Beim NFL-Draft erhält der General Manager Sonny Weaver die Gelegenheit, sein Team neu aufzubauen, als er sich den Erstrundenpick erhandelt. Er muss entscheiden, was er an diesem Tag, der das... Alles lesenBeim NFL-Draft erhält der General Manager Sonny Weaver die Gelegenheit, sein Team neu aufzubauen, als er sich den Erstrundenpick erhandelt. Er muss entscheiden, was er an diesem Tag, der das Leben von einigen hundert jungen Männern mit NFL-Träumen verändern wird, bereit ist zu op... Alles lesenBeim NFL-Draft erhält der General Manager Sonny Weaver die Gelegenheit, sein Team neu aufzubauen, als er sich den Erstrundenpick erhandelt. Er muss entscheiden, was er an diesem Tag, der das Leben von einigen hundert jungen Männern mit NFL-Träumen verändern wird, bereit ist zu opfern.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Tony Rizzo
- (as Tony Rizzo)
- Vontae's Nephew
- (as Zachary Littleton)
Empfohlene Bewertungen
Costner plays the fictional Sonny Wheeler, Jr., son of the equally fictitious Sonny Wheeler, Sr., who has recently died and in whose shadow Sonny perpetually toils. You see, Wheeler, Sr. was a legend at the Cleveland Browns franchise, and, in his two years as general manager for the team, his son seems to be having a little trouble living up to the old man's reputation. To further complicate Sonny's life, his "down low" girlfriend, Ali (Jennifer Garner), who works as the lawyer responsible for making sure the team doesn't bust through the salary cap, has just announced that she is pregnant with the commitment-phobic Sonny's child. Amid all this personal turmoil, Sonny launches into full negotiator mode, making deals and forming alliances with other general managers in the league while working to assuage the concerns of the team's owner (Frank Langella), its coach (Dennis Leary), an assortment of high strung and disgruntled players (Tom Welling, Chadwick Boseman, Arian Foster) and even his own mother (Ellen Burstyn) who has views of her own that need to be taken into consideration before he can arrive at his final decision.
Although it probably helps to have some familiarity with how the draft pick works in order to fully appreciate some of the finer points of the narrative, writers Rajiv Joseph and Scott Rothman do a good job clarifying the big picture even for the less sports-oriented members of the audience. The movie proceeds at a breakneck pace as the clock ticks down to the moment of truth for Sonny. Will he accept the Seattle Seahawks' offer of the #1 draft pick, Bo Callahan (Josh Pence), in exchange for the Browns' #1 first-round draft picks for the next three years, or will he reject the offer in favor of some less stellar but still promising players? "Draft Day" is at its best when it's exploring the various and often contradictory interests - of players, coaches and owners, not to mention the millions at stake in salaries and corporate sponsorships - that those in Sonny's position must consider before rendering their final verdicts. Talk about pressure! The filmmakers establish a nice balance between the sports aspects of the tale and the personal moments between Sonny and Ali and Sonny and his mom, never allowing the latter to detract from the former. As a result, we care about the characters without losing our focus on the real reason we've come to this movie.
Reitman has come up with an interesting split-screen technique that helps to weave together a story that takes place over a wide range of geographical locales simultaneously. What might have been a mere gimmick in less capable hands becomes an indispensable narrative device here.
A few weeks back, while writing about "3 Days to Kill," I lamented that Costner desperately needed to find some quality material worthy of his talents to work with, and he seems to have found just that in "Draft Day." Costner has a core of quiet stillness that lends a genuine gravitas to his performances. Because he can appear both confident and insecure in the same moment, he makes us want to root for the character he's playing. He's also blessed with a super supporting cast that includes, in addition to all the aforementioned, Terry Crews, Rosanna Arquette, Sam Elliot, and Sean Combs.
"Draft Day" proves that not all the competitiveness and excitement of professional football takes place on the field.
In any case, the box office draw doesn't differentiate one over the other. The entertaining sports vehicle about the NFL draft not actual gridiron game play goes against formula.
We've seen football films that keep to standard rough and tumble field action, which fit the bill. However, the focus here in itself, is a good departure as a movie on the managerial side of the sport of interest for either group.
Being a non-fanatical Monday morning quarterback, I enjoyed watching a view from behind-the-scenes for a change of pace, and getting a crash course in the extraneous details of what occurs in a crucial 24-hour period-similar to TV series "24"-leading up to the draft day ceremony.
As for the question of is it realism or Hollywood hype? Co-star and former professional football player now actor Terry Crews, who said he was an 11-round draft pick in 1991, in a pre-release call-in interview to the Steve Harvey Morning Show, stated that "Draft Day" was the first movie endorsed by the NFL.
So would the League sign-off on a film that represents a 'day-in-the-life of' a general manager played by sports cinema veteran Kevin Costner, managing the real-life Cleveland Browns, if it didn't measure up? Most likely not.
Sure, football fans will probably have a better understanding than will others of the evolving events being dramatized on the big screen, but I believe that's meant to give the rest of the audience a microcosmic picture of the high-pressured inner-workings and how it all comes together.
