IMDb-BEWERTUNG
6,6/10
39.464
IHRE BEWERTUNG
Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Nominierungen insgesamt
J.K. Simmons
- Frank Perry
- (as JK Simmons)
Carmine Giovinazzo
- Ken Strout
- (as Carmine D. Giovinazzo)
Bill E. Rogers
- Davis Birch
- (as Bill Rogers)
Empfohlene Bewertungen
I had to refrain from standing up and clapping. I am a sucker for a feel good movie and two weeks later I am still smiling. I loved this from start to finish, Kevin Costner does what he does best, baseball related Romantic comedies. I just wish now that everyone would go and see it, but it still seems that 'The Postman' and 'Waterworld' weigh heavily on Mr. Costner's shoulders.
This has to be one of the best movies I have ever watched and watched and... well, you get the picture.It is a revealing account of relationships and feelings and trust. Set during one major league baseball game, a man relives the past five years of his life from the pitchers mound. He realizes, over what may be the course of a perfect game, that his life has been anything but perfect. That the really important things in life are slipping away from him.This movie is full of life, it's sweet. It draws you in and holds your interest. I think the movie was underrated because of the subject matter. A romantic baseball movie? but that's just the surface. This movie goes very deep. If you give it a chance you will see that the reality of the setting and the people are extremely captivating, as well as fun. I can't think of another movie that has made me feel so good and so satisfied at the end. If you like baseball you can't help but love this movie. It's full of the most realistic ball playing I have ever seen in a film.If you like a sweet romance that doesn't have to rely on sex and nudity to tell the story, well, this is it. This has to be my all time favorite movie. I own it on vhs as well as dvd. The spotlight on location is a wonderful feature on both versions. It gives a fun look at the making of aspects. It also shows you interview clips from the professional ball people who were involved in the making of the film. I urge anyone who just wants to relax, enjoy a good story and feel better for watching it, to get this movie .
This was one of those rare events where you find yourself clicking through channels and luck upon the beginning of a movie so engrossing that the world completely stops until the credits roll. This is Costner's greatest performance, with a depth of emotion that we've never seen before.
This is much more than a baseball film. It's a love story about love and baseball, and life and facing the future when you finally "grow up." It's about the choices behind us and the chances ahead.
This is much more than a baseball film. It's a love story about love and baseball, and life and facing the future when you finally "grow up." It's about the choices behind us and the chances ahead.
Why do I love this movie so much? I'm not a baseball fan. I didn't really like FIELD OF DREAMS. And I hated BULL DURHAM. Yet this movie just captivates me every time I watch it.
Part of it is the tight, real-time structure -- the whole movie takes place in a man's head while he pitches a perfect baseball game on the mound. It therefore combines the tension of a thriller with the poignant emotions of an elegy.
But what I loved most about this movie is that there are no clichés. Kevin Costner's character, Billy Chapel, is not a "sports underdog." It's very clear he is a great athlete who has had a great career, and that he can walk away at any time with lots of money and lots of respect. The only reason that pitching the perfect game matters to him is purely for the perfection of his art -- for the love of the game.
At the same time, not all the action is on the baseball diamond. In the romantic drama, Kevin Costner does much more than play the usual Costner "nice guy." Billy Chapel can be cold, egocentric, and difficult -- just like any other creative artist. But he always surrounds himself with people who are strong enough to challenge him and help him stay grounded. It's no exaggeration to say that the supporting cast in this film -- John C. Reilly as the catcher, Kelly Preston as the girl friend, and Jena Malone as the girl friend's adorable teenage daughter -- are very much the stars. They really set Costner up for an unusually mature, disciplined performance. Just the way Chapel's team mates set him up for the perfect game! This movie wasn't that well received by the critics. I remember one frightfully cultured fellow at the NEW YORKER sniffing that Costner's character is "arrogant." Note well that if an artist or an intellectual is cold and demanding, it's okay. But athletes should be jolly, ape like simpletons, the kind who know their place. This complex, poignant movie is actually quite subversive, since it forces you to realize that baseball is a thinking man's game and that athletes (and their working class fans) are not nearly as stupid as the real simpletons who write for the NEW YORKER.
Shocking!!!
Part of it is the tight, real-time structure -- the whole movie takes place in a man's head while he pitches a perfect baseball game on the mound. It therefore combines the tension of a thriller with the poignant emotions of an elegy.
But what I loved most about this movie is that there are no clichés. Kevin Costner's character, Billy Chapel, is not a "sports underdog." It's very clear he is a great athlete who has had a great career, and that he can walk away at any time with lots of money and lots of respect. The only reason that pitching the perfect game matters to him is purely for the perfection of his art -- for the love of the game.
