Im Venedig der Nachkriegszeit nimmt Poirot, der inzwischen im Ruhestand und in seinem eigenen Exil lebt, widerwillig an einer Séance teil. Doch als einer der Gäste ermordet wird, ist es an d... Alles lesenIm Venedig der Nachkriegszeit nimmt Poirot, der inzwischen im Ruhestand und in seinem eigenen Exil lebt, widerwillig an einer Séance teil. Doch als einer der Gäste ermordet wird, ist es an dem ehemaligen Detektiv, noch einmal zu ermitteln.Im Venedig der Nachkriegszeit nimmt Poirot, der inzwischen im Ruhestand und in seinem eigenen Exil lebt, widerwillig an einer Séance teil. Doch als einer der Gäste ermordet wird, ist es an dem ehemaligen Detektiv, noch einmal zu ermitteln.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 5 Nominierungen insgesamt
Empfohlene Bewertungen
This is my first foray into these Branagh Poirots having grown up with David Suchet on TV as him, so he had some big little Belgian shoes to fill.
Branagh brings enough intrigue and quirkiness to the character to make him his own, but in this film he is massively lost in the shadows of Tina Fey whose very presence steals any scene.
Whilst I didn't know the story/plot, it kept me guessing throughout, but some poorly executed shots and weak CGI moments gave the film an element of cheap horror film, and this jarred with the characters.
Yeoh's character was all too brief in her screen time, but she gave a great performance all the same. The main child actor - Jude Hill gives us a wonderfully intense, matter-of-fact, and sinisterly creepy Leopold. I hope to spot Jude flexing this skill in more films in future.
Wouldn't watch again, and likely wouldn't have gone to see it in the cinema if it wasn't because of friends wanting to watch it.
Branagh brings enough intrigue and quirkiness to the character to make him his own, but in this film he is massively lost in the shadows of Tina Fey whose very presence steals any scene.
Whilst I didn't know the story/plot, it kept me guessing throughout, but some poorly executed shots and weak CGI moments gave the film an element of cheap horror film, and this jarred with the characters.
Yeoh's character was all too brief in her screen time, but she gave a great performance all the same. The main child actor - Jude Hill gives us a wonderfully intense, matter-of-fact, and sinisterly creepy Leopold. I hope to spot Jude flexing this skill in more films in future.
Wouldn't watch again, and likely wouldn't have gone to see it in the cinema if it wasn't because of friends wanting to watch it.
This is an interesting film if you're not an Agatha Christie & Hercule Poirot fan. But for me it completely lacked the unique charm of Poirot, his methods and his personality. KB is a great actor but in this film he is as far from being Poirot as can be. Maybe that was intentional but for me it just didn't work. Tina Fey was a nice surprise although my image of Ariadne Oliver was quite different. The pace of the action is not at all balanced and is difficult to follow. It is not bad film, I would definitely recommend it instead of hundreds others but it doesn't do justice to Agatha Christie's marvellous writing.
The change of setting to Venice is inspired, it gives it an otherworldly and insular, claustrophobic tone, which is emphasised by the camera work, and lighting, this one is tricky to review without spoilers so I must be brief, and leave some ideas out, the script is close to superb, but it just hits a couple of bum notes, the third act is over too soon, the denouement rushed, but in part it's because the mystery for all the effort and effects isn't that mysterious, but fundamentally the problem is Branagh, he obviously wants to be Poirot, but he isn't, he just isn't idiosyncratic enough, or dare I say talented enough, and he pales in comparison to the giant magnificent performances that have been before, the genius of Peter Ustinov only surpassed by the subtlety and diligence and sheer depth of David Suchet, one of the greatest acting performances ever, unfortunately for Branagh it's a tough school, and he just doesn't make the grade, gave it a 7, felt like an 8, but also a 6 coz of KBs love letter to himself.
My Review- A Haunting in Venice
My Rating 6/10
I was underwhelmed by Kenneth Branagh's latest interpretation of an Agatha Christie novel this one is based on her 1969 novel Halloween Party .
It was written late in the authors life to luke warm reviews one critic Robert Weaver wrote - Halloween Party is a disappointment,but with all her accomplishments is Christie can be forgiven some disappointments Poirot seems weary and so does the book.
It was filmed previously in 2010 for television starring my favourite Hercule Poirot David Suchet which I watched only after seeing A Haunting in Venice.
I must admit Kenneth Branagh who I like in some roles and not others is my least favourite characterisation of Hercule Poirot.
His first effort in 2017 Murder on the Orient Express also underwhelmed me but did exceedingly well at the box office however his last effort in 2022 Death on the Nile flopped and for me also had nothing of the grandeur or appeal of the original film adaptations.
All that needs to said about the plot line in this whodunnit is that Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.
I was expecting more from this new original adaptation of the Agatha Christie novel Halloween Party that's set in the mysterious and spectacular city of Venice because it's a story I didn't know and I had no preconceived expectations.
Spectacular Venice is featured in the start and conclusion of this film but it's mostly set indoors in a gloomy gothic villa that could have been built on any movie set.
A Haunting in Venice for me fails in a few aspects primarily because of its dark gothic reworking from Kenneth Branagh. It's probably his best Hercule Poirot performance but for me his interpretation of the novel lacks The Agatha Christie touch of humour, eccentric characters and is trying to be something it's not a gothic horror movie it's not really scary at all just dark and brooding.
After I saw this movie I watched the 2010 television movie Hallowe'en Party starring David Suchet my favourite Hercule Poirot that bares no resemblance to A Haunting in Venice . It's not her greatest story but the television version has humour and lightness as well as suspense and the performances are much more impressive in my opinion.
