Dhoomam

I watched it in Malayalam version in California.

We get uturn kind of vibe. Story is gripping and you will be able to connect the dots if you analyze it in the end. I will not spoil it for you guys. Everything is explained and you will understand it if you think about it a bit.. The rise of one character and downfall of another shown in the song was really good.

Background music was really good as well.

Interval bang is also interesting, unexpected Between interval and climax it gets a little slow, you have to wait patiently.

If entire movie travels at 70mph, climax travels at 100mph, so the sudden change in pace will confuse majority of the audience.

This is one of those movies you have to watch again when it comes to OTT

Enjoy.

Well, I didn't imagine a Pawan Kumar film to be dead from the word go. With a disjointed, non-linear screenplay, Dhoomam fails to deliver on two counts: as a mystery-thriller and a social-message drama. The intentions are good, but the effort clearly lacks conviction. The dialogues carry a dubbed feel and certainly contribute to making the audience feel emotionally distant from its lead characters. Aparna Balamurali's character is present as storytelling bait, and it's predictable from seven miles away.

The truth is, I can trust Pawan Kumar's skills as a storyteller. He did solid work in films such as Lifeu Ishtene, Lucia, and U-Turn. Here, the plot developments are mostly inane, and the thrills are lacking. For a thriller, it also makes the mistake of being over 140 minutes long while having no real tricks up its sleeve. The performances too are nothing to write home about. Ultimately, it ends up being an excessively long "no-smoking" ad cooked with the same level of creativity as the campaigns you see at the beginning of every Indian movie.

The first half of the film was very very engaging and it was gripping to the core with a parallel kinda story-telling going back&forth, the interval block of the film was very well made and the film should've probably ended up there itself because the 2nd half was just about knowing the backstory of the vengeance and it was nothing special at all.

The problem of the film lies in its sloppy & disengaging screenplay in the 2nd part and the enemy of this film is its BGM since the bgm maker has done a poor job of not scoring any bgm at all and most of the sloppy scenes felt sloppy just because they lacked the bgm, there was literally no bgm at all when it was absolutely required.

This is a unique film where if you just watch the first half and walk out, you'll certainly feel like having watched a full movie and if you sit & watch the 2nd half, you'll regret not doing what I said earlier.

Good Screenplay. The movie keeps you engaged throughout. Little long though.

The movie doesn't have any connection like it was explained as in the pre release publicity. Just one scene is about how the Statuary Warning... I don't know who that actress is, but she was the only hot girl in the movie. Jut joking on the outfits used. This is a typical Malayalam type of movie, with little mismatch in Kannada dubbing at times.

Over all, you can watch this movie once. You should wait till the end of the movie for you to like it to an extent. Since this is Hombale Product, you can watch it on OTT post release, but make sure that you watch in one go.

The start is with the protagonist Faahad Fasilgiving lift to his friend (Aparna Balamurali) in an audi car in rain only to get injected with some drug by a stranger and finds himself on top of a hill with the car exploding minutes after him walking out. As unconvincing as it is, the screenplay is too far from reality as Faahad has revealed super strength like powers who carries Aparna to a godown. And the rest of story is a game of expected trivia between Faahad and Roshan Mathews(Sid) in act of survival.

Inshort the film is "Survivor series" remade in the length of a movie. Roshan Mathews gave a good performance impacting his role and the plot of the film but the rest of the Cast are merely puppets and address flaws in the script itself.