Coffee Town

A comedy that takes humorous approach to the daily grind of life. Directed by Brad Copeland, the film revolves around a group of friends who spend their days working remotely from a local coffee shop, turning it into their makeshift office space. This unique premise sets the stage for a series of hilarious and relatable situations.

The film's strength lies in its clever and witty script. The dialogue is sharp humor that navigates between sarcasm and genuine warmth. The banter among the main characters feels authentic, making it easy for the audience to connect with their camaraderie. The comedic timing is spot-on, with each punchline delivered with precision.

The cast delivers performances that contribute to the film's charm. Josh Groban, as the coffee shop's barista, adds a quirky and memorable element to the ensemble.

The characters find themselves facing unexpected challenges, adding depth to the storyline. Amid the laughs, the film manages to touch on the relatable aspects of life, making it more than just a comedy but a reflection on the human experience.

Whether you're a coffee enthusiast or simply in need of a good laugh, this film is a perfect blend of humor and heart.

Not enough comedies like Coffee Town are made today. The comedies in theaters fall into one of three categories: the sequel that shouldn't have been, the raunchy film with heart (one I never get tired of seeing), or the pointless star vehicle. Brad Copeland's Coffee Town is a simple, satisfying picture, not intent on being offensive or taxing, but more fixated on being a fun ninety minutes one can enjoy without the burden of being too explicit, too sentimental, and too self-satisfying. It's also nice to see that despite lacking these three things, it doesn't hesitate to welcome in some middle- class commentary that may definitely hold some truth in modern society.

Will (Glenn Howerton) is a website manager in his early thirties, who uses the local coffee shop, Coffee Town, as his office. It has everything he needs from a comfortable, welcoming atmosphere, roomy workspace, and free Wi-Fi. It is everything he could ever want in a workplace at least until him and his two pals - the lackadaisical cop Gino (Ben Schwartz) and rolly-polly Chad (Steve Little) - discover that the owner of Coffee Town plans to turn the shop into a hip, modern bar and eliminate the comfort and marginal quietness that the joint has adapted over the years.

The three decide to stage a robbery to give the illusion that the neighborhood in which the new bar will soon be erected is unsafe and unreliable, thus leaving their own coffee shop intact. In the meantime, Will is trying to find a way to grab the attention of Becca (Adrianne Palicki), a frequent customer to the shop and a local jogger, who is in the process of being smitten by Sam (singer Josh Groban), a cocky, condescending employee at the joint who is currently in a second-rate band.

This is standard-fare, with a familiar plot and setups that don't seem too distant from being foreseeable. However, the film has a great niceness that prevents it from being too mean-spirited and nihilistic - as some comedies have gone on to be recently - and, finally, it doesn't feel like a competition to be too offensive and gut-turning with its humor. The language is present, but manageable and rather light, the raunchiness is almost nonexistent, which is a refreshing change of pace, and, for once in a long time, the tired male conversations of guiltless, free- spirited sex is kept to a minimum. However, I could see writer/director Brad Copeland being successful at incorporating raunchier, more sex-driven elements into a comedy.

But incorporating such elements into Coffee Town would be out of place and thoughtless. This isn't a story that needs to be told through the lens of adolescent maturity. It doesn't need constant penis jokes, cruder sex references, and the use of several four letter words and one particular twelve letter word. It gets by almost solely on the quirks and the likability of the characters.

For example, for the first thirty minutes, Copeland fixates the picture not on bizarre strands of events that show the characters' stupidity and denseness, but rather on the commonalities of them that I can see many audience members seeing themselves in. After those thirty minutes pass, these characters begin to feel like real life friends of ours, and if they don't, we can at least match a face of a person we know to their specific character.

This is the debut film from the guys over at CollegeHumor, the website known for pumping out hilarious webshows and internet videos on demand. Judging from the content of their shorts, this could've easily been an extremely vulgar and graphic picture. It's nice to see the men behind the film took a more careful, conservative approach to the story. Again, they show that not every comedy needs to include obscene, shocking amounts of coarse language to be funny and memorable.

Going back to the idea that Coffee Town offers some considerable truth about modern middle class America is the way it comments on the increasing need for acceptance. Will goes to the coffee shop daily not because he has a desire to freeload off of its Wi-Fi and casual resources, but because he could stay in his apartment, alone, growing older by the minute, wasting away on his laptop. At least when he grows older and wastes away on his laptop at Coffee Town he is in the presence of others and out in the open. This way he can see life pass him by right before his eyes; he won't need to turn on the TV or the evening news to realize it. Just by welcoming in this concept and idea, Coffee Town offers more to think about than several other comedies released this year.

Starring: Glenn Howerton, Ben Schwartz, Steve Little, Josh Groban, Adrianne Palicki, and Josh Perry. Directed by: Brad Copeland.

I'm actually not much of a comedy movie fan, why? Because most really aren't worth wasting your time on. I am a fan of undiscovered movie gems though, and this really is one of those. I laughed very loud at so many of the scenes I couldn't count them all. It's very funny, very close to the line at times, and feels fresh all the way through. It has charm in spades.

I will be recommending this to those who like a good comedy, though once again, I still hate Adam Sandler (and his cronies) so given that some intelligence probably went into making this little flick, Sandlerites may pass.

This is one you'll either find very personally applicable and funny, or you'll wonder if it was even a comedy. I love all the leads so it was custom made for me, im not gonna lie. Caught it about 10 years ago when it first came out on video on demand, then watched it agains recently and still thought it was great.

Dennis is basically Dennis from Sunny, Stevie is basically Stevie, and Jean Ralphio was a slight variation on that character but still kinda similar. They were all great together and I wish they were in more movies together honestly, their chemistry was great.

The plot is a bit thin but the lines and ideas are enough to carry it. Reminds me of brothers Solomon or hot rod or something in that regard. Low budget but that didn't really seem to hamper it at all, and kinda worked in its favor if anything.

I mean the dvd is like $10, take a risk and grab it since it doesn't seem to be streaming anywhere unfortunately. That's the cost of one mediocre movie in theaters...

Why isn't this movie available??? This movie is 10 years old and I watched on Showtime six years ago. With all of the streaming apps and devices, this movie along with hendreds of others are unavailble to the public. Makes no sense when there are 100,000's of crap movies one several stremers at once...SMH!

I found this film by accident and am glad I did. What a great film, great comic timing, a great storyline and a great cast. Yes I thought the film was great.

The film harks back to the films Kevin Smith made in the beginning of his career and I wish he had continued.

I thoroughly enjoyed this film from its brilliant and creative opening credits to its little jokes in the end credits. There were actual laugh out loud moments and I really think that Josh Groban stole the show.

The cast worked well together and they all seemed to enjoy the film. The extras, down to Phil's happy birthday opera being dismissed was really funny.