IMDb-BEWERTUNG
7,7/10
2920
IHRE BEWERTUNG
Verfolgt das Leben von fünf Chirurgen, die an die Grenzen ihrer persönlichen und beruflichen Gefühle gehen.Verfolgt das Leben von fünf Chirurgen, die an die Grenzen ihrer persönlichen und beruflichen Gefühle gehen.Verfolgt das Leben von fünf Chirurgen, die an die Grenzen ihrer persönlichen und beruflichen Gefühle gehen.
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This program has become my new Sopranos... that's the one I eagerly looked forward to the new episode all week long! I did some Google searching on the series only to find out that it has begun with sort of a "ho-hum" from viewers and critics.
I think the chemistry between the characters is in line with the likes of Seinfeld or, again, the Sopranos... and it hasn't really even had the chance to mature yet. The casting is great and the varied personalities and 'ethics' of the characters captivating. The M&M sessions (Morbidity and Mortality) are well done and I find myself thinking what I would do in the situation.
When I listen to what most Americans are talking about on TV (Idol, Housewives, etc) I realize this isn't going to appeal to the masses. I hope it can survive!!
I think the chemistry between the characters is in line with the likes of Seinfeld or, again, the Sopranos... and it hasn't really even had the chance to mature yet. The casting is great and the varied personalities and 'ethics' of the characters captivating. The M&M sessions (Morbidity and Mortality) are well done and I find myself thinking what I would do in the situation.
When I listen to what most Americans are talking about on TV (Idol, Housewives, etc) I realize this isn't going to appeal to the masses. I hope it can survive!!
I go along with pennymaui: Patients need this kind of wake-up lesson about not necessarily trusting the first doctor or opinion.
I've already learned a lot of things I didn't know just watching the show, especially tonight. (I DVR shows) I hope this show has a lot more then 10 episodes. I really think people can learn a lot just from the Monday morning parts of the show. I love what they do there. Especially about the feelings of the patients and their families. Please, please keep this show going, it's great. I'm so sick of all the stupid comedy and reality shows that are on now. They have canceled sooo many good shows after just one season.
I've already learned a lot of things I didn't know just watching the show, especially tonight. (I DVR shows) I hope this show has a lot more then 10 episodes. I really think people can learn a lot just from the Monday morning parts of the show. I love what they do there. Especially about the feelings of the patients and their families. Please, please keep this show going, it's great. I'm so sick of all the stupid comedy and reality shows that are on now. They have canceled sooo many good shows after just one season.
I should clarify that this review is written at the very beginning of the series. So far, only the pilot has been released, so this will be obsolete soon. However, I saw that the show is already getting more negative reviews than it deserves, so I thought I should do my best to do it some justice.
Now, if you're a David E. Kelley Fan, you'll soon find familiar elements in this show, the easiest to spot being the abnormally high number of main characters with different personalities. You will probably come to love some of them and hate others. Personally, I love this aspect of Mr. Kelley's writing. Sure, shows with all insanely cool characters fighting insanely unlikeable villains are...cool. But, through creating an array of very different characters, the writer has you constantly questioning values, and as a result, gets you more emotionally involved.
One of the most disappointing things about the Pilot was the lack of Comedy. Now, obviously this is meant to be a drama, but again, Mr. Kelley has shown a lot of strength in intertwining drama and comedy in various dosages: The practice had lots of Drama and some comedy. Boston Legal had both equally. Harry's Law had perhaps the most comedy of all. But so far, I've seen lots of Drama and no Comedy, which can get boring, preachy, and resembling shows like Grey's Anatomy.
In short, this show does have a bit of promise, but some flaws too. However, being a David E. Kelley fan, one should know that all his shows start slow and work their way up. One should also know that the cast may change without notice, and one should also be sure of the fact that a lot of strength is bound to arise from the guest appearances.
In conclusion, if you are the kind of person who follows a show a week-by-week (as opposed to those who'd rather wait for the DVD to come out), then it's only fair to have some patience, and let the show grow. Granted, I won't lie and say it's the best pilot ever, but I see some promise in this show, enough to give it a chance to properly impress me.
