Füge eine Handlung in deiner Sprache hinzuA disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.
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So I'm trying to figure out if this is really a true story. It's being advertised as a true story. But other reviews say that is a not a true story who is correct? Also who was injected with the pentanol? Did he shoot her or did she shoot herself? I thought the movie was pretty good, a bit suspenseful. One part of the movie that was not convincing, how did she pull him up through the elevator hatch? Any feedback on this movie would be appreciated. The end was a little confusing. Did Jack die at the end of the movie? What had happened to the security guard? Again is this a true story? I would recommend watching the "Golden Glove" that is a true story.
Nice movie, well done and not at all obvious.
I don't understand why it has an insufficient average
I just want to say the acting from the two main characters was incredibly good as well as the acting from the security guard, I think they've been in a lot of movies so they have experience but the couple waiting for the elevator were awful, worst acting I've seen in a long time no idea how they got the okay as it compromised the film. The concept was good but the way they went about it was not the greatest. I just feel like it could have been done a whole lot better but still I thought it was alright, definitely not bad at all.
As a critic I indulge myself by scoffing at loopholes in thrillers that could not exist without them. I guess I'm seeking the ideal of a thriller existing entirely in a world of physical and psychological plausibility. "The elevator" is about as close as I'm likely to get. Yes, there are moments when I want to shout advice at the screen, but just as often the characters are ahead of me. They also ask the same questions I'm asking, of which the most heartfelt, in a thriller, is "why didn't we do that?" The movie, directed by Massimo Coglitore and written by Mauro Graiani and Riccardo Irrera, embraces realism almost as a challenge. The movie resembles a chess game; the board and all of the pieces are in full view, both sides know the rules, and the winner will simply be the better strategist. Once we sense "The elevator" isn't going to cheat, it gathers in tension, because the characters are operating out of their own resources, and that makes them the players, not the pawns. The shot combines physical and virtual camera moves, a reminder that Coglitore is a visual virtuoso. He's also a master of psychological gamesmanship.
I assumed this was a low-budget student-made film, based on the number of ratings and reviews, so I was not expecting anything good to come out of it. There were certainly moments that broke my suspension of disbelief; moments in plot that made no sense, ADR that sounded off, and brief moments of unbelievable acting, but overall, it was better than I expected.
In contrast, the main cast was phenomenal, both in performance, and in recognition. Imagine my surprise to see that an international director doing his very first feature-length film roped in three world-class actors.
In all honesty, it was the acting that held the entire thing together - as you may expect from a film set almost entirely in an elevator.
It was definitely slow to get going, though. It wasn't until the half-way mark that the plot actually got interesting. Occasionally things would happen that offered no value to the story line, and until the forty minute mark, a lot of it felt like filler, like the movie wasn't going to be long enough, so more scenes were added.
Nothing was more annoying than thinking something interesting was going to happen, only to realise that nothing was happening at all. I began to get bored after the opening sequence.
That being said, if you can endure the first act, you may be pleasantly surprised by the second, as things begin to pick up the pace, and the characters really begin to develop and take on their own stories.
In the end, I wasn't impressed by the actual plot, and its conclusion. It was an interesting idea, to be sure, but it made for a rather dull conclusion, when it was revealed what it's all about.
Basically, I was pleasantly surprised by the film, but only because I expected a no-budget indie film.
In contrast, the main cast was phenomenal, both in performance, and in recognition. Imagine my surprise to see that an international director doing his very first feature-length film roped in three world-class actors.
In all honesty, it was the acting that held the entire thing together - as you may expect from a film set almost entirely in an elevator.
It was definitely slow to get going, though. It wasn't until the half-way mark that the plot actually got interesting. Occasionally things would happen that offered no value to the story line, and until the forty minute mark, a lot of it felt like filler, like the movie wasn't going to be long enough, so more scenes were added.
Nothing was more annoying than thinking something interesting was going to happen, only to realise that nothing was happening at all. I began to get bored after the opening sequence.
That being said, if you can endure the first act, you may be pleasantly surprised by the second, as things begin to pick up the pace, and the characters really begin to develop and take on their own stories.
In the end, I wasn't impressed by the actual plot, and its conclusion. It was an interesting idea, to be sure, but it made for a rather dull conclusion, when it was revealed what it's all about.
Basically, I was pleasantly surprised by the film, but only because I expected a no-budget indie film.
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- The Elevator
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- 9.157 $
- Laufzeit1 Stunde 33 Minuten
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- 2.35 : 1
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