Der Mord an einem kleinen Jungen in einer kleinen Küstenstadt bringt einen Medienrummel mit sich, der die Gemeinschaft auseinander zu reißen droht.Der Mord an einem kleinen Jungen in einer kleinen Küstenstadt bringt einen Medienrummel mit sich, der die Gemeinschaft auseinander zu reißen droht.Der Mord an einem kleinen Jungen in einer kleinen Küstenstadt bringt einen Medienrummel mit sich, der die Gemeinschaft auseinander zu reißen droht.
- 3 BAFTA Awards gewonnen
- 31 Gewinne & 35 Nominierungen insgesamt
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I enjoy British crime dramas. I find the pacing and depth of characterization is more engaging than the better American shows and there is often more emphasis on "mystery". Meanwhile I find the Americans are more innovative and the plots seldom have the holes that sometimes mar British crime stories. Broadchurch is a marvel. I have never seen a TV drama that explores the emotions of so many characters so convincingly. Crimes are traumatizing. Broadchurch gets this perfectly. Nor have I have ever seen a crime drama that packs a visual punch in so many scenes. The Dorset coast is a character in Broadchurch. It plays its role as effectively as any of the brilliant actors in this piece. And that brings up the acting. You won't find a weak performance and some are unforgettable. There were times when I was reminded of how exciting it was watch Sopranos for the first time. Broadchurch may even have the same kind of influence on future television filmmakers. It transcends comparisons between the US and the UK. It's a new standard and an instant classic.
I can't say too much how much I enjoyed this series. Unlike most murder dramas, this story isn't about autopsies and gunfights. It's about human nature. It's about the tragedy of the murder of a child. It's about the court of public opinion, the sinister nature of irresponsible journalism, the failures, frailties and flaws of our fellow human beings. This is 'Shakespeare writes a detective story'.
Chris Chibnall has now gone to the top of my list as a writer. It was beautifully done. In no way has he broken the cardinal rule of show, don't tell. Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings, and with no character is this more obvious than our protagonist, DI Alec Hardy, masterfully played by David Tennant as the world-weary detective with secrets of his own and a shadowy past. He is so wonderfully written by Chibnall and executed by Tennant that we find ourselves won over by a character that on the surface is quite unlikable. Tennant's performance has, IMO, overshadowed his role in Doctor Who with this work. He has proved before that he's far more than the Tenth Doctor. With his Hardy, he made me forget about all other roles.
Olivia Colman, too, is wonderful. Her character enjoys a growth that's wonderful to behold. Colman is as good as any actress out there. I've seen her before, but with her Ellie Miller, she has captured me completely.
In fact not a single actor or actress was badly chosen. From eldest to youngest and male and female, all of them turned in sterling performances. Even the dog! I was especially pleased with Arthur Darvill. Young Adam Wilson, who played Tom Miller, was quite impressive as well.
This series is what TV should look like. This is what The Killing should have looked like. This is TV at it's finest. The story arc was magnificent, centered, not on procedurals and junk science-based CSI (actual CSI is nothing like what's shown on TV) but on the tragedy of it, and how that tragedy bled into the lives of the people of Broadchurch, itself, even the ones investigating it. The dialog was wonderful, especially the banter between Hardy and Miller, whose polar-opposite natures should have been cliché, yet were pulled off masterfully by Colman and Tennant. Hardy's subplot was simply divine. We find out why he is so world-weary, yet, in the end are still left with the mystery of him, and know he is Broadchurch's greatest mystery still. Little touches, like the 'love thy neighbor' signs add further richness and poignancy and lend the tale yet more humanity. Rich in character development, beautifully photographed, the series ended in a perfect denouement. And the best part is we are left wanting more, which is the mark of a truly great story.
Chris Chibnall has now gone to the top of my list as a writer. It was beautifully done. In no way has he broken the cardinal rule of show, don't tell. Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings, and with no character is this more obvious than our protagonist, DI Alec Hardy, masterfully played by David Tennant as the world-weary detective with secrets of his own and a shadowy past. He is so wonderfully written by Chibnall and executed by Tennant that we find ourselves won over by a character that on the surface is quite unlikable. Tennant's performance has, IMO, overshadowed his role in Doctor Who with this work. He has proved before that he's far more than the Tenth Doctor. With his Hardy, he made me forget about all other roles.
Olivia Colman, too, is wonderful. Her character enjoys a growth that's wonderful to behold. Colman is as good as any actress out there. I've seen her before, but with her Ellie Miller, she has captured me completely.
