Russia 1985-1999: TraumaZone
- Fernsehserie
- 2022
IMDb-BEWERTUNG
8,6/10
1237
IHRE BEWERTUNG
Wie es sich anfühlte, den Zusammenbruch des Kommunismus und der Demokratie mitzuerleben.Wie es sich anfühlte, den Zusammenbruch des Kommunismus und der Demokratie mitzuerleben.Wie es sich anfühlte, den Zusammenbruch des Kommunismus und der Demokratie mitzuerleben.
- 1 BAFTA Award gewonnen
- 1 wins total
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Empfohlene Bewertungen
What an unexpected jem. I can't thank the various BBC journalists that shot this enough for the almost unbelievable insight it gives into the Russian past and also what's happening today.
To be able to see things from the top political levels right down to what it was like in day to day Russian life on the ground is brilliant.
Having visited Moscow and Ukraine I found it a shocking insight into what was invisible to a casual tourist but lurking beneath the surface.
Just a pity that my current favourite BBC correspondent Steve Rosenberg doesn't seem to have had any involvement so far.
Truth must prevail !
To be able to see things from the top political levels right down to what it was like in day to day Russian life on the ground is brilliant.
Having visited Moscow and Ukraine I found it a shocking insight into what was invisible to a casual tourist but lurking beneath the surface.
Just a pity that my current favourite BBC correspondent Steve Rosenberg doesn't seem to have had any involvement so far.
Truth must prevail !
Trauma zone is profoundly affecting, It's a series that is so disconcerting, chaotic, unsettling and surprising that I found I couldn't binge watch it. I had to take my time to digest what I was seeing. I lived through the period in question and had literally no idea of what was really happening in Russia. This is more a work of art or perhaps an "emotional history" than a straight history (and looking at some of these reviews some people have not appreciated this). It's aiming to reflect what it was like to live through this and frankly I am surprised if anyone in Russia retained 100% of their sanity with everything that happened. This series is stupendous in its breadth and the footage it includes provides a disturbing insight into a turbulent and almost hallucinogenic period of recent history for Russia and the former USSR. It's brilliant basically.
Adam Curtis made an excellent choice not to narrate Russia 1985-1999: TraumaZone. Although at times I've almost heard his voice and it would have fitted perfectly, the images were so strong and speaking for themselves that narration would've just spoiled them.
In fact it would be very difficult to summarize in one review what this documentary tried to convey. We saw a lot of extremes one associates with Russia, probably intensified because we're observing a country partially rooted in European culture.
It was inevitable that Russia 1985-1999: TraumaZone offers some insights in the former Soviet republics, as well, even some satellites of the Warsaw pact. I'm pointing this out since it still puzzles me why a lot of people use the terms Russian and Soviet interchangeably.
Russia 1985-1999: TraumaZone was very good, both in terms of content and delivery. Even the inevitable bias, given the footage stemming from BBC archives, was so slight that it didn't ruin the objectivity of the documentary.
In fact it would be very difficult to summarize in one review what this documentary tried to convey. We saw a lot of extremes one associates with Russia, probably intensified because we're observing a country partially rooted in European culture.
It was inevitable that Russia 1985-1999: TraumaZone offers some insights in the former Soviet republics, as well, even some satellites of the Warsaw pact. I'm pointing this out since it still puzzles me why a lot of people use the terms Russian and Soviet interchangeably.
Russia 1985-1999: TraumaZone was very good, both in terms of content and delivery. Even the inevitable bias, given the footage stemming from BBC archives, was so slight that it didn't ruin the objectivity of the documentary.
I could lie and say I've watched every Curtis, I haven't, in honesty I've watched around 5 of his creations. Often found his work a mixture of mesmerisingly brilliant and somewhat simplistic.
What he's done here is truly impressive, and I say this as someone with a particular interest in the subject matter. For weeks friends have been telling me "I must watch the new Curtis" and "it's all the stuff you find interesting, how haven't you seen it".
I folded and turned it on, and have been thinking about it ever since.
He's somehow managed to organise (with his team) a patchwork of archival footage into one of the most hauntingly brilliant works of film. Many moments I thought, he's going to miss this thing, this moment or important reference and yet he never does.
A harrowing and important work, makes the viewer feel the absolute madness of the place and time, the visceral horror and unbelievable unfairness of it all.
What he's done here is truly impressive, and I say this as someone with a particular interest in the subject matter. For weeks friends have been telling me "I must watch the new Curtis" and "it's all the stuff you find interesting, how haven't you seen it".
I folded and turned it on, and have been thinking about it ever since.
He's somehow managed to organise (with his team) a patchwork of archival footage into one of the most hauntingly brilliant works of film. Many moments I thought, he's going to miss this thing, this moment or important reference and yet he never does.
A harrowing and important work, makes the viewer feel the absolute madness of the place and time, the visceral horror and unbelievable unfairness of it all.
Adam Curtis blesses us again with another multi-hour, hard-hitting, raw documentary. The concept of the footage speaking for itself is risky; however, the bet pays off fully, transporting the viewer into a realm of real-life ultraviolence. While not entirely a novel concept, it is a far more intellectual endeavor than a pundit panel or a classic history documentary.
Growing up in the 1990es Russia, my recollections of the period are vague and are in the process of being excavated by a psychologist. The series rips up the protective cortisol abatement of psychological trauma I experienced only as a spectator - a seven-hour panic attack fueled by violence, injustice, and disregard for human life.
While this viewing experience may sound like a definition of Hell, it is strangely therapeutic - perhaps by being so personal. It also, perhaps unintentionally, has a message of perseverance in face of the horrors of the human condition.
Scene highlight: man drinking low-quality bootleg vodka with disgust - sums up the atrocities depicted in the documentary quite well.
Growing up in the 1990es Russia, my recollections of the period are vague and are in the process of being excavated by a psychologist. The series rips up the protective cortisol abatement of psychological trauma I experienced only as a spectator - a seven-hour panic attack fueled by violence, injustice, and disregard for human life.
While this viewing experience may sound like a definition of Hell, it is strangely therapeutic - perhaps by being so personal. It also, perhaps unintentionally, has a message of perseverance in face of the horrors of the human condition.
Scene highlight: man drinking low-quality bootleg vodka with disgust - sums up the atrocities depicted in the documentary quite well.
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