filmmaker, maybe I should be like Jason Segel and try to bring them back if nobody else does. Even then I've always wanted to make a Muppet movie.

Jim Henson's successors have tried for years to re-capture the magic of the original Muppet Movie, The Great Muppet Caper, and Muppets Take Manhattan and have failed to take us to that special land of wonderment.

2011's "The Muppets" tried hard (maybe too hard) but stumbled out the gate by making us sit through unbearable musical numbers such as Texas Richman's rap and Amy Adams' "Me Party." It's plot also focused on a new Muppet, Walter, as well his human brother Jason Segel and his girlfriend Amy Adams rather than center around the original Muppet cast that we love so dear.

The creators of Muppets Most Wanted understood these shortcomings and comically pointed them out. I'm not saying that Muppets Most Wanted is as good as the original three, or date say better. But it is as close to Muppet-Greatness as we've been since Jim Henson's passing.

The writers found that perfect balance between silly and witty. The plot centered around the beloved original characters, while introducing a hilarious new villain. The musical numbers had that uplifting, old-school feel and never induced cringing.

We finally have a post-Henson Muppet Movie that will stand the test of time. Rejoice!

The Muppets find themselves wrapped into an European heist caper headed by a Kermit the Frog look-alike and his sidekick Number Two.

The last film put the Muppet's back on the the map, director/writer James Bobin and writer Nicholas Stoller corrects Bobin's own previous instalments niggles, gone is the focus on a new Muppet character and less focus on (real) human actors, here there's more Muppets, more songs, comedy and action.

Packed with one-liners gags and with the obligatory cross section of famous cameos including Tony Bennett, Lady Gaga, Celine Dion, Frank Langella and Ray Liotta to name a few there's all you'd expect from a Muppets musical comedy caper. This offering even excels it predecessor and brings the Muppet's even more to life with some CGI (footwork) but without taking away any of the puppet characteristics of the Muppets we've grown to love along side the human leads Ricky Gervais, Ty Burrell and Tina Fey who are on fine form.

This is another proper big budget outing set in the 'real' world and not cheap TV movie nor is it based on a classic story. Most Wanted is a fine return to form and sits well with the classic Muppet capers. Highly recommended.

When I reviewed "The Muppets" (2011) upon its release, I was ecstatic about it. I loved the story, the songs, and everything the Muppets themselves did in the movie.

Most people who saw "The Muppets" who were not Muppet fans before seeing it enjoyed the film. Muppet fans themselves, in addition to loving the movie, could sense the heart and passion the filmmakers put into every aspect, and felt no doubt everyone involved in making "The Muppets" were Muppet fans themselves.

"Muppets Most Wanted" is the 8th Muppet movie, but the first one that is technically a sequel because it acknowledges the events that took place in its immediate predecessor. Many of those involved in "The Muppets" return in this sequel, including director and co-writer James Bobin, co-writer Nicholas Stoller, songwriter (and Oscar-winner) Bret McKenzie, and all the Muppets including newcomer Walter . . . but something was missing.

As I watched the film, I could see all the Muppets were there, and it seemed like they were trying to perform "The Muppet Show" as well as they did in their previous film. There was a coherent story about a criminal mastermind who happened to look identical to Kermit the Frog, and exploits this coincidence to help him escape from prison.

I wanted this movie to make me laugh. I want to tell everyone that the Muppets are cool and funny again like I did back when I saw "The Muppets" . . . but I can't.

The problem may have had to do with the story, or at least the motivations of antagonist and Kermit-lookalike Constantine. With his partner in crime Dominic Badguy (pronounced BA-jee, & played by Ricky Gervais), he uses the Muppets' world tour as a front to rob European museums of their precious diamonds.

"The Great Muppet Caper" had a similar plot, but that movie was more clever because virtually all the Muppets in that movie parodied how overdone such a plot was. This movie doesn't even want to acknowledge the banality of that hackneyed plot line, or even consider why any modern audience would care about a jewel heist.

Also, whereas the songs were a major strength in "The Muppets", the song "We're Doing A Sequel" is the only one worth remembering. It's a promising, tongue-in-cheek song that acknowledges the stigma and symptoms of sequelitis, only to allow the whole film to fall victim to its own diagnosis.