There are some interesting actors in the cast of A Haunting in Venice including Michelle Yeoh who dropped out of The action adventure 2024 film The Electric State to star in this movie. Why she chose to do this I'm not sure because her role as the clairvoyant Mrs Reynolds is more a short cameo role as is Jamie Dornan's who plays Dr Ferrier .
The main supporting role is Tina Fey as Ariadne Oliver a crime writer but she didn't shine for me either. Tina Fey plays a similar role in Only Murders in the Building as Cinda Canning but that role is edgy and funny which she does best .
With a much more modest production budget of $60 million than his last Agatha Christie move Death in Venice Kenneth Branagh who also directs this movie in my view features himself as Poirot more at the expense of the ensemble characters which is a mistake in an Agatha Christie movie.
I was underwhelmed by Kenneth Branagh's latest interpretation of an Agatha Christie novel this one is based on her 1969 novel Halloween Party .
It was written late in the authors life to luke warm reviews one critic Robert Weaver wrote - Halloween Party is a disappointment,but with all her accomplishments is Christie can be forgiven some disappointments Poirot seems weary and so does the book.
It was filmed previously in 2010 for television starring my favourite Hercule Poirot David Suchet which I watched only after seeing A Haunting in Venice.
I must admit Kenneth Branagh who I like in some roles and not others is my least favourite characterisation of Hercule Poirot.
His first effort in 2017 Murder on the Orient Express also underwhelmed me but did exceedingly well at the box office however his last effort in 2022 Death on the Nile flopped and for me also had nothing of the grandeur or appeal of the original film adaptations.
All that needs to said about the plot line in this whodunnit is that Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.
I was expecting more from this new original adaptation of the Agatha Christie novel Halloween Party that's set in the mysterious and spectacular city of Venice because it's a story I didn't know and I had no preconceived expectations.
Spectacular Venice is featured in the start and conclusion of this film but it's mostly set indoors in a gloomy gothic villa that could have been built on any movie set.
A Haunting in Venice for me fails in a few aspects primarily because of its dark gothic reworking from Kenneth Branagh. It's probably his best Hercule Poirot performance but for me his interpretation of the novel lacks The Agatha Christie touch of humour, eccentric characters and is trying to be something it's not a gothic horror movie it's not really scary at all just dark and brooding.
After I saw this movie I watched the 2010 television movie Hallowe'en Party starring David Suchet my favourite Hercule Poirot that bares no resemblance to A Haunting in Venice . It's not her greatest story but the television version has humour and lightness as well as suspense and the performances are much more impressive in my opinion.
There are some interesting actors in the cast of A Haunting in Venice including Michelle Yeoh who dropped out of The action adventure 2024 film The Electric State to star in this movie. Why she chose to do this I'm not sure because her role as the clairvoyant Mrs Reynolds is more a short cameo role as is Jamie Dornan's who plays Dr Ferrier .
The main supporting role is Tina Fey as Ariadne Oliver a crime writer but she didn't shine for me either. Tina Fey plays a similar role in Only Murders in the Building as Cinda Canning but that role is edgy and funny which she does best .
With a much more modest production budget of $60 million than his last Agatha Christie move Death in Venice Kenneth Branagh who also directs this movie in my view features himself as Poirot more at the expense of the ensemble characters which is a mistake in an Agatha Christie movie.
This was surprisingly spookier than I thought it would be but it was happily welcomed during this Halloween Season. It was spooky without being cheesy or goofy which is what a lot of traditional horror movies tend to lean towards. I saw it in theaters but can definitely see myself cuddling up on the couch with a hot chocolate and a blanket to watch this film in the autumn.
You can tell Tina Fey isn't used to playing more serious roles but she pulled it off enough. It was definitely a surprise to see her in this film, especially as such a large character.
I would love to see more Poirot in the future as Kenneth Branagh does a great job portraying him.
This film was a good length too. Not too long and not too short.
I'd recommend this to those who enjoy a little spook and mystery but not for anyone looking for light hearted Halloween fun.
You can tell Tina Fey isn't used to playing more serious roles but she pulled it off enough. It was definitely a surprise to see her in this film, especially as such a large character.
I would love to see more Poirot in the future as Kenneth Branagh does a great job portraying him.
This film was a good length too. Not too long and not too short.
I'd recommend this to those who enjoy a little spook and mystery but not for anyone looking for light hearted Halloween fun.
All About 'A Haunting in Venice'
Wusstest du schon
- WissenswertesThe screenplay is inspired by Dame Agatha Christie's 1969 novel "Hallowe'en Party," with the setting changed from the UK to Venice, Italy. This is not the first time that Hallowe'en Party was adapted to film. In July of 2011, ITV Studios and WGBH released an 89-minute feature length film adaptation, Hallowe'en Party (2010), starring David Suchet as Poirot.
- PatzerThe statue's hand upon which Ms. Reynolds is impaled should be covered with blood and gore, yet it is clean.
- Zitate
Ariadne Oliver: Scary stories make real life a little less scary
- VerbindungenFeatured in The 7PM Project: Folge vom 22. September 2023 (2023)
- SoundtracksWhen the Lights Go on Again
Written by Bennie Benjamin, Sol Marcus and Eddie Seiler
Performed by Vera Lynn
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Cacería En Venecia
- Drehorte
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Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 42.471.412 $
- Eröffnungswochenende in den USA und in Kanada
- 14.279.529 $
- 17. Sept. 2023
- Weltweiter Bruttoertrag
- 122.290.456 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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