IMDb-BEWERTUNG
6,4/10
4192
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe daughter of a Scottish farmer comes of age in the early 1900s.The daughter of a Scottish farmer comes of age in the early 1900s.The daughter of a Scottish farmer comes of age in the early 1900s.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 16 Nominierungen insgesamt
Emily-Jane Boyle
- Christine
- (as Emily Jane Boyle)
Ann Overstall Comfort
- Mrs Hemans
- (as Ann Comfort)
Callum Adams
- Alec Guthrie
- (as Callum Davies)
Empfohlene Bewertungen
I went into the movie not knowing anything about the book, the model or what should have been the proper soldiers dress. I also don't know a good accent from a bad one when it comes to Scottish.
I felt the movie was gorgeous but some scenes were dragged out too long, especially closer to the end. I felt the actress was believable and saw the characters personality was much like the film itself, slow moving and deliberate with few outbursts but when they happened they were believable.
I didn't understand the husband. Why not slog through it rather than become an a-hole? but I guess he was determined. To me this was stupid and the wife should have been angry, then forgiving, rather than understanding.
The story was a view into what it may have been like back then helping me to see real people in real tough situations but who also had God and nature to nurture them.
It is the beauty of the film that has stuck with me. I didn't know Scotland was that gorgeous.
I felt the movie was gorgeous but some scenes were dragged out too long, especially closer to the end. I felt the actress was believable and saw the characters personality was much like the film itself, slow moving and deliberate with few outbursts but when they happened they were believable.
I didn't understand the husband. Why not slog through it rather than become an a-hole? but I guess he was determined. To me this was stupid and the wife should have been angry, then forgiving, rather than understanding.
The story was a view into what it may have been like back then helping me to see real people in real tough situations but who also had God and nature to nurture them.
It is the beauty of the film that has stuck with me. I didn't know Scotland was that gorgeous.
Who were the "North Highland Regiment"? No "ladies from hell" that I've ever heard of. And why the Latin shoulder numerals "IXI"? That's not even a real or feasible Latin number.
Is my sight failing, or did the soldiers' shoulder insignia say "Brecknock"? Wasn't that a battalion of the South Wales Borderers, as in "wrong Celtic country"? Did someone just find a bundle of WW1 shoulder badges on a market stall and decide to use them, without bothering to Google what regiment or even what country they were from?
Laura Hollins (let's use your real name, not your gibberish fantasy one) gives birth to a baby several months old. Next thing we know, the boy is a few years old but Laura looks exactly the same age. Other reviewers have already noted other discontinuities with which this film is riddled.
The slow, linear narrative is likable enough. Whether Hollins' Doric is credible is for Scots to judge. But botching basic details breaks the spell. I don't feel cheated of my ticket money. Just disappointed that such basic authenticity was botched by lazy and ignorant prop-buying and film-making.
Is my sight failing, or did the soldiers' shoulder insignia say "Brecknock"? Wasn't that a battalion of the South Wales Borderers, as in "wrong Celtic country"? Did someone just find a bundle of WW1 shoulder badges on a market stall and decide to use them, without bothering to Google what regiment or even what country they were from?
Laura Hollins (let's use your real name, not your gibberish fantasy one) gives birth to a baby several months old. Next thing we know, the boy is a few years old but Laura looks exactly the same age. Other reviewers have already noted other discontinuities with which this film is riddled.
The slow, linear narrative is likable enough. Whether Hollins' Doric is credible is for Scots to judge. But botching basic details breaks the spell. I don't feel cheated of my ticket money. Just disappointed that such basic authenticity was botched by lazy and ignorant prop-buying and film-making.
I do not know the trilogy of Lewis Grassic Gibbon. But I love this film for the flavors, for landscapes, for memories about other Scotish novels atmosphere, for bitterness and beautiful seeds of hope. Good acting, powerful message, wise perspective about life, a gentle feminist manifesto and one of films like a cold tea cup. Beautiful.
Sunset Song is a classic Scottish novel, part of a trilogy by Lewis Grassic Gibbon and much loved by many, many people (including my wife).
