The Source Family

The reviewers so far are commenting on their opinion of the SUBJECT of the film, not the filmmaking.

The job of the filmmakers is to get a reaction and experience the subject - good, bad or indifferent.

This is a terrific documentary. I have rarely seen a doc that has been so well researched and has so much archival material. Plus they have tracked down all these folks who were originally part of this crazy, cultural experiment. Amazing story.

As a cultural document is so strong, but with the addition of all the insider participation it transforms itself into a one-of-a-kind experience. One of the best of the recent Americana docs. - thanks.

A bit of 70's nostalgia. It's very much like most cult groups around that time. A contradictory older man reinvents himself and is elevated by rebellious kids who believe they're on a path to a higher purpose. Of course it's all BS, it's an opportunity to take drugs, rock out, and have sex with strangers (under age strangers). No matter the warning signs the panties just drop. Back then there were so many groups/cults getting around it was almost a competition of "we're the chosen ones!" I think the best thing to come out of the cults is studying the the way youth can be manipulated with hope and promise. The free life they come for, offered by their leader, always becomes far worse than where they came from, in this case it wasn't able to truly get that far. Drugs and mantra go together like peas and carrots. But, you can't deny that feeling of family and love they created.

Just seems to justify their behaviours and the cults tactics. Sad that even now most seem to be still taken in by it all. This film is far not nearly critical enough and takes to long to look at the danger it was from the beginning. Cults and religions only divide people.

This documentary is excellent as a time-machined view back to the 1970-1975 California lifestyle as lived by a strange cult that was financed by a successful Los Angeles restaurant. It is very interesting to see so much unpolished archival footage. Thankfully it isn't "animated" or enhanced in the tacky way that other documentaries have done (In The Realms Of The Unreal). Videos, photos, and audio recordings fill-out this movie so well, that the viewer almost feels as if they are a frequent visitor to the Source Family's housing compound. Many modern interviews, both respectful and regretful, make for great color commentary on the events as they were lived by the participants. And, amazing to see Billy Corgan (Smashing Pumpkins) attest to the greatness of the ?music? produced by this group. Songs are played and concert footage is shown (Beverly Hills High School 1973) so that the viewer can then decide on the musicianship.

Both great and goofy, this movie has moments of clarity as well as opaque clouds of hazy gibberish. Luckily, the commune leader invested in recording equipment so that history can judge the transcendent quality of everything. Or the disposable folly of it all. But, there it is. A current Family archivist plays a major role in providing the raw materials seen on screen. Thankfully, the movie-makers do not inject their own viewpoints too heavily. Supposedly the Family numbered about 140, and only a fraction of that number is interviewed.

Ultimately, this movie is well worth seeing for anyone interested in cults, leaders, charisma, messiahs, hippies, hucksters, astrology, orgies, the 1960s-1970s, free love, psychedelic music, communes, utopias, and hang gliding.

It is only near the end of the film that you realize that its whole orientation is bizarrely supportive and even advocating in favor of one of the most well-known cult of the 70's. This movie is about a despicable crazed man, as poisonous and manipulative as most cult leaders, and at no point during the movie filled with a soundtrack of the trashy and unbearable hippie music the cult "produced" will a strong catharsis critique be heard against the pathetic group of young and beautiful brainless lost children lead by a middle-ages ex-convict who calls himself nothing less than "God".