Vier miteinander verbundene Geschichten, die im Jahr 1987 in Oakland, Kalifornien, spielen, erzählen von der Liebe zu Musik, Filmen, Menschen, Orten und Erinnerungen jenseits unseres bekannt... Alles lesenVier miteinander verbundene Geschichten, die im Jahr 1987 in Oakland, Kalifornien, spielen, erzählen von der Liebe zu Musik, Filmen, Menschen, Orten und Erinnerungen jenseits unseres bekannten Universums.Vier miteinander verbundene Geschichten, die im Jahr 1987 in Oakland, Kalifornien, spielen, erzählen von der Liebe zu Musik, Filmen, Menschen, Orten und Erinnerungen jenseits unseres bekannten Universums.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
LeQuan Antonio Bennett
- Greg
- (as LeQuan Bennett)
Empfohlene Bewertungen
This movie is basically what you would get if you asked an A. I. social media algorithm to make a movie about 1987.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
Nothing makes sense. There's no plot, obviously no research was done into any of the content, character development is non existent, its initial vehicle seems to be racial rage bait disguised as some elementary form of political commentary that comes off like a teenager being interviewed at a pot rally.
But seriously though, how old were the people who came up with this nonsense? It's pretty apparent they were never around in 1987, never mind California.
This could have been a 20 second Tik Tok video.
The opening episodes are tired clichés that nearly put me to sleep. The background becomes the main source of narrative, while the flashy, hyperactive style induces genuine yawns. The only interesting segment features Pedro Pascal - everything else is bland, tedious chaos. The film can't focus on anything, trying to be everything for everyone and ending up as nothing. It's a hollow citation of 1980s cinema - all pop, no substance. Good luck falling for this "love letter" to the era. If you want actual storytelling, look elsewhere.
First 40 minutes? Chewed-up tropes: punks vs neo-Nazis, rappers vs the system, blah-blah-blah... The neon aesthetic and soundtrack are just crutches for narrative lameness. Only Pascal's revenge storyline breaks through - mercifully free of postmodern smirk.
No depth. No originality. Just soulless set dressing - style as empty calories. Every episode is vapid posturing without compelling characters or drama. Essentially - a kaleidoscope of colorful shards with zero meaning. Pascal's classical vengeance arc works precisely because it's not another "experiment". This isn't homage - it's nostalgia plagiarism without vision. At festivals it might pass as "bold"; at home it's reheated leftovers. Without Pascal, this mess would vanish among a thousand forgettable flicks. Visual fast food - strip away the 80s neon and synthwave, and you're left with... nothing.
Now you might argue: "Don't all genre films rely on clichés?" "Isn't 80s nostalgia the whole point?" "What if chaos IS the intention?" "Maybe you're obsessing over Pascal?"
Sure! And you're right! But for real 80s kicks, I'll rewatch:
Freaky Tales is like neon wall art: bright but disposable. Hang it up to flex your taste, but stare too long and you'll spot the emptiness.
The filmmakers couldn't decide between parody, drama, or straight action - so we get a lukewarm reference salad. Pascal's the only frame-worthy element. The rest? Pulp fiction in every bad sense.
First 40 minutes? Chewed-up tropes: punks vs neo-Nazis, rappers vs the system, blah-blah-blah... The neon aesthetic and soundtrack are just crutches for narrative lameness. Only Pascal's revenge storyline breaks through - mercifully free of postmodern smirk.
No depth. No originality. Just soulless set dressing - style as empty calories. Every episode is vapid posturing without compelling characters or drama. Essentially - a kaleidoscope of colorful shards with zero meaning. Pascal's classical vengeance arc works precisely because it's not another "experiment". This isn't homage - it's nostalgia plagiarism without vision. At festivals it might pass as "bold"; at home it's reheated leftovers. Without Pascal, this mess would vanish among a thousand forgettable flicks. Visual fast food - strip away the 80s neon and synthwave, and you're left with... nothing.
