Blau ist eine warme Farbe

Seldom will you find, such adoration, unrefined, as a beautiful romance, takes us with it on its dance, though the rocks that taunt us all, cascade, descend, to cover all, but the passion and desire, leave you breathless and on fire!!!

Perfect, in almost every way.

This is a good movie. I liked very much the way in which it describes the birth, maturity and end of a love interest among two young and attractive humans. The scenes in the park and the interplay of sentiments and nuances between the two lovers are very emotional and engaging. The difference of characters is very well presented.

The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.

And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.

Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...

I was fortunate enough to see this movie at a screening last night in Los Angeles. It was amazing, everything about it amazing! Kechiche is something special. He works on something until he gets it right, and the only time he gets it right is when he feels comfortable with what he has shot. At the Q&A afterward with Kechiche, Seydoux and Exarchopoulos, I learned that they shot some of the takes 100 times!

His methods are unconventional. Because of this you are able to experience cinema in a whole new light. The acting was so real, so moving; these actresses gave everything they had, I'm just blown away with what I viewed. My hat is off to Exarchopoulos and Seydoux as actresses. No matter how painful and difficult the process must of been to make this movie in the end I think that they would have to agree it was worth it. To know that you gave everything is something special, and something that I hope I can look back to on my career and say I felt as well. Kechiche, call me, I want to be in your next film!!

Of the two competition films I saw in Cannes, this was luckily one of them. If you enjoy foreign cinema at all you will likely find this mesmerizing. I'm a straight male but I couldn't help but feel strongly for the two women during this unconventional love story.

I'll go ahead and let you know that the sex scenes are incredibly graphic (though some have claimed they are unrealistic) and VERY long. I didn't clock any of them but I'm pretty sure one of them is 15 minutes. So, fair warning.

I'd recommend BItWC to anyone who didn't like Transformers 3 or Pirates F-ing 17. Great acting. Great direction. Strong Story. Plus, it's the Palm d'Or.

This year's Palm d'Or winner is a coming of age story about a teenage girl, Adele (the literal title in French is The Life of Adele), who discovers her homosexuality and begins a relationship with Emma, a college student. For a while, I was thinking this was a good but fairly unremarkable entry into the queer cinema canon, but, over the film's three hours, well, you see why the long running time was necessary. It is just a very detailed picture of a life. It feels more real than most films - it feels like more time has past and that we've just felt Adele's growth. Frankly, I didn't feel the length of it at all - I wanted it to be longer. It really helps that the actresses are so perfect. Adele Exarchopoulos is simply fantastic - this is the performance of the year, really. Her face is so expressive. The film takes place over several years, and you really do see her grow from a child to an adult. Lea Seydoux plays Emma. Her role is less demanding, but she's still great in it. Now, the biggest story of this film has probably been the graphic sex scenes. My opinion on them: I actually do think they're a bit too graphic, gratuitous and almost pornographic. I try to justify them artistically in my mind, and I'm afraid I can't. There's a plot point near the end where you kind of have to know that the girls' sex life was fantastic, but I'm not sure we had to see it in anywhere near as much detail as we did. They're without a doubt awkward to sit through, but they don't ruin the film either.