Many of the other songs are surprisingly mundane, considering McKenzie wrote far more brilliant songs for "The Muppets". For example, the song "I'll Get What You Want (Cockatoo In Malibu)" has lyrics that include "I can give you anything you want/Give you anything you need/I'll make your dreams come true/Give you anything you want".

You're waiting for a funny line, but McKenzie, for the first time in his songwriting career, never delivers one. Considering the hilarious, genre-bashing songs he made famous with Flight Of The Conchords, it feels as if he didn't even try.

Last but not least, everything "The Muppets" did right with celebrity cameos, "Muppets Most Wanted" did wrong. You see Christoph Waltz dancing the waltz, Salma Hayek getting on and off stage, Danny Trejo in prison, and Celine Dion just singing.

You don't see Gonzo doing a crazy stunt (you only hear him talking about it), Fozzie Bear telling a joke, or most of the Muppets doing what they do best. Even Lew Zealand forgets to throw a fish.

Of the human stars who actually have relevant roles, Tina Fey and Ty Burrell actually look like they're having fun. Ricky Gervais is surprisingly dull, being both unfunny enough to stand alongside the Muppets, and not menacing enough to be a villain.

The Muppets are the stars of this movie, not the humans. Somewhere in the making of this movie, the filmmakers left their love of the Muppets, and their desire to make them intriguing characters, by the door, and it shows by what you don't see the Muppets do.

"Muppets Most Wanted" has some laughs, but they are more like light chuckles with no feelings of joy or poignancy. The Muppets have already proved they can make a comeback, but this is not the movie that proves their staying power.

"Muppets Most Wanted" is by no means a terrible movie, but I hope the Muppets prove their worth in their next movie. I hope there is a next movie.

One last note: The Walt Disney Company has not yet released "The Muppet Show" Seasons 4 & 5 on DVD in addition to many other long-unavailable Muppet TV specials (e.g. "A Muppet Family Christmas" (1987)), yet has purchased Marvel Comics and the Star Wars franchise. Maybe the problem lies with Disney not caring enough about the Muppets.

'The Muppets: Most Wanted (2014)' picks up right after the muppets finish filming 'The Muppets (2011)'. This meta self-awareness continues throughout the piece, though to varying degrees, and is especially evident in the opening musical number in which the characters sing about doing a sequel. The first film must be based on a 'true story', though, because its events (the muppets getting back together, Walter being introduced) are directly referenced as having happened to the muppets even though the opening makes it explicit that the film itself is the reason for the muppet's reunion and subsequent success (which kicks in prior to their picture even being edited, since this starts as soon as they shoot the last shot and wrap up production). Confused? Well, the flick doesn't want you to think about it. It steams ahead with almost reckless abandon, unconcerned with most of its throwaway humour, which leads to a 'just go with it' vibe and prevents any semblance of self-seriousness. It's a distinct yet mostly successful approach that fits with the inherent silliness of the age-old 'puppets and people' concept. The flick is enjoyable enough for what it is, filled with a host colourful core characters and a slew of throwaway yet inoffensive celebrity cameos. There are plenty of lively musical numbers and the piece is relatively funny on occasion (though never side-splitting, by any means). A lot of the comedy is based around ever-so-slightly xenophobic stereotypes, but this feels more lazy than malicious. Therefore, it isn't particularly bothersome, even though it does make a lot of the movie seem somewhat old-fashioned. The most successful aspects of the feature are its villains, a dastardly doppelgänger and an in-the-closet furry. Their evil plan is as predictable as you'd expect, but the picture doesn't make a point of focusing on its plot and just uses it as a catalyst for its somewhat creaky comedy and its catchy song-and-dance routines (the latter of which includes an excellent 80s pop-ballad parody). Ultimately, this is a well-executed and generally enjoyable affair. There isn't anything particularly wrong with it, but it's only ever so engaging or, even, entertaining. It's good enough for a bit of throwaway fun, though. To be fair, it never pretends to be anything more than that. 6/10.