IMDb-BEWERTUNG
5,8/10
4936
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn office worker is trapped inside the building where a killer is on the loose.An office worker is trapped inside the building where a killer is on the loose.An office worker is trapped inside the building where a killer is on the loose.
- Regie
- Drehbuch
- Hauptbesetzung
Frankie J. Allison
- Barney the Security Guard
- (as Frankie Jay Allison)
Alejandro Patiño
- Fernando the Janitor
- (as Alejandro Patino)
Julie Elizabeth Abeyta
- Businesswoman
- (Nicht genannt)
Michael Raif Brizzolara
- Witness to John Ferguson's Suicide
- (Nicht genannt)
Christian Ijin Link
- Businessman
- (Nicht genannt)
Empfohlene Bewertungen
Visibly low budget & minus wham-bam special effects, Not Safe For Work relies instead on acting and story. This is a very effective film.
Have you noticed how there is a new generation of worry, fear, threat concerning the power of corporations and big business in our collective lives? Most effectively, in Margin Call (10+), but elsewhere across a broad spectrum of movies US & otherwise. Not Safe For Work is a significant contribution to this contemporary genre: Don't Trust Business.
The two key male leads in this story are specially strong, most significantly the villain -- aka "The Killer" -- played by J. J. Feild, who exhibits a powerfully creepy calmness in voice and body language. His evil -- the banality of evil -- signifies the rot at work in the world of business itself. Max Minghella, playing the key office worker, has a true Jack Lemmon charm as the wily office schmo who's not such a looser after all.
This story happens to be about US business. But corporations & capitalism being what they are nowadays in our global, post-Cold War world; this business tale could be about China, Brazil, Germany, or Whathaveyou. Like a fine police procedural by Ed McBain, this plot is easily transferable to most other modern cultures.
Finally the fact that the heroes escape and yet do not (if you haven't seen it, I don't want to spoil the plot for you) shows how serious is its moral and political intent. Not Safe For Work is an intriguing incrimination. How can one escape from where business life is now? The answer is left deliciously hanging in Not Safe For Work. Yes, folks, we are unsafe. Try to find a way out. Just try.
Have you noticed how there is a new generation of worry, fear, threat concerning the power of corporations and big business in our collective lives? Most effectively, in Margin Call (10+), but elsewhere across a broad spectrum of movies US & otherwise. Not Safe For Work is a significant contribution to this contemporary genre: Don't Trust Business.
The two key male leads in this story are specially strong, most significantly the villain -- aka "The Killer" -- played by J. J. Feild, who exhibits a powerfully creepy calmness in voice and body language. His evil -- the banality of evil -- signifies the rot at work in the world of business itself. Max Minghella, playing the key office worker, has a true Jack Lemmon charm as the wily office schmo who's not such a looser after all.
This story happens to be about US business. But corporations & capitalism being what they are nowadays in our global, post-Cold War world; this business tale could be about China, Brazil, Germany, or Whathaveyou. Like a fine police procedural by Ed McBain, this plot is easily transferable to most other modern cultures.
Finally the fact that the heroes escape and yet do not (if you haven't seen it, I don't want to spoil the plot for you) shows how serious is its moral and political intent. Not Safe For Work is an intriguing incrimination. How can one escape from where business life is now? The answer is left deliciously hanging in Not Safe For Work. Yes, folks, we are unsafe. Try to find a way out. Just try.
Here we have a much used premise of killer in building chasing innocent but very inventive office worker.Done may times before but even with the relatively short running time of just over an hour,this movie packs a lot of punches.Good story,tension.bang up to date technically and a joy to watch.And of course well acted throughout.Check it out if you like fast paced,well made jumpy thrillers. Similar in a lot of ways to a previously unknown thriller called RUN with a young Patrick Dempsey being chased by hit men,but always one step ahead by quick thinking and improvisation.You don.t need gratuitous violence,a bucket full of profanities and OTT action to create a quality thriller.Not Safe to Work is a perfect example of this!
Fantastic...go and see it... the plot revolves around an intern working in a law firm where he notices unusual turn of events at the time of his dismissal from work. He further investigates to know why and how.. This is a movie which will keep you at the edge of your seat. This movie is indeed an intelligent movie made with good script and direction. Its filled with twist and turn and with no spoilers..no blood shed of a sort.. quick canny and worth watching.. The script indeed knows the targeted audience and I would recommend every one who is a fan of thriller to see it ... this movie will be in my records...Go and watch it..
