The Astronaut Lovers

How beautifully a summer can be spent with best friends who are totally attracted to each other. Nuances of being Gay are well portrayed in this film. Their jokes, subtle jealously, laughs and negotiating their relationship with each other all through was very well played by Javier Orán and Lautaro Bettoni. They have become my hot favourites, its like I know them up close and personal. Some of the moments in the film are so pure and basic elements of being in love are shown. Marco Berger has done a fantastic job of bringing out these actors who are so free in those scenes and have long conversations without cuts just felt so beautiful, natural and it was like watching their own personal videos. Aww..I already miss them...Lots of love.

Argentine Writer/Director Marco Berger once again repeats the same formula used in his previous productions such as 'Plan B' (2009) and 'Hawaii' (2013): two young men, both sexually fluid, who were childhood friends and eventually develop a deep love for one another. Nonetheless, it works!

This film touches on one of the ultimate gay fantasies, where true, honest, and eternal love may exist between any two men. The dialog and intimate visual imagery, without a single sex scene, are superb and hit the mark by creating anticipation throughout the narrative and that 'feel good' sensation in the end.

I just finished The Astronaut Lovers (Los Amantes Astronautas), and honestly, I really enjoyed it. It's a beautifully shot, slow-burn romance that plays with themes of friendship, identity, and the blurred lines between platonic and romantic feelings.

The story follows Pedro, who comes back to Argentina for a vacation and reconnects with his childhood friend, Maxi. What starts as a lighthearted, almost teasing dynamic between them slowly unravels into something deeper. The film doesn't rush anything-it lingers in quiet moments, loaded glances, and the kind of tension that makes you hold your breath.

Lautaro Bettoni and Javier Orán have fantastic chemistry. Their performances feel natural, making every interaction between them feel authentic, even when their characters are caught up in confusion and miscommunication. There's humor woven into the dialogue, but it never undercuts the emotional weight of their connection-it actually makes it feel more real.

Visually, the film is stunning. The coastal setting is the perfect backdrop, creating this sense of openness and freedom, but also a quiet loneliness that reflects what's happening between Pedro and Maxi. Marco Berger's direction is subtle, letting the emotions simmer rather than forcing them, which I really appreciated.

I love how the film explores attraction and desire without needing grand gestures or over-the-top drama. It's intimate, honest, and beautifully restrained in a way that lingers with you. If you're into queer cinema with a strong emotional core and a thoughtful take on love and self-discovery, The Astronaut Lovers is definitely worth watching.

Having watched all of Berger's movies I was surprised that this time around he decided to actually show what one of the character's fantasies and more importantly to let them communicate like humans.

Javier Oran is one of the best actors Berger has found not just for this movie, he obviously elevates Bettoni's performance and brings nuances to Berger's dialogues with which most actors usually struggle.

Getting these actors and obviously more financing probably forced Berger to create one of his most sanitized films to-date. For someone unafraid of full frontals, his decision of not even showing the consumation of the will-they-wont-they dynamic seems extremely out of character. It reminded me of Guadagino's decision to move the camera away instead of showing us what we would definitely see if the scene were between a straight couple.

I have complained in the past of the monotony in most of Berger's movies. However, this time I missed having some of his signature style: silence and close-ups, letting us imagine just for a little while what the characters were thinking of..I would have appreciated it at least once.

I also want to recognize that we have better actors in supporting roles, especially Pedro's cousin and his girlfriend (not Sabrina, sadly) and that Berger allowed them to state the obvious: that our two main characters spend so much time together. It's at least a cute wink given that Maxi is friends with everyone else in that house and they are constantly together only because the script needs them to.

Even if Pedro and Maxi's private exchanges become a little tiresome towards the end (and gross), I choose to stick with the better parts of the movie: the main actors and my renewed interest in this filmmaker's work. Hopefully he'll be able to create in the future something that happens in just one night (or in the span of several weeks) making more plausible the constant exchange between males that he loves to portray.

Pedro travels from Spain to Argentina for a beach vacation at his extended family's home. Present are his cousin and a small, similarly aged group - including a childhood friend, Maxi, who has just broken up with his girlfriend. Pedro and Maxi's playfully flirty sexual banter is fun, highly entertaining for all, and takes on a life of its own over the course of the vacation.

The movie revolves around the fascinating rapport and connection that builds between Pedro and Maxi, they continually straddle the space between bro-banter and flirtation that leaves everyone, including the viewer, wondering just how far they are going to go...