Prosper

I attended Hillsong Church in Sydney for 6 years and this is a very accurate portrayal and quite insightful. The writers have obviously done their research, and it's quite surprising how on point they are! The thinly veiled George Aghajanian (HS general manager) character (Eli) is particularly accurate. It must have taken some good research to reveal the type of person he is, considering how guarded they can be.

The series also depicts Brian Houston (Cal) very well, highlighting his struggles with drugs, money, power, infidelity, and his overall disingenuousness. They did well to show the 'wizard' behind the curtain. I guess this is the problem with all rich 'celebrity' pastors, where eventually their growing hubris gives them a self-rationalised clear conscience to break ethical and Biblical boundaries. Congregants are isolated and marginalised as the money raising intensifies and people at the top get rich. Eventually this same hubris brings them tumbling down.

There is also the exploitation of staff, volunteers and Hillsong College students, which has led to a revolving door of burned out, disillusioned assistant pastors, leaders and church members.

Don't get me wrong, Pentecostal/Charismatic churches are a real true blessing (so maybe don't binge-watch this?). Technically, any church that has a membership of over 1500 people is a "megachurch", but if you happen to be a member of a charismatic megachurch this series will help you be more critical and less naïve; simply because of the large amounts of tax-free money changing hands with no external accountability.

It should also motivate you to question and hold to account the ethics of any large Pentecostal/Charismatic church (regardless of size) that mimics/models the methodology of Hillsong. Question your Pastor's motivation and ethics. Check the percentage of tithing actually going directly to the needy and not just 'building funds' and hidden tax-free fringe benefits for elite leaders and payments to/from your pastors to reciprocating guest speakers.

Definitely worth watching but please don't let it turn you off finding a good, ethical Bible-based Pentecostal/Charismatic church to attend!! But if you are already attending one as a congregant and you feel you are either being marginalised, disconnected or exploited, then you should probably find another church.

This show took my surprise, firstly with the quality of cast involved & secondly, the timeliness of the subject matter. The focus on the inner workings of a commercial church provide a "fictional" & credible insight into such organisations.

The quality of the script & the "master-class" interpretation & delivery of the script by Richard & Rebecca was a true testament to Australia's uniquely gifted actors. Ewen Leslie & Jacob Collins-Levy were stand-outs from the supporting cast, with Ewen's portrayal of a highly conflicted heir apparent living in his fathers shadow delivering a truly remarkable insight into the mental anguish of the character. Jacob delivers a brilliant performance of being both caring son but also the skeptic mirroring the views of many who will enjoy the benefit of this great series.

Lets hope they can secure the same quality cast for Season 2 🤞🏻

Ah.. Here we go again. I did manage to watch this in one night and while I thought it was ok, I just want someone at Rebecca and Richard's agencies to apologise to them, oh an apologise to Jacek Koman as well this is one of his best performances in years and yet he got casted here.

The story jumps up and down and the B story is like three stories that mix together in some confusing way and someone in the script department just went "make everyone sound as nervous as possible." it's fine but gets old quick and most of the way the characters speak is like they aren't used to talking in such a way.

Maybe give it a few years and I might watch it again, but if it does get a second season I hope they replace the writing team.

Prosper is blessed with an outstanding cast of respected Australian actors and is based on a timely and relevant premise given the unsettling influence megachurches and pentecostal Christianity more broadly claim to wield in many secular societies, despite their overall insignificant numbers.

However as an ex-Pentecostal with an all too familiar understanding of the whys and wherefores of that strange world, I feel Prosper's writers and actors would have benefited from developing a deeper knowledge and understanding of the language, cultures and idiosyncrasies of both the on-stage performances of celebrity preachers and the jargon and deluded self-assurance that those people employ in their everyday lives.

There are definitely moments in Prosper where Richard Roxburgh's talents as an actor are allowed to truly shine, particularly during some of Cal's darker moments. But when Cal is "in character" as a celebrity man of god in front of his congregation or praying on his own, his portrayal becomes more wooden and inauthentic. Rebecca Gibney is in fully Lady Macbeth mode for much of the series which I think is also a missed opportunity given the public role of the typical Pastor's wife in this world is to be a happy, shiny accessory. More juxtaposition between the persona and the person would have made her character richer and given Gibney a wider repertoire to work with.

My other reservation with this show is the number of subplots going on in each episode. Some end up feeling undercooked as a result. I would have preferred to see a slower build and more nuance and more tension around fewer threads of the story.

Hopefully if a second series is made, the will be opportunity to bring on writers or consultants who really, truly know how the murky world of pentecostalism works and thereby add a sorely needed layer of authentic credibility to this show which will reduce some of the cringe.

Right off the bat I will say this is one of the slickest looking Australian shows I have seen. It looks expensive and I suspect it probably is.

Five minutes in it was clear the writers and producers are big fans of Succession as the family dynamics are very similar, though in this show the setting is a Sydney mega church. Most Australians will appreciate the direct associations with the Hillsong church right down to the fictional Bieber-esque pop star. There's also a bit of Jim Baker in the Roxburgh character, who is something of a cliche when it comes to the US megachurch culture.

For these reasons I felt I have seen the story before. But the pacing is fast and the performances are very good so it's a positive review from me all up, even if I wanted more originality.