Now, if you're a David E. Kelley Fan, you'll soon find familiar elements in this show, the easiest to spot being the abnormally high number of main characters with different personalities. You will probably come to love some of them and hate others. Personally, I love this aspect of Mr. Kelley's writing. Sure, shows with all insanely cool characters fighting insanely unlikeable villains are...cool. But, through creating an array of very different characters, the writer has you constantly questioning values, and as a result, gets you more emotionally involved.
One of the most disappointing things about the Pilot was the lack of Comedy. Now, obviously this is meant to be a drama, but again, Mr. Kelley has shown a lot of strength in intertwining drama and comedy in various dosages: The practice had lots of Drama and some comedy. Boston Legal had both equally. Harry's Law had perhaps the most comedy of all. But so far, I've seen lots of Drama and no Comedy, which can get boring, preachy, and resembling shows like Grey's Anatomy.
In short, this show does have a bit of promise, but some flaws too. However, being a David E. Kelley fan, one should know that all his shows start slow and work their way up. One should also know that the cast may change without notice, and one should also be sure of the fact that a lot of strength is bound to arise from the guest appearances.
In conclusion, if you are the kind of person who follows a show a week-by-week (as opposed to those who'd rather wait for the DVD to come out), then it's only fair to have some patience, and let the show grow. Granted, I won't lie and say it's the best pilot ever, but I see some promise in this show, enough to give it a chance to properly impress me.
We don't need a lot more comedy or what passes for comedy on network TV. There are not a lot of shows that take a serious subject and dramatize it so that people who do not just watch CNN and other news can be educated about what has usually been kept 'quiet'. Sanjay Gupta, MD has impressed me all through his CNN career and now he has written a book and collaborated on this TV series so that the general TV watching public can be educated without being 'lectured'. Its entertainment! I too miss ER but this promises to continue in the genre and its a sad statement on North Americans to see such negative responses. Maybe these people should mention the names of shows they DO think worth watching? what .. Survivor?? Anger Management?? Those of us who appreciate really intelligent scripts that for once are not from the BBC need to applaud the producers for serving up what I just told my husband I thought was now the best new thing on TV..and its not even about lawyers and cops! (we like those too). But Gray's Anatomy is more like a soap opera than a drama. Patients need this kind of wake-up lesson about not necessarily trusting the first doctor or opinion. I thought the acting was just fine and appropriate. Please please don't pan this promising new series!!
I was very skeptical of this show to say the least. That's because I can't remember a single hospital show that I liked, ever. Monday Mornings ended up being a pleasant surprise. Maybe pleasant is the wrong word—the show is neither for the squeamish on the visual nor the emotional side.
One preview I read stated that Monday Mornings was special because it showed us a side of the medical system that we haven't really seen before in other hospital shows. I rolled my eyes a bit at that, because what it usually means is coating the topical parts of the show with some completely unrelated melodrama elements to show the "human side" of it all. Well, Monday Mornings does show the human side alright, but not in the way I would have expected.
The focus and unique element of the series are the eponymous Monday morning meetings of surgeons. The main topics discussed are cases of patients who died while in the hospital's care—namely those where the decisions or conduct of the surgeons might have been a factor in the patient's death. These meetings are highly dramatized for the sake of television, but they drive home the point of what immense pressure lies on a medical professional's almost every decision. And how hard these situations are for them personally, even before they have to take professional responsibility, and justify their decisions.
It's a part of the medical system we don't very much like to think about. With all the research, high-tech equipment and drugs marketed as miracles, a good deal of eyewash makes us want to believe that in our day and age, no one needs to die if we just have the technical means to heal them. But when we first decide to seek medical assistance, when we are diagnosed, how accurate the diagnosis is, if the doctors make the right calls at the right time, and whether they react correctly to the way we are responding to treatment—at any imaginable stage, the human element is a huge factor and source of error. Portrayed in other shows as the "gods in white", Monday Mornings makes it a point to show that, for doctors, mistakes being a matter of life and death doesn't change the fact that they are human beings who occasionally will make them. It's an uncomfortable truth that who treats you can make a crucial difference in your life. But medical science so far wasn't able to make us clairvoyant. Judgement calls, and bad judgement, are an everyday part of it.