In fact not a single actor or actress was badly chosen. From eldest to youngest and male and female, all of them turned in sterling performances. Even the dog! I was especially pleased with Arthur Darvill. Young Adam Wilson, who played Tom Miller, was quite impressive as well.
This series is what TV should look like. This is what The Killing should have looked like. This is TV at it's finest. The story arc was magnificent, centered, not on procedurals and junk science-based CSI (actual CSI is nothing like what's shown on TV) but on the tragedy of it, and how that tragedy bled into the lives of the people of Broadchurch, itself, even the ones investigating it. The dialog was wonderful, especially the banter between Hardy and Miller, whose polar-opposite natures should have been cliché, yet were pulled off masterfully by Colman and Tennant. Hardy's subplot was simply divine. We find out why he is so world-weary, yet, in the end are still left with the mystery of him, and know he is Broadchurch's greatest mystery still. Little touches, like the 'love thy neighbor' signs add further richness and poignancy and lend the tale yet more humanity. Rich in character development, beautifully photographed, the series ended in a perfect denouement. And the best part is we are left wanting more, which is the mark of a truly great story.
I have seen a lot of mini series, I love British TV - but I will have to say this is probably the best I have seen. Riveting. unpredictable and intense without over dramatization. At first it took me to a little slow but as i got to know the characters and the story that was progressing, I was hooked. The ending - I didn't see coming. But is was done so well. Relatable to so many people without being over the top. I found every character had such an important role that the ending almost came as a surprise. If you want a show that is realistic without being over the top - but at the same time relateable - this is it!!! I only hope season two is as good. The characters were amazing. The story line was believable. i could not stop watching it. If the other seasons are written with thew same demeanor and the same quality _ i will be sure to watch them all.
So Broadchurch has finally come to an end after three series. Chris Chibnall recently rounded off, and moves onto his new project, Doctor Who. It's a difficult series to review overall, the first series was incredible, I think it raised the bar for this genre, it was devastating, engaging, and re-opened a genre that had somewhat been underplayed for so long, the whodunit. In each series that's always been the burning question, who and why. Series one was fabulous, and gained the show a massive following, getting over 10 million viewers. I enjoyed Series two, although it faced criticism, the third series got the show very much back on form, with a very dark and gritty story.
Dark, complex engaging stories, that have kept the nation guessing for weeks, will we see the like of this again for some time? A credit to the writer.
Dorset provided a stunning backdrop to the grief stricken town. The show always managed to look so good. Well acted throughout, Tennant and Coleman made a fantastic duo. I will never forget the impact of seeing Matthew Gravelle (Joe Miller) in my then place of work after the first series, talk about chilling.
I am glad that it ended with the third, when Chibnall finally decides to leave Doctor Who, he could revisit the show, maybe a spin off, maybe a new series? A brilliant series overall, 9/10
Dark, complex engaging stories, that have kept the nation guessing for weeks, will we see the like of this again for some time? A credit to the writer.
Dorset provided a stunning backdrop to the grief stricken town. The show always managed to look so good. Well acted throughout, Tennant and Coleman made a fantastic duo. I will never forget the impact of seeing Matthew Gravelle (Joe Miller) in my then place of work after the first series, talk about chilling.
I am glad that it ended with the third, when Chibnall finally decides to leave Doctor Who, he could revisit the show, maybe a spin off, maybe a new series? A brilliant series overall, 9/10
Broadchurch is a fantastic and refreshing British crime-drama. The 8 part series can be complemented on its beautiful cinematography, compelling acting (particularly the performance of Olivia Colman) and a story that grips you. While the story can be somewhat depressing the depth of the characters and the well constructed plot makes it hard not to watch the series in one sitting. Furthermore, unlike other television shows centered on crime, Broadchurch leaves some subtle clues through out the later episodes, which allows viewers to indulge in guessing the killer. The only criticism is that some of the younger actors/actresses give flawed performances, but this is to be expected. I would highly recommend watching this show.
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- WissenswertesContrary to popular belief, Broadchurch is not based on or a remake of Danish show Kommissarin Lund (2007), and the script for Broadchurch actually predates The Killing by at least five years. Chris Chibnall originally had the idea for Broadchurch and started working on the script in 2002, however, it took him ten years to get the show on air.
- PatzerUnder UK court procedures a witness would not be allowed to view proceedings until they have given evidence. Throughout the trial characters are in the public gallery prior to being called to give evidence.
- Zitate
DS Ellie Miller: Most people have a moral compass.
DI Alec Hardy: Compasses break.
- VerbindungenFeatured in Charlie Brooker's Screenwipe: 2013 Wipe (2013)
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