Limbo

If you're looking for a violent, action-packed, Hollywood-type film you won't find it here & you'll probably write a snarky IMDB review. If, however, you prefer strong characterization, atmospheric settings, a gripping plot & perfect casting, this is your cup of Aussie tea. I was halfway through the film before I realized it was B/W - I only knew that the general feel of the extraordinary setting grabbed me from the first couple of minutes. Simon Baker is in top form & the rest of the casting was perfect for each role. The story line is strong and the film doesn't deviate from the central plot, but we are given a broad picture of all other characters and their relationship to the main conflict - it all works seamlessly yet intricately. This is one of the best films I've seen in a long time & happily recommend it.

Very atmospheric strong drama with charismatic Simon Baker subtly reminiscent of Walter White: calm masculinity and brokenness.

Filmed beautifully. Black and white film convincingly and vividly conveys heat, heat and hopelessness.

It's true. The acting is excellent. I believe in this story. It will probably be difficult for those who have not lived in small dying towns, who have not experienced the melancholy of impoverished provincial life, to appreciate this film. But this is what happens in life - unfair and cruel. And in order to survive, and not go crazy, you need to find the strength to let go of the situation and move on.

Set against the backdrop of Australia's outback region, Limbo is an unsettling crime drama that sees Detective Simon Baker investigate a 20-year-old cold case involving an Aboriginal woman who went missing years ago. Written by Ivan Sen (who also directed) and featuring his unique score, Limbo presents viewers with raw emotion while driving home how injustice has scarred both land and people.

The film uses breathtaking black-and-white cinematography to create an ominous atmosphere that emphasises isolation and desolation - further underscoring each character's plight through extended shots coupled with minimal dialogue that helps viewers feel every ounce of pain each character experiences. The location is a key element in Limbo, from the rusted-out cars to the deserted streets and lunar-like landscapes.

Themes such as guilt are explored poignantly in Limbo. At the same time, it delves deep into redemption whilst examining limbo as both physical space or spiritual states - touching on heavier subjects sensitively throughout its runtime.

Simon Baker transforms into this jaded detective plagued by heroin addiction - delivering the best performance I have seen from him. The remaining cast, including Rob Collins and Natasha Wanganeen, also deliver great performances as they each process their painful coping mechanisms. Nicholas Hope delivers a standout performance as an enigmatic prospector in Limbo. His portrayal brings an element of mystery tinged with menace. Another significant positive of the film is Sen's atmospheric score which blends electronic sounds with traditional acoustic instruments to create a compelling mood filled with melancholy notes underscored by tension. This all combines into making Limbo what could be considered an acquired taste film - one that not everyone will find gripping due to its unhurried pacing coupled with, at times, disheartening themes. Limbo does not offer superficial resolutions but instead prompts us into introspection on Australian culture, both past and present.

Despite its dark themes and melancholy pace, I recommend viewing it by those who love artistic expression and deeper social considerations. I liked it.

A gaunt, grizzled Simon Baker stalks an arid, haunted alien wasteland in Ivan Sen's immense yet decidedly inward Limbo, an eerie, sorrowful Australian police procedural drama that unfolds in stark black and white against the unearthly backdrop of an opal mining town. Twenty years ago a teenage indigenous girl was murdered here, the killer never found. Baker is the cop called in to reevaluate the cold case, a man who has a past so troubling he takes heroin just to cope with the day to day. The locals initially seem less than willing to help given the neglect and indifference of the police overall in this forgotten region, but eventually the brother (Rob Collins) and sister (Natasha Wanganeen in one of the year's best performances so far) warm up to him and express long buried desire to find some closure. Closure doesn't exist in such an open, vast, lonely corner of the world though and the bizarre stone structures and desert dwellings seem to hold secrets in steadfast silence. Baker stays at a motel that is literally carved into a mineral structure underground, his room akin to being on the moon in terms of tone and atmosphere. He resembles someone like Bryan Cranston here, I'm so used to him as the glib clairvoyant dude on The Mentalist, to see him in such a quietly despairing, resolutely rugged characterization is jarring, but in a good way. He has clearly sacrificed a piece of his humanity for the work, and his journey through this hushed desolation almost beckons him to regain some of it by finding a few long hidden answers. Almost. It's a quiet, hypnotic tale unlike many other cop/killer mysteries, where meaning and significance are found in the wavering pauses between words and all the collective pain and confusion that ripples out from a crime like that can be seen in Wanganeen's ghostly, impossibly wide eyes as she, a relative unknown to me, gives some career best work in a fantastic film.

Limbo is a murder mystery, but more importantly, it is the story of prejudice, neglect, and discrimination.

A detective from the city (unwillingly?) came (to review a 20 yrs old cold case of the murder of an aboriginal girl) to a remote outback city fittingly named Limbo, coz the city as well as the residents seem to be in a perpetual state of limbo.

The motel, where he stays, the residence of key characters, and a few other buildings are repurposed (old & abandoned) opal mines, giving the city a medieval feel. The attitude of authorities (law and order) towards the majority aboriginal community is of racism and apathy and can be best described as medieval. This is also reflected in their profession, at least the way the investigation was done in this particular case. The key characters are also in a state of emotional limbo - the battered detective (with a failed marriage and an estranged kid) and the victim's siblings with the feeling of bitterness, frustration, and helplessness, are unable to move on in life due to the injustice done and lack of a closer.

The slow pace of the narrative, characters, and camera added with minimal dialogues and hauntingly beautiful black & white cinematography, especially the slow, panning, wide-angle drone shots at night, enhances this feeling and you feel that you are in limbo too.