While there are some stereotypical characters, they're less cringe-inducing than on most shows. There's the workplace sweethearts, but their relationship (so far) hasn't overshadowed the actual plots. There's the tyrannical supervisor who, just barely, manages to not turn into a caricature. And the Asian overachiever is actually funny ("What's the worst that could happen?" – "Dead. Worst is always dead." – "Have you done this before?" – "Once." – "How did it go?" – "Dead.") The first episodes averted more cliché lines than they gave in to, opting instead for more honest and realistic conversations. Going by genre alone I expected it to be painful to watch, but it really wasn't.
There is only so much you can do to keep hospital routine, even from such a different perspective, fresh enough for a television show. Monday Mornings has yet to show if and how it will manage to do that. Most other shows just add so many personal and relationship plot lines for the medical staff, that the entire show essentially ends up being a random soap opera in front of a hospital backdrop. Others... well, actually, the only other one I can think of is House, M.D., who borrowed from crime shows to become more of a thriller. I'm curious to see whether Monday Mornings will carve its own path. But so far, my verdict is that it's definitely worth having a look at.
One preview I read stated that Monday Mornings was special because it showed us a side of the medical system that we haven't really seen before in other hospital shows. I rolled my eyes a bit at that, because what it usually means is coating the topical parts of the show with some completely unrelated melodrama elements to show the "human side" of it all. Well, Monday Mornings does show the human side alright, but not in the way I would have expected.
The focus and unique element of the series are the eponymous Monday morning meetings of surgeons. The main topics discussed are cases of patients who died while in the hospital's care—namely those where the decisions or conduct of the surgeons might have been a factor in the patient's death. These meetings are highly dramatized for the sake of television, but they drive home the point of what immense pressure lies on a medical professional's almost every decision. And how hard these situations are for them personally, even before they have to take professional responsibility, and justify their decisions.
It's a part of the medical system we don't very much like to think about. With all the research, high-tech equipment and drugs marketed as miracles, a good deal of eyewash makes us want to believe that in our day and age, no one needs to die if we just have the technical means to heal them. But when we first decide to seek medical assistance, when we are diagnosed, how accurate the diagnosis is, if the doctors make the right calls at the right time, and whether they react correctly to the way we are responding to treatment—at any imaginable stage, the human element is a huge factor and source of error. Portrayed in other shows as the "gods in white", Monday Mornings makes it a point to show that, for doctors, mistakes being a matter of life and death doesn't change the fact that they are human beings who occasionally will make them. It's an uncomfortable truth that who treats you can make a crucial difference in your life. But medical science so far wasn't able to make us clairvoyant. Judgement calls, and bad judgement, are an everyday part of it.
While there are some stereotypical characters, they're less cringe-inducing than on most shows. There's the workplace sweethearts, but their relationship (so far) hasn't overshadowed the actual plots. There's the tyrannical supervisor who, just barely, manages to not turn into a caricature. And the Asian overachiever is actually funny ("What's the worst that could happen?" – "Dead. Worst is always dead." – "Have you done this before?" – "Once." – "How did it go?" – "Dead.") The first episodes averted more cliché lines than they gave in to, opting instead for more honest and realistic conversations. Going by genre alone I expected it to be painful to watch, but it really wasn't.
There is only so much you can do to keep hospital routine, even from such a different perspective, fresh enough for a television show. Monday Mornings has yet to show if and how it will manage to do that. Most other shows just add so many personal and relationship plot lines for the medical staff, that the entire show essentially ends up being a random soap opera in front of a hospital backdrop. Others... well, actually, the only other one I can think of is House, M.D., who borrowed from crime shows to become more of a thriller. I'm curious to see whether Monday Mornings will carve its own path. But so far, my verdict is that it's definitely worth having a look at.
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- WissenswertesIt was David E. Kelley's suggestion to make the character of Alfred Molina British, not only because it would be easier for the actor to act on his natural accent, but also because emphasized the distance between Hooten and his staff, making this distance even more apparent, more clear.
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