IMDb-BEWERTUNG
6,3/10
1699
IHRE BEWERTUNG
Ein 21-jähriger Bauarbeiter in New Mexico schließt sich einer Gemeinschaft von queeren Rodeodarstellern an, die auf der Suche nach ihrer eigenen Version des amerikanischen Traums sind.Ein 21-jähriger Bauarbeiter in New Mexico schließt sich einer Gemeinschaft von queeren Rodeodarstellern an, die auf der Suche nach ihrer eigenen Version des amerikanischen Traums sind.Ein 21-jähriger Bauarbeiter in New Mexico schließt sich einer Gemeinschaft von queeren Rodeodarstellern an, die auf der Suche nach ihrer eigenen Version des amerikanischen Traums sind.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 7 Nominierungen insgesamt
Daniel Hernandez
- Charlene
- (as Kalorie Karbdashian)
James Cady
- Jimmy
- (as James Louis Cady)
Alexander Alayon Jr.
- Road Worker
- (as Alexander Alayon)
Empfohlene Bewertungen
So many things could have gone wrong in the film. But the humanistic approach in the performances, direction and story makes this film worthwhile as we see a young man learn to find his place in this world. Charlie Plummer as Dylan carries the film on his shoulders. He has screen presence even if his character has a subdued personality at first as we see he becomes a stronger, confident and even more empathetic man over the course of the film. Many will call this a LGBTQ+ movie but it is more than that. There is no coarseness, cockiness or irritating over-the-top histrionic behavior by any the actors. There is a respect among the characters as they relate to each other that will engross and help you understand them. Charlie's home life could have felt like a simplistic TV movie of the week. But director Luke Gilford and screenwriters Kevin Best, David Largman Murray as well as Gilford care about the characters too much to let that happen and they show why, for example, in Charlie's household that despite their problems as a family they are able to live in the same home with care and understanding. His mother played by Robyn Lively is not the stereotypical struggling mother. How she relates to Charlie and his younger brother and how she conducts herself is a revelation that pays off towards the end of the film. The biggest surprises and unexpected moments come when Charlie is hired to work on a ranch for a couple of weeks. He has been working odd jobs to help his family and save up for an RV. That RV is his dream and Plummer pulls us in to his character where we hope his wish for that RV comes true. The ranch job enables him save more money but the job becomes a life experience as he meets a cast of memorable characters. He is enchanted by Sky who lives on the ranch and is beautifully performed by Eve Lindley. She becomes a mentor to Charlie to help him be comfortable in his skin and proud of who he is. She is also a spark in his sexual awakening. Mason Alexander Park as one the inhabitants of the ranch sparkles with a knowing conviction in pivotal moments to guide Charlie. Even Rene Rosado in a supporting role avoids the conventional expectation of a rancher whose character takes an unpredictable path. This film is one of the most original in its storytelling among recent films with one of the finest ensembles so far this year.
A queer film about growing up and awakening. The plot is a bit barren, but it constructs a wonderful queer Eden in the red soil of the American outback. There is no homophobic violence or discrimination. Everyone can be themselves and enjoy an open sex life and fluid sexual orientation. Maybe it is too beautiful and gives me a distorted illusion? Huang Zitao recently said something in his variety show, "Tolerable Love," which is enough to make people laugh, but it always reminds me of Charlie's increasingly vivid character personality in various film and television works over the years: always a little silent, suppressing his thoughts or just looking at one place melancholy. Six years after "Jockey Pete", he reinterprets his relationship with a land; even though the settings of the two films are very different, he can still find the qualities he was first seen in. Tolerable Love.
Luke Gilford's 'National Anthem' is a film that displays some considerable skill on the part of its director and cast. There are scenes that capture how it feels when you fall in love; and also scenes that reflect the tender pain of departure when you wish you didn't have to go. The film seems to be often described as "beautifully shot". Some of this is achieved by simply putting physically attractive people in the landscape of the American west; but this is done in such a way that does successfully evoke the desired vibe. The problem is that the movie only seems to consist of the big emotional scenes on which a greater film might hang; they're not earned, and there's no dramatic structure outside the slightly indulgent display of happiness and hurt. I also grew tired of the fact that almost every line of dialogue is whispered, as if the film is trying too hard to ooze sensitivity from every pore. Finally, it's never clear how our heroes, a commune of sexually non-conforming individuals, are earning a living; this is part of the reason for the absence of drama in the movie, as the group's contact with non-members seems limited to the interaction of the lead character and his mother. A little more conflict would not have gone amiss.
Man, I wish I could get back my 1 hour and 40 minutes. I really wanted to like this movie, but it was a disappointing mess with bad writing choices and piss poor dialogues. While the film's intentions may have been noble, National Anthem ultimately fails to deliver a compelling or memorable story. The characters are so flat, they might as well be cardboard cutouts.
Totally, a missed opportunity I guess the director didn't have a clue to flesh out the story from the POV of Dylan (Charlie Plummer), who does his best in parts and completely out of place and probably not going to end well. Of course he is a good actor, but even his talent can't overcome the sheer awfulness of the script. The only redeeming quality is the chemistry between him and his brother. Those scenes are standout, with good staging, backed with decent score in an otherwise boring film.
In conclusion, "National Anthem" ahh wish i can say it's decent but I'll value your time well, it's just bad. I recommend skipping this one.
Totally, a missed opportunity I guess the director didn't have a clue to flesh out the story from the POV of Dylan (Charlie Plummer), who does his best in parts and completely out of place and probably not going to end well. Of course he is a good actor, but even his talent can't overcome the sheer awfulness of the script. The only redeeming quality is the chemistry between him and his brother. Those scenes are standout, with good staging, backed with decent score in an otherwise boring film.
In conclusion, "National Anthem" ahh wish i can say it's decent but I'll value your time well, it's just bad. I recommend skipping this one.
10brievado
I loved watching Charlie Plummers character discover parts of himself he didn't know where there. I smiled through most of this movie, it's a sweet portrayal of a first love and heartbreak. The soundtrack was incredible, done by Nick Urata from the band Devotchka. I found myself Shazamming almost every song. I'd love to get it on vinyl.
Where does this place exist? I want to go to a queer rodeo! Somewhere where everyone can safely be who they want to be. It was refreshing to watch people existing instead of living in fear of someone else's disapproval. Can we move towards a world like this? Where people mind their own business?
Where does this place exist? I want to go to a queer rodeo! Somewhere where everyone can safely be who they want to be. It was refreshing to watch people existing instead of living in fear of someone else's disapproval. Can we move towards a world like this? Where people mind their own business?
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 268.183 $
- Eröffnungswochenende in den USA und in Kanada
- 41.864 $
- 14. Juli 2024
- Weltweiter Bruttoertrag
- 268.183 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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