Unter Beobachtung

i just want to say that i only took a peek at the first few lines of the first review on the first page and that was it...and i have to say that i have to agree with the reviewer and as a matter of fact, that was the first thought that occurred to me. this movie is a lot like the movie " ghost writer ", so if you liked aforementioned movie...which i did, then you will probably, most likely enjoy this movie also. did the British government have anything to do with the low rating? this movie was so much more juicier then the " ghost writer "...i mean come on man this is first rate movie making with a bunch of "A" list actors and actresses who were up to the task. there is nothing that i dislike about this movie except for its running time, which is too short for a good thriller like this. this movie literally had me eyes glued to the screen it was so juicy. i like a movie with a lot of twists and tension thru-out the movie and the ending to me was kind of unexpected. Kudos to all involved for coming out with such an entertaining movie.

Martin Rose (Eric Bana) and Claudia (Rebecca Hall) are assigned to a case to defend Farroukh Erdogan (Denis Mochitto) who is accused of bombing a London market killing 120 plus. Because this case involves classified information Martin and Claudia cannot interact together or they will lose their licenses. Martin is the Defense Lawyer. Claudia is the Defendant's Advocate. Martin will defend in Open Court and Claudia will defend in Closed Session where classified information will be presented. In time, both learn that a government cover-up may be in play. Uh oh! What to do? What to do?

Not sure though if the Advocate person is only assigned when classified info is in play. No matter. It is what it is.

Well, of course, you know that Martin and Claudia will somehow interact and this will cause them to be most careful. Oh, they were lovers a while back. See?

This will not be the thriller you may have expected. No, it's a comfortable ride and the pacing is just right. Some things happen but nothing to put you on the edge of your seat. It's not that kind of thriller, but it is watchable. See?

I enjoyed this but the ending is really weak. Bummer. (5/10)

Violence: Yes. Sex: No. Nudity: No. Language: Yes.

It was a bit difficult getting up the motivation to do a write up for this one, as it does not inspire. But it is very believable, with a realistic feel in script and action. Both sharp and taut throughout, this is meant to be more intellectually stimulating than adrenaline releasing. A movie that makes you think. I found the tone and atmosphere, at least in part, to be comparable to Roman Polanski's recent effort in The Ghost Writer.

There seems to be a resurgence in recent years in both the practice of and appreciation for the well honed tension that Hitchcock was famous for. This has some of that. It seems that making what most would call a good movie was not the aim here, as much as having something to say, and wanting it said well. Which it was. What was said bothers you a bit, after.

If you combined elements of the legal drama in Syriana, the syntax of a big brother government in Enemy of the State, along with the perfect pace and proper tension in The Ghost Writer, you'll have an idea of the movie. Perhaps that's what he was aiming at. It isn't as good as any of those films. But definitely worth seeing if you want something more cerebral.

Without giving anything away, it seems they were very clever in an almost feigned attempt at a happy ending. A bit of psychological warfare I think. You'll have to see it to know what I'm talking about. Much too lite for such a serious threat. But then, that was probably the intention. It kind of helps drive it home and makes it stick to you. Some complained about it being too short. I do want my money's worth, but I don't think the time affected the quality of the movie.

http://fullgrownministry.wordpress.com/2013/07/29/no-anxious-thought/

With good performances and good chemistry from Eric Bana and Rebecca Hall, "Closed Circuit" is an exciting legal thriller that makes you wonder whether there may be something about those conspiracy theories that we have all heard since 9/11. Beautifully crafted, the film will keep you on the edge of your seat and inform you about the British legal system. If, toward the end, it turns a bit into the realm of make believe, it is all done in a way where the protagonists never seem so far fetched in their actions that all of a sudden the film turns into Mission Impossible. Everyone knows that this IS possible and it's what makes the film good.

Writer Steven Knight (Eastern Promises, Dirty Pretty Things, Redemption) has turned out another tense thriller that is all the more poignant because of the state of affairs with all countries win their subterfuge of crossing lines with the various branches of 'justice' and investigation now made more visible post Edward Snowden's lifting of the veil of secrecy that has for so long confused the public as to how the governments actually function in the struggle with terrorism. This one of course focuses on Britain's multi-phased departments both in criminal work and judicial response. If for no other reason this film is worth watching to see just how occult those sorts of dealings are an how in essence our individual privacy is a dinosaur. A high-profile terrorism case involving an alleged Turkish terrorist Farroukh Erdogan (Denis Moschitto) who sets off a major bomb in central London, killing scores of people unexpectedly binds together two ex-lovers Martin (Eric Bana) and Claudia (Rebecca Hall) on divisive sides of the defense team - testing the limits of their loyalties and placing their lives in jeopardy. The cast of characters on both sides of the Turkish terrorist plot are polished and conniving and include Ciarán Hinds, Jim Broadbent, Anne-Marie Duff, Julia Stiles (the sole American in the mêlée), Riz Ahmed, Kenneth Cranham, to name a few excellent performances. The use of multiple screens throughout the film not only enhances the plot but also laces a magnifying glass on the techniques of the security measures that affect us all. This is a fast moving, tense, credible movie that carries far more importance than the story it tells. Well worth watching, especially in view of the increasing exposure of understanding terrorism thanks to the presence of television series such as Homeland, Person of Interest, Strike Back et al.

Grady Harp