Now you might argue: "Don't all genre films rely on clichés?" "Isn't 80s nostalgia the whole point?" "What if chaos IS the intention?" "Maybe you're obsessing over Pascal?"
Sure! And you're right! But for real 80s kicks, I'll rewatch:
- RoboCop ('87)
- Die Hard ('88)
- Pulp Fiction ('94)
- The Terminator ('84)
Freaky Tales is like neon wall art: bright but disposable. Hang it up to flex your taste, but stare too long and you'll spot the emptiness.
The filmmakers couldn't decide between parody, drama, or straight action - so we get a lukewarm reference salad. Pascal's the only frame-worthy element. The rest? Pulp fiction in every bad sense.
I can see why the reviews on this movie are mixed. It is a bit disjointed and has some gaps in the story. As an East Bay native who got into the punk scene around when the first chapter is set, I know this is based on real life events. The punk rockers running the nazi skinheads away from their club/community space, 100% happened. Creepy cops harassing young POC women, that happened (undoubtedly still does). I got a cassette tape of Too $hort's 'Freaky Tales' when I was 12 years old, and when my mom heard half a verse in that song she destroyed that cassette. This is a fictional version of Bay Area realness. Nothing but love for the Bay.
Well this one pleasantly surprised much more than expected.
Each separate story is really entertaining, the writing is great and the cast are brilliant.
It's also great how each one intersects with the other.
What really solidifies the film is the soundtrack. It is absolutely sublime and perfectly helps set the scene throught the film.
So many amazing songs for multiple genres that couldn't have been selected any better.
I found myself genuinely disappointed came to an end, I wanted more.
If 80s retro, killer tunes and ultra violence tick your boxes then you'll not be disappointed.
Thoroughly enjoyed every moment of it.
Each separate story is really entertaining, the writing is great and the cast are brilliant.
It's also great how each one intersects with the other.
What really solidifies the film is the soundtrack. It is absolutely sublime and perfectly helps set the scene throught the film.
So many amazing songs for multiple genres that couldn't have been selected any better.
I found myself genuinely disappointed came to an end, I wanted more.
If 80s retro, killer tunes and ultra violence tick your boxes then you'll not be disappointed.
Thoroughly enjoyed every moment of it.
These are the tales of four strangers whose lives were unknowingly intertwined and changed on a freaky night in Oakland in 1987 when NBA history was made.
This movie is hard to describe or even summarize without spoiling it. The story is told through four chapters, each from the perspective of one of the four individuals. The movie has violence, drama, cameos, and a smidge of history. The story becomes clearer over the one-hour and forty-six-minute runtime, but it is a wild ride throughout. It is an interesting and unique watch, especially when going blind. Stream it when available, if you are intrigued.
This movie is hard to describe or even summarize without spoiling it. The story is told through four chapters, each from the perspective of one of the four individuals. The movie has violence, drama, cameos, and a smidge of history. The story becomes clearer over the one-hour and forty-six-minute runtime, but it is a wild ride throughout. It is an interesting and unique watch, especially when going blind. Stream it when available, if you are intrigued.
Wusstest du schon
- WissenswertesOne of Angus Cloud's final roles before his passing in July 2023. The film is dedicated to his memory.
- PatzerWhilst at the police station, Clint pulls a cigarette that is clearly broken and bent which is lit by The Guy. The camera then pans to The Guy whilst the phone rings. The next shot shows the cigarette in Clint's mouth and it is no longer broken or bent.
- Crazy CreditsThere is a mid credit scene featuring the video clerk.
- VerbindungenReferenced in Film Junk Podcast: Episode 986: Trainspotting + T2 Trainspotting (2025)
- SoundtracksFreaky Tales
written by Todd Shaw
performed by Symba
courtesy of The Starr Island Group/Atlantic Recording Corporation
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Дикі історії
- Drehorte
- Oakland, Kalifornien, USA(on-location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 2.760 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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