I confess to having not read it, so had no particular expectations when approaching this movie which happens to have been made possible by two of my friends, Bob Last and Ginnie Atkinson.
It will divide audiences because the pace is slow.
Glacial.
But I loved it.
Much media attention has focused on the casting of supermodel come actor Agyness Deyn (completely contrived name) as a Mancunian playing a seminal Scottish role but I have to say I liked her performance, and her accent. The scene in which she learns of her husband's war news is particularly well acted.
Of course this movie is about Terence Davies. He makes very few but when he does they tend to be statements about British life and, for me, this is another great entry in his canon of work.
Davies could have made a feminist statement through Deyn's character, had she been more assertive, but he resists the temptation and instead reflects the male dominance of relationships in the early 20th century (leading up to and including the first world war).
Two and a bit hours, with zero action, and not much dialogue can't be most people's cup of tea (much has been made of the regular return to a certain corn field but, you know what, I didn't care).
It is a languid and lovely observation of a lifestyle that is long past and male dominated.
Special mentions for the ever brilliant Peter Mullan (a beastly father) and a great performance by Kevin Guthrie as the husband of the central character.
I confess to having not read it, so had no particular expectations when approaching this movie which happens to have been made possible by two of my friends, Bob Last and Ginnie Atkinson.
It will divide audiences because the pace is slow.
Glacial.
But I loved it.
Much media attention has focused on the casting of supermodel come actor Agyness Deyn (completely contrived name) as a Mancunian playing a seminal Scottish role but I have to say I liked her performance, and her accent. The scene in which she learns of her husband's war news is particularly well acted.
Of course this movie is about Terence Davies. He makes very few but when he does they tend to be statements about British life and, for me, this is another great entry in his canon of work.
Davies could have made a feminist statement through Deyn's character, had she been more assertive, but he resists the temptation and instead reflects the male dominance of relationships in the early 20th century (leading up to and including the first world war).
Two and a bit hours, with zero action, and not much dialogue can't be most people's cup of tea (much has been made of the regular return to a certain corn field but, you know what, I didn't care).
It is a languid and lovely observation of a lifestyle that is long past and male dominated.
Special mentions for the ever brilliant Peter Mullan (a beastly father) and a great performance by Kevin Guthrie as the husband of the central character.
Is this a masterpiece ? I really have no idea, but I sense that it might be. The filming is perfect, and the lead actress incredibly good. I have not read the book upon which it is based, and to be honest I have no desire to do so. Davies is a masterly director, but then again I have not much of a desire to see his films. ' The House of Mirth ' is I think his best film, and from the works I have seen of his ' The Deep Blue Sea ' is his worst. During the first half of ' Sunset Song ' I endured the cruelty of the world he was depicting, but towards the end I thought enough is enough. Overall he presents a dour view of life, shot through with a sparse amount of happiness. His vision maybe true and I have seen many depressing films that I have considered great, but as this film reached its ending I had endured enough of what I had seen. Some will unreservedly give it a 10, and there again I am not sure it does not merit that. I can only repeat; is this a masterpiece ? I do not think that I want to know simply because the physical pain and mental pain is too much to bear.
Wusstest du schon
- WissenswertesThe exterior shots were shot on 70mm film while the interiors were captured on digital cameras.
- PatzerAt about 55:50 minutes in, the main characters are standing talking in the high street as a flock of sheep moves past them. There are two of what appear to be large steel bollards on either side of the road. As the sheep progress through the scene, the left-hand bollard on screen wobbles as the sheep come into contact with it.
- VerbindungenFeatured in Film '72: Folge #44.12 (2015)
- SoundtracksWAYFARING STRANGER
(Traditional Ballad )
Arranged and performed by Gast Waltzing
Vocals by Jennifer John
Licensed courtesy of Sunset Song Ltd.
© 2016 Milan Records
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sunset song
- Drehorte
- Glen Tanar Estate, Aberdeenshire, Schottland, Vereinigtes Königreich(Old schoolhouse where Chris is a pupil and hopes to become a teacher)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 159.714 $
- Eröffnungswochenende in den USA und in Kanada
- 12.995 $
- 15. Mai 2016
- Weltweiter Bruttoertrag
- 1.302.482 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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