Viaggio sola

This is an intelligent and well-crafted film with fine acting, a sharp script, at times humorous with some surprises along the way, and ably directed by Maria Sole Tognazzi. I thought the characters were well developed and believable, as well as the movie being beautifully shot via its cinematography.

Margherita Buy is superb as Irene Lorenzi, employed by a publication as a mystery guest, where she travels the globe examining luxury hotels to see if their standards are up to a 5-star rating. She's very thorough and conscientious in her job, but begins to realize that years are passing, and that she remains quite lonely.

Irene is unmarried and has no children, and except for her best friend Andrea (Stefano Accorsi), with whom she had a relationship with some 15 years before, her sister Silvia (Fabrizia Sacchi), brother-in-law Tomasso (Gianmarco Tognazzi) and her two nieces, she has no intimacy with anyone else.

When a shocking event occurs at one of her hotel stays, she must really focus on re-evaluating her priorities and her life.

To me, this was an exceptional and enjoyable movie geared to adults, filled with fine performances, intelligence, humor, and surprises.

After initially reading through the "summary" under the movie before watching, I had anticipated something different... perhaps more like a Sex and the City kind of vibe with luxury and maybe even romance. However, after seeing how lonely Irene is and how she actually has minimal (meaningful) relationships, it puts what sounds like a fun, luxurious job into perspective. I would think that she gets to travel all over and have fun, while the reality showed that she is rarely ever home and with company she enjoys. I would think that she has great times using the hotels' amenities and relaxing, while she is actually having to do so much and pay such close attention to so many things most people would find it meticulous and possibly even unbearable. I enjoyed this film because of the perspective that it showed and the message of what is actually meaningful and valuable in our lives.

Greetings again from the darkness. Italian movie star Margherita Buy plays Irene, a luxury hotel inspector who travels the world testing picture frames for dust, bed covers for wrinkles, and hotel staff for smiles. Directed and co-written by Maria Sole Tognazzi, the film left me baffled as to why such a talented filmmaker presented such a dead-end trip for the viewer.

Within the first five minutes, we fully "get" Irene and we understand exactly where the movie is headed, provided it follows all overused story clichés (it does). See, Irene has things backwards. She lives in 5 star hotels and takes her brief respites with her nieces, her ex, and her sister. Most of us live with our families and vacation at resorts.

The luxury hotels are breathtaking to see, but mostly the movie drags while we wait for Irene's comeuppance. One segment of the story provides a spark of hope. Lesley Manville (recognizable from numerous Mike Leigh films) appears as a feminist author who lives life to the fullest and tosses out realities that strike a chord with Irene. Unfortunately, this plot line is short-lived and the most interesting character disappears as quickly as she arrived.

Irene is single, but maintains a very close relationship with her ex (a very good Stefano Accorsi). Irene has no kids, but periodically spends time with her young nieces. Irene has no close friends, but spends time with her family-centric sister (a very interesting Fabrizia Sacchi). She does all of this without actually committing to living a real life, as she quickly escapes on her next mystery guest mission.

The film begs for comparison to the superior Up in the Air, which allowed for secondary character development ... an element only teased in this film. Ms. Buy is very talented, but the script just makes this seem like a Luke warm room service meal. We already know that there is no comparison in a dream job versus a dream life.

Irene is in her 40's, single, and has a job that sounds like a luxury: reviewing 5 star hotels in gorgeous locations. But mind you, her job isn't just basking in all the amenities that a hotel provides, her job requires a meticulous attention to every possible detail, and all kinds of factors, from the amount of dust on the lamps to the timeliness of the staff, is thoroughly considered. Since her job requires her to be away from home so much, she is single and has estranged relationships with her family and friends. If the premise reminds you of Jason Reitman's Up in the Air, you're on the right track.

The premise of the film allows us as an audience to venture to some magnificent locations, and it's immediately recognizable how well the film utilizes every location it visits. Paris, Berlin, The Alps, Marrakesh, and a few hotels in Italy all get the deluxe treatment and are showcased beautifully here. But where it would be easy to venture into imagery reminiscent of the travel channel, this film instead focuses on the sense of isolation that each hotel brings. Sure, the views are all exquisite, but the film wonderfully captures the hollow reality that these deluxe locations encapsulate. Thematically, the film encapsulates this sense of isolated beauty that Irene embodies. As fun as it is to gasp at the luxury, the purpose is not to envy Irene by the end of the film but to simply understand the world that she inhabits.

Despite being a movie about luxury, the biggest strength of the film ends up being its simplicity. There is no grand revelation or massive plot twist here, but we do feel the many themes that are shared with us. One of these is the concept of artificial comfort. Is having someone wait on you nonstop really a key to happiness? How arbitrary is our modern day measurement of luxury and quality? While the themes are played out visually in the various locations, we see them play out emotionally in Irene's interactions when she is back at home. Her best friend and former lover is about to be a father because the mother believes it will make her happy, a tangible showing of how happiness has become a material good. Her relationship with her sister, brother-in-law and nieces fluctuates but is her only hope for having family in her life. From the concept, it would appear that the heart of the film comes from her travels, but the film very uniquely also covers the many times that she comes home and the impact she has on those who don't share her lifestyle.

A Five Star Life is a short, simple film but is fully engaging because of how well its themes are realized, both visually and emotionally. It may not have the same level of prowess that Up in the Air has, but for a smaller film, it certainly engages for the entire runtime.

Very attractive leading actress, well performed through out the whole movie. But what else we got here? A constantly changed scenes and locations inside or outside the hotel dining patio. The relationships between and among the participants are loosely explained and developed. She got a relationship with a man over 15 years, still periodically slept together without sex. She's the confidant of that man, who's running a wholesale food supply to the restaurants or cafes. But I really don't know he could leave his daily work, went to find her 5-star hotel inspector anytime he got in some trouble, 'cause she's constantly travel all over the place, not just Italy. Then her two nieces mother was somewhat an absent-minded woman, a clumsy mother and a wife. She sometimes visited them and helped taking care of the kids, even gave a hand in their kitchen, 'cause the kids' mother was so clumsy even doing food preparation.

There were many beautiful scenes and scenaries as she traveled anonymously to inspect those 5-star hotels. A lonely traveling woman, classy and attractive, but other than that, what else we got? Almost nothing, the only thing that attracted me to continue watching is the leading lady, her subtle charm besides her loneliness and toughness to keep moving forward and around. That's all I can say here. (This is what the 3.5/5 part I'm talking about here)

But after she met a Bristish feminist woman, the whole movie suddenly turned into a very deep and quite philosophic profound one, even it's a bit short and late, but it actually made the former quite blended part become very meaningful to seamlessly evolve into a great movie.