There are so many tasteless crap big budget movies that not only do not entertain me but I can't even stomach watching them! Unbelievably they not only make into theaters but make money too!
With that in mind I give this film high marks for doing the job of entertaining me. It was not made up of a bunch of over the top special effects which in my opinion typically make a movie insultingly unbelievable to the point taking away from the entertainment value (with the exception of sci-fi when it actually be called for and needed)
This one was filled with suspense and had a reasonable level of action to go with the plot. It screams for a sequel but it sounds to me like it did not impress a lot of people so I am thinking it will be one more disappointment in that department joining a long list of other movies that were half told stories obviously written with the ideal that there should be MORE to come!
I am so disappointed with the crappy comedies and gore films that audiences seem to eat up (I am hoping these audiences are mainly adolescent/teens that just don't know any better yet?) ...because it so seems like the more moronic or over the top ridiculous something is, the more likely it is to financially succeed and spawn a parade of sequels that are even worse! trash franchise for the lowlife and teen audiences?
Well... I can not "beat em" but I certainly am not about to "join em" !
With that in mind I give this film high marks for doing the job of entertaining me. It was not made up of a bunch of over the top special effects which in my opinion typically make a movie insultingly unbelievable to the point taking away from the entertainment value (with the exception of sci-fi when it actually be called for and needed)
This one was filled with suspense and had a reasonable level of action to go with the plot. It screams for a sequel but it sounds to me like it did not impress a lot of people so I am thinking it will be one more disappointment in that department joining a long list of other movies that were half told stories obviously written with the ideal that there should be MORE to come!
I am so disappointed with the crappy comedies and gore films that audiences seem to eat up (I am hoping these audiences are mainly adolescent/teens that just don't know any better yet?) ...because it so seems like the more moronic or over the top ridiculous something is, the more likely it is to financially succeed and spawn a parade of sequels that are even worse! trash franchise for the lowlife and teen audiences?
Well... I can not "beat em" but I certainly am not about to "join em" !
The plot: On the day that he is fired, an idealistic paralegal witnesses a professional killer murder one of his former coworkers at a legal firm.
I guess the setup isn't too original, but that's fine with me. I'm always up for a thriller in which a witness is hunted down by a hit-man. The plot is vaguely topical, and it should appeal to those who rail against "big pharma". The setting is law firm engaged in legal action against a giant pharmaceutical company, and there is occasional commentary about corruption in the pharmaceutical industry.
There are a number of minor problems with the film, but I don't think any of them make it unwatchable. If you're more interested in entertainment value than originality, and you're forgiving of plot holes, I think you could do worse than this. The ending has received a bit of criticism here, but I thought it was perfectly fine. However, if you're the kind of person who wants every single plot element fully resolved, I can see how that would annoy you.
There isn't any gore, nudity, or excessively harsh language, and the violence is fairly restrained. There isn't really all that much atmosphere, but Mindhella and Feild do a decent job. For a direct-to-video thriller, I'd say it's about what you might be expecting: flawed but watchable, unoriginal but entertaining.
I guess the setup isn't too original, but that's fine with me. I'm always up for a thriller in which a witness is hunted down by a hit-man. The plot is vaguely topical, and it should appeal to those who rail against "big pharma". The setting is law firm engaged in legal action against a giant pharmaceutical company, and there is occasional commentary about corruption in the pharmaceutical industry.
There are a number of minor problems with the film, but I don't think any of them make it unwatchable. If you're more interested in entertainment value than originality, and you're forgiving of plot holes, I think you could do worse than this. The ending has received a bit of criticism here, but I thought it was perfectly fine. However, if you're the kind of person who wants every single plot element fully resolved, I can see how that would annoy you.
There isn't any gore, nudity, or excessively harsh language, and the violence is fairly restrained. There isn't really all that much atmosphere, but Mindhella and Feild do a decent job. For a direct-to-video thriller, I'd say it's about what you might be expecting: flawed but watchable, unoriginal but entertaining.
Wusstest du schon
- WissenswertesThis movie was originally supposed to be released in 2012.
- PatzerTom is unable to call 911 due to phone lock; however every phone has an option to dial 911 even if the phone is locked.
- Zitate
Thomas Miller: Gotcha!
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Trabajo mortal
- Drehorte
- USA(usa)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 14 Min.(74 min)
- Farbe
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