Nachdem das Verschwinden seiner Frau zum Mittelpunkt eines riesigen Medienzirkus geworden ist, sieht sich ein Mann plötzlich selbst im Rampenlicht stehen, als der Verdacht entsteht, er könne... Alles lesenNachdem das Verschwinden seiner Frau zum Mittelpunkt eines riesigen Medienzirkus geworden ist, sieht sich ein Mann plötzlich selbst im Rampenlicht stehen, als der Verdacht entsteht, er könne wohl nicht ganz unschuldig sein.Nachdem das Verschwinden seiner Frau zum Mittelpunkt eines riesigen Medienzirkus geworden ist, sieht sich ein Mann plötzlich selbst im Rampenlicht stehen, als der Verdacht entsteht, er könne wohl nicht ganz unschuldig sein.
- Regisseur/-in
- Autor/-in
- Stars
- Für 1 Oscar nominiert
- 64 Gewinne & 189 Nominierungen insgesamt
Zusammenfassung
Empfohlene Bewertungen
First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"
The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.
In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.
"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."
Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.
Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.
"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.
Soundtrack
Wusstest du schon
- WissenswertesBen Affleck postponed directing Live by Night (2016) in order to work on this film with David Fincher, even stating, "He's the only director I've met who can do everybody else's job better than they could." On-set one day, Affleck changed the lens setting on a camera an almost indiscernible amount, betting a crew member that Fincher wouldn't notice. Affleck lost the bet as Fincher brought up, "Why does the camera look a little dim?"
- PatzerWhen Nick is in the airport on his way to meet Tanner Bolt, he sees a photo display publicizing his wife's disappearance. The display also features Amy's basic physical characteristics - height, hair color, and eye color. It lists her eye color as brown, but Amy has grey/green eyes throughout the film.
- Zitate
[last lines]
Nick Dunne: What are you thinking? How are you feeling? What have we done to each other? What will we do?
- Crazy CreditsInstead of the traditional 20th Century Fox music that accompanies the logo in the beginning usually, a track from the soundtrack, "What Have We Done to Each Other?" (the first track) plays while the logo is shown, and continues through the Regency logo and the movie's opening credits.
Top-Auswahl
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Details
Box Office
- Budget
- 61.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 167.767.189 $
- Eröffnungswochenende in den USA und in Kanada
- 37.513.109 $
- 5. Okt. 2014
- Weltweiter Bruttoertrag
- 370.890.259 $
- Laufzeit
- 2 Std. 29 Min.(149 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1