At the same time, not all the action is on the baseball diamond. In the romantic drama, Kevin Costner does much more than play the usual Costner "nice guy." Billy Chapel can be cold, egocentric, and difficult -- just like any other creative artist. But he always surrounds himself with people who are strong enough to challenge him and help him stay grounded. It's no exaggeration to say that the supporting cast in this film -- John C. Reilly as the catcher, Kelly Preston as the girl friend, and Jena Malone as the girl friend's adorable teenage daughter -- are very much the stars. They really set Costner up for an unusually mature, disciplined performance. Just the way Chapel's team mates set him up for the perfect game! This movie wasn't that well received by the critics. I remember one frightfully cultured fellow at the NEW YORKER sniffing that Costner's character is "arrogant." Note well that if an artist or an intellectual is cold and demanding, it's okay. But athletes should be jolly, ape like simpletons, the kind who know their place. This complex, poignant movie is actually quite subversive, since it forces you to realize that baseball is a thinking man's game and that athletes (and their working class fans) are not nearly as stupid as the real simpletons who write for the NEW YORKER.
Shocking!!!
FIRST: Let us FOCUS on the Title's Content and Context......
"They just don't make 'em like they used to!" As regards "For Love of the Game", the above comment applies to both movies and baseball players!
Old-fashioned, straight-ahead storytelling, complimented by solid performances, extremely convincing on-the-field action, excellent photography and more than competent direction by Sam Raimi, make for a resoundingly entertaining movie... even if you're not much of a baseball fan!
Perhaps the best thing going for the film is its truly innovative integration and balance of rapid-fire on-going game vs. Relationship development flashback elements, allowing the viewer to "get inside the athlete's head" in a way no other movie in recent memory does. FOR LOVE thusly manages to put a signature spin on the subjective experience of a great athlete's swan song by sharing and highlighting the stark contrast between the external precision and perfection of the real-world game in progress, and the turbulent, highly personal, inner-world of the passions that drive him.
Kevin Costner, certainly NOT the greatest actor in the world, literally shines in the mother of all tailor made roles. Kelly Preston shows us a highly focused intensity, in just what may be her best on screen appearance to date! John C. Reilly, although cast as the solid-as-a-rock-always-there-when-you-need-him-on-the-sidelines Catcher, plays to the hilt a supporting role, in every sense of the word.
There are moments in FOR LOVE however, that seem a touch too maudlin, trying just a little too hard to jerk that extra tear. A few of these melancholy scenes are drawn out to the point of making the viewer self-conscious and put upon. These occasional excesses are easily overlooked, however, in light of the films many strengths and its overall highly engrossing nature.
8*.....ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
"They just don't make 'em like they used to!" As regards "For Love of the Game", the above comment applies to both movies and baseball players!
Old-fashioned, straight-ahead storytelling, complimented by solid performances, extremely convincing on-the-field action, excellent photography and more than competent direction by Sam Raimi, make for a resoundingly entertaining movie... even if you're not much of a baseball fan!
Perhaps the best thing going for the film is its truly innovative integration and balance of rapid-fire on-going game vs. Relationship development flashback elements, allowing the viewer to "get inside the athlete's head" in a way no other movie in recent memory does. FOR LOVE thusly manages to put a signature spin on the subjective experience of a great athlete's swan song by sharing and highlighting the stark contrast between the external precision and perfection of the real-world game in progress, and the turbulent, highly personal, inner-world of the passions that drive him.
Kevin Costner, certainly NOT the greatest actor in the world, literally shines in the mother of all tailor made roles. Kelly Preston shows us a highly focused intensity, in just what may be her best on screen appearance to date! John C. Reilly, although cast as the solid-as-a-rock-always-there-when-you-need-him-on-the-sidelines Catcher, plays to the hilt a supporting role, in every sense of the word.
There are moments in FOR LOVE however, that seem a touch too maudlin, trying just a little too hard to jerk that extra tear. A few of these melancholy scenes are drawn out to the point of making the viewer self-conscious and put upon. These occasional excesses are easily overlooked, however, in light of the films many strengths and its overall highly engrossing nature.
8*.....ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
Wusstest du schon
- WissenswertesThe shots of Billy Chapel's parents throughout the movie are Kevin Costner's actual parents.
- PatzerBaseball has a rule saying that any player who has been in the MLB for 10 or more years, and has played the last 5 or more consecutively with the same team has a full no-trade clause. Having played the last 19 for the Tigers, so they could not have traded Kevin Costner's character without his permission to do so.
- Zitate
Vin Scully: The cathedral that is Yankee Stadium belongs to a Chapel.
- SoundtracksSummer Wind
Written by Johnny Mercer, Henry Mayer, Hans Bradtke
Published by WB Music Corp. o/b/o The Johnny Mercer and Edition Primus Rolf Budde KG (ASCAP)
Produced by Russ Titelman & Billy Williams
Performed by Lyle Lovett
Courtesy of Curb/MCA Records
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Details
- Erscheinungsdatum
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- Auch bekannt als
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Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.188.640 $
- Eröffnungswochenende in den USA und in Kanada
- 13.041.685 $
- 19. Sept. 1999
- Weltweiter Bruttoertrag
- 46.112.640 $
- Laufzeit2 Stunden 17 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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