Im Hollywood der 1980er Jahre hat die aufstrebende Schauspielerin Maxine Minx endlich ihren großen Durchbruch. Doch als ein mysteriöser Killer die Stars und Sternchen von Hollywood jagt, zie... Alles lesenIm Hollywood der 1980er Jahre hat die aufstrebende Schauspielerin Maxine Minx endlich ihren großen Durchbruch. Doch als ein mysteriöser Killer die Stars und Sternchen von Hollywood jagt, zieht sich eine BlutspurIm Hollywood der 1980er Jahre hat die aufstrebende Schauspielerin Maxine Minx endlich ihren großen Durchbruch. Doch als ein mysteriöser Killer die Stars und Sternchen von Hollywood jagt, zieht sich eine Blutspur
- Auszeichnungen
- 8 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'MaXXXine' concludes the X trilogy with mixed reactions. Mia Goth's performance and 80s aesthetic are praised, yet the plot is criticized for predictability. Homage to classic horror and Hollywood is appreciated, though some find it lacks tension and originality. Supporting cast performances are varied, with standouts and forgettables noted. Cinematography and soundtrack are strengths, but pacing and climax are often criticized. Fans of the series find it enjoyable, while others feel it falls short, making 'MaXXXine' a divisive entry.
Empfohlene Bewertungen
I might've been a little too hyped to see this third installment of the X trilogy because I left the theater somewhat disappointed.
Mia Goth rocks the role of Maxine. But the character deserved a better finale. The stakes didn't feel high enough. I'm a fan of Kevin Bacon, but his character wasn't threatening at all. He was more comical (in an annoying way) and given way too much screen time.
The kills were ok. The detectives were one dimensional characters... and the finale was anti-climactic. I would've liked to have seen something more with a Tarantino vibe.
The best part of the movie (aside from Mia) was the use of 80s music and nostalgia. But I can't really attribute that to the filmmakers.
Not a bad movie by any means. All of the elements were there. But the final product just wasn't as dynamic as it could've been.
Mia Goth rocks the role of Maxine. But the character deserved a better finale. The stakes didn't feel high enough. I'm a fan of Kevin Bacon, but his character wasn't threatening at all. He was more comical (in an annoying way) and given way too much screen time.
The kills were ok. The detectives were one dimensional characters... and the finale was anti-climactic. I would've liked to have seen something more with a Tarantino vibe.
The best part of the movie (aside from Mia) was the use of 80s music and nostalgia. But I can't really attribute that to the filmmakers.
Not a bad movie by any means. All of the elements were there. But the final product just wasn't as dynamic as it could've been.
Ti West's wrap up to the Maxine/Pearl trilogy is an eminently watchable, if disappointing thriller, set in the mid-80s. Mia Goth again plays the main character, now a Porn Star who wants to go 'legit' by doing a horror film with the hopes that it will make her a real star.
West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.
On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.
West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.
On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.
This is the movie I was the most excited about out of three. I am a bit sad it was a bit underwhelming.
It is certainly the weakest of the 3. I watched it with my family and we all agreed.
It's just not a compelling story, what exactly is the point? The character development is also extremely shallow, I wasn't really rooting for anyone.
Now, I do love the horror film homages, I loved the chase in the movie set, it reminded me of Scream 3.
I also loved seeing the Bates Motel and the House from Psycho.
Visually it's also beautiful. This looks like it was shot on actual film. It is grainy, vibrant, colorful, lots of contrast, the camera work was great. I just love when a film looks like a film and not an amazon ad. The tone was also a mess, it's a bit of a thriller, a bit of a drama, and just a tiny bit of a horror.
Sadly, the story just falls short, it just wasn't the grand epic finale I was expecting.
It is certainly the weakest of the 3. I watched it with my family and we all agreed.
It's just not a compelling story, what exactly is the point? The character development is also extremely shallow, I wasn't really rooting for anyone.
Now, I do love the horror film homages, I loved the chase in the movie set, it reminded me of Scream 3.
I also loved seeing the Bates Motel and the House from Psycho.
Visually it's also beautiful. This looks like it was shot on actual film. It is grainy, vibrant, colorful, lots of contrast, the camera work was great. I just love when a film looks like a film and not an amazon ad. The tone was also a mess, it's a bit of a thriller, a bit of a drama, and just a tiny bit of a horror.
Sadly, the story just falls short, it just wasn't the grand epic finale I was expecting.
Shoutout to the filmmakers for a great trailer because that's about where the greatness ends.
This film has a pretty solid start for the first 15-20 minutes that seems to set the tone, but it abandons that tone along the way pretty fast. The plot is lackluster and does nothing at all to make you care about any of the characters other than Maxine. Although, sometimes, Maxine is insufferable. Several of the decisions she makes in the movie do not make sense and are incredibly inconsistent with the character.
EVERY "twist" in the movie's plot is predictable if you've watched more than 10 movies in your lifetime.
Kevin Bacon was awesome as usual. That's the only reason I gave this a 3.
This film has a pretty solid start for the first 15-20 minutes that seems to set the tone, but it abandons that tone along the way pretty fast. The plot is lackluster and does nothing at all to make you care about any of the characters other than Maxine. Although, sometimes, Maxine is insufferable. Several of the decisions she makes in the movie do not make sense and are incredibly inconsistent with the character.
EVERY "twist" in the movie's plot is predictable if you've watched more than 10 movies in your lifetime.
Kevin Bacon was awesome as usual. That's the only reason I gave this a 3.
Mia Goth is great, Kevin Bacon is very good as a sleazy PI, Debicki is also good, the cinematography, costumes, sound and soundtrack are good as well. But the storyline is dumb, the last 15 minutes or so are ridiculous and not in a fun way. The movie seems a bit cheap, probably they worked on a tight budget. We don't see much of the 1980s Hollywood or LA, it doesn't say much about the moviemaking business, nor is it a good thriller, horror or psychological drama. It's bits of all these things, but convincing at one. Mia Goth is a true movie star though. Excellent actress, gorgeous too, she's the reason why I give it 5 stars instead of only 3.
Wusstest du schon
- WissenswertesMaxine's "Oui" shirt is a reference to Oui, a men's adult pornographic magazine published in the United States featuring explicit nude photographs. Oui ceased publication in 2007.
- PatzerThe Bette Davis quote shown at the beginning of the film is misquoted. It is actually "Until you're known in my profession as a monster, you're not a star."
- Zitate
Maxine Minx: Do you know what happened to the last person who tried to kill me? I crushed her fucking head.
- Crazy CreditsFitting with the film's 80s aesthetic, after the credits, a "Be kind rewind" sticker is shown, like on many video store rentals.
- VerbindungenEdited from X (2022)
- SoundtracksGimme All Your Lovin
Written by Frank Beard (as Frank Lee Beard), Billy Gibbons & Dusty Hill (as Joe Michael Hill)
Performed by ZZ Top
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Maxxxine
- Drehorte
- Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(outdoor studio, Bates motel and house set: Maxine running away from Labat)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.097.632 $
- Eröffnungswochenende in den USA und in Kanada
- 6.705.038 $
- 7. Juli 2024
- Weltweiter Bruttoertrag
- 22.057.160 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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