It presents an intimate look at the level of intensity that comes when the selection process rises to fever pitch (forgive the baseball reference) and how the lives of the hopefuls looking to get picked, as well as their families, hinges on the manager's final decision.
The film works well at drawing you into the thought-provoking/judgment-making job of Costner's character Sonny Weaver, while also keeping you glued to the countdown timer. The spliced boiler room frames meld cohesively to sustain moviegoers' heightened curiosity for the anticipated outcome.
Jennifer Garner is low-key as Costner's girlfriend, though a far cry from her starring lead role in TV's "Alias." Hers, along with Ellen Burstyn's portrayal, brings necessary added value to balance out the storyline.
As the father of a potential student draftee, Crews delivers a meaningful, non-comedic performance. The elements put in play, overall, make for a finely crafted sports entertainment feature everyone can enjoy.
The only real complaint about this film is that it doesn't incorporate actual NFL players - at least not in the manner that Moneyball involved them. Players like Peyton Manning and Tom Brady are still stars in the Draft Day universe, however, the Cleveland Browns are a team compiled of fictional players - which probably isn't the worst thing since the Browns severely lack star-power now that the former face of their franchise, Trent Richardson, is no longer on the team. However, this is a miniscule problem in the long run, and the plot progression of the fictional players is allotted the proper time to plant their seeds of worth.
Overall, Draft Day takes full advantage of telling an engaging behind-the-scenes tale using the world's most popular league as a vehicle. From the film's trailers, the film might appear to be one giant commercial for the NFL, but thankfully it turns out to be a well-scripted, charming experience. Draft Day is a fun-loving popcorn flick through and through, but it's also exactly the kind of perfectly balanced story that draws people to the movies, incorporating just enough drama, subtly placing humor in stressful situations, and fulfilling its promise to reveal a compelling mystery that will keep everyone on their toes. For anyone that loves football or is interested in the power-play politics that that place behind the proverbial curtain, you'll have an absolute amazing time watching this feature.
The story here is fairly basic as it follows Cleveland Browns General Manager, Sonny Weaver Jr.(Kevin Costner) as he is testing the waters in the NFL(Nation Football League) draft. Some trades and exchanges happen throughout the lead up the their pick in the draft, and some twist and turns happen throughout the story. There is some boring downtime in the film but, with the run time being fairly small, it doesn't hurt the film all that much. This story was written by Scott Rothman and Rajiv Joseph. While this is the first writing credit for Rothman, Joseph has done some writing on a couple television shows like Nurse Jackie. Sure its a completely different story than what he is use to writing but, it seems both gentleman got the basics of the game locked down. For the sake of a good story some of the General Managers are made to look completely dumb, not to say all General Mangers in the NFL are smart. With a fairly basic story and nothing glaring in terms of this story, both Rothman and Joseph get a barely above average grade for their work on this film.
The film was directed by Ivan Reitman who is a legendary director known for the classic Ghostbuster films. While his efforts haven't been so successful in recent memory, this film is a nice addition to a solid overall filmography. With some high rise shots of major cities like Seattle, Buffalo, Cleveland, and others, Reitman brings an enjoyable atmosphere that is the NFL draft. With a different type of film like this it can be hard to know how it will turn out and received by the fans. Without legendary actor Kevin Costner, I really don't know how well the film would have been portrayed. With a lot of secondary actors popping up for smaller roles, there is a lot to focus on but, with the script being otherwise barely above average, and Reitman not bringing much in way of helping the script, it doesn't leave us with a great film by any means. With this film being different as it follows the events of the NFL, it can be a good film for fans like myself but, those who do not follow the NFL likely won't get much from this film. Reitman does a manageable job directing this film, and since the acting is nothing special, and minus some nice shots from Reitman, this was not one of his best outings as a director.
In closing, fans of the NFL will likely watch this film and mostly enjoy it. Those who really don't follow the league or the sport that much should likely just pass on this film for the time being. Maybe a rental or stream down the road is the best option but, there is no need to rush and watch this film. If you are an NFL fan, this might be a good watch as the new season starts this upcoming weekend.
7/10
Wusstest du schon
- WissenswertesThe trick used by the Washington Redskins of taping a $100 bill to the back of the playbook seemed to be inspired by an anecdote of JaMarcus Russell. His coaches in Oakland did not believe he was watching the game film and once purposely sent him home with blank DVDs to watch. He returned claiming he watched the video and liked the game plan, obviously lying. There was a similar story in the 1980s with Randall Cunningham.
- PatzerMolina couldn't have made it back from New York City to Cleveland in the time it took from the second pick to the sixth pick. There was only 10 minutes tops for each pick, provided each team used it all before picking. It would've taken 45 minutes to an hour to get back to Cleveland by air, not to mention the time it took him to get from Radio City Music Hall to his jet, and to get from his jet to the training facility.
- SoundtracksNFL on Fox - Theme
Written by Phil Garrod, Reed Hays and Scott Schreer
Top-Auswahl
- How long is Draft Day?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Decisión final
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 28.842.237 $
- Eröffnungswochenende in den USA und in Kanada
- 9.783.603 $
- 13. Apr. 2014
- Weltweiter Bruttoertrag
- 29.824.199 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1