Fioravante beschließt, als professioneller Callboy zu Geld zu kommen, um seinen finanzschwachen Freund Murray zu unterstützen. Während Murray als sein "Manager" auftritt, gerät das Duo schne... Alles lesenFioravante beschließt, als professioneller Callboy zu Geld zu kommen, um seinen finanzschwachen Freund Murray zu unterstützen. Während Murray als sein "Manager" auftritt, gerät das Duo schnell in einen Wirbel aus Liebe und Geld.Fioravante beschließt, als professioneller Callboy zu Geld zu kommen, um seinen finanzschwachen Freund Murray zu unterstützen. Während Murray als sein "Manager" auftritt, gerät das Duo schnell in einen Wirbel aus Liebe und Geld.
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For this reviewer? I chose to see it as a grown-up romantic comedy, a comedy of errors, where Woody Allen and John Turturo's characters are both opportunistic and weary and the women are both fantasizing and projecting and being fantasized and projected. There is enough complexity and simplicity to really make this a stylish, witty, and enjoyable film.
As a jazz geek the score was superb and throughout Turturro adds little touches that make this film a quiet delight. It may not be a perfect film in that the women are too perfect and the contrasts too broad, but you would have to be mean spirited indeed not to enjoy it. It even has something to say about loneliness rather than lust being the source of sex, and that love, however fleeting, even in New York, can happen.
Written by, directed by, and starring John Turturro as the unlikely gigolo Fiorovante, an ungenerous soul might suggest that this improbable sex-based comedy drama was just an excuse for him to film a nude scene with Sharon Stone. But I quite liked it. It is rather inconsequential, and the character Fiorovante is fairly inexpressive and therefore difficult to identify with. Also, Liev Schreiber's Dovi is quite unlikeable, and the developments involving his character aren't that convincing. But, as Murray, Woody Allen - not one of my favourite actors - delivers what is probably the best performance I have ever seen from him: gentle, wryly humorous, and spilling over with humanity. The trademark Allen tics are all there, but I liked Murray a lot. And Vanessa Paradis as Avigal was luminous.
Despite its improbability, this rather odd little drama with comedy engaged and entertained me.
The title Fading Gigolo is perfect as it reflects Turturro who plays the gigolo, a man who could use a little more cash in his pocket so with the help of his friend played by Allen, he becomes an escort to some high class women looking for love and affection.
Personally I think Mr. Tutturro cast himself as the gigolo just so he can show off how good he looks for his age. Of course he's got nothing on Sharon Stone who was so sexy in this film.
And of course I can never leave out Sofia Vergara, who plays a sexy vixen who openly embraces the idea of the gigolo
Though I find Woody Allen charming, I'm glad that his was a John Turturro film. The Director and star adds his known quiet strength to the movie that I have seen in other films.
The entire cast turned in worthy performances but the film did suffer from a very low budget, tight shooting schedule and a somewhat inexperienced Director but overall, it was a couple hours I feel were worthy of my time.
Wusstest du schon
- WissenswertesJohn Turturro and Woody Allen share a barber, which is how Allen learned about the movie.
- Zitate
Ancient Rabbi: Murray Schwartz, are you proud to be a Jew?
Murray: Proud, and also scared.
- VerbindungenReferences Casablanca (1942)
- SoundtracksCanadian Sunset
Written by Norman Gimbel & Eddie Heywood
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Box Office
- Bruttoertrag in den USA und Kanada
- 3.769.873 $
- Eröffnungswochenende in den USA und in Kanada
- 180.801 $
- 20. Apr. 2014
- Weltweiter Bruttoertrag
- 22